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19 of 19 people found the following review helpful:
5.0 out of 5 stars
Before she got Physical, she was Totally Hot., October 9, 1999
By A Customer
After I bought and listened to PHYSICAL, I just had to hear TOTALLY HOT. However, thanks to MCA Records pulling this and the original ablums from print, it was only available through import. I finally found it in a store in San Franciso and bought it. It was worth every penny. When the first notes of "Please Don't Keep Me Waiting" came through the speakers, I knew I was in for a treat. The song gives real clues to the music scene in 1978, and besides that it well written. "Dancing Round And Round" has country influence, but it is a better piece than some of the songs on MAKING A GOOD THING BETTER. Olivia's own song "Talk To Me" is really great, with a neat horn section, and Olivia's outstanding vocals. "Deeper Than The Night" should be a classic. "Borrowed Time" is another song Olivia wrote and is one of the albums great slow songs. "A Little More Love" is a classic in both Olivia's catalog, and in pop music. Outstanding vocal arrangements, terrific lyrics, I can't help but listen twice. This is the albums most daring cut, the song that would help transform Olivia's image, before "Physical". "Never Enough" like "Borrowed Time" and "Dancing Round And Round" represents Olivia's roots in country music. "Totally Hot" is another song that should be a classic. With a bouncing horn section and great vocal group she made this a hit. "Boats Against The Current" is gorgeous, tender, and powerful. She ends the album on a fun note, with her version of the classic "Gimmie Some Loving". The song was rearranged with a different tempo and large vocal group, she couldn't have picked a better ending. TOTALLY HOT is quite as consisitent as PHYSICAL, but is far more adventurous and varied. She covers a large number of genres, giving tributes to her past recordings, and hints of the ones she would make in a short time. MCA Records should issue this one on CD, it definitely belongs in her catalog.
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14 of 15 people found the following review helpful:
5.0 out of 5 stars
Totally hot ... indeed, October 9, 2005
There is something special about this album. It still sounds great some 27 years later. Hot on the tail end of Grease, Olivia delivered this fine album in late 1978 with several songs penned by her trustworthy Aussie friend and songwriter John Farrar. John had already written tonnes of songs for Olivia over the years, and with this album he continued to shine. The album begins on a high with the stunning "Please don't keep me waiting", before switching to a country feel with "Dancing round and round". The brilliant "A little more love" can be found on this album, as can the very catchy "Deeper than the night". The album also includes possibly John Farrar's best song ever with "Never Enough" - a gorgeous ballad that continues to send shivers up my spine all these years later. The album contains two covers - the first is Eric Carmen's "Boat's against the current" which Olivia performs beautifully. The next (and final track) is a cover of Spencer Davis Group's "Gimme some lovin'". This version is probably the album's weakest song ... although it is still acceptable. It is just not suited to her vocals, but this is only a minor complaint. Overall, Totally Hot is a fine album - red hot in fact. Don't be put off by the silly title (which does sound dated and cheesy I know), you will not be disappointed by this album. It can be difficult to purchase overseas, so consider buying from Australia where it is quite easy to source.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
Olivia's strongest and most versatile recording, September 27, 2001
Alright so I'm a little biased. Olivia is my favourite recording artist, and in my eyes she can do little wrong, but placing that aside, there is no denying that "Totally Hot" is an incredible recording. Touching on a variety of styles (pop, rock, disco, balladry, country), "Totally Hot" was released in 1978, only six months after Olivia wowed audiences with her performance as virgin-turns-vamp in "Grease". The raunchier character which she plays at the end of the film turns up in spirit (bringing with her the black spandex look - see the front cover) on the growling rocker "A Little More Love" and the sixties cover "Gimme Some Lovin'". Other inspired tracks on this gorgeous set include the country-pop feel of "Dancin' Round And Round" (similar in style but far superior to "Slow Dancing" from her previous LP, "Making A Good Thing Better"), the R'n'B-tinged "Deeper Than The Night", and the sexy title track. For disco buffs, Olivia churns out two disco tunes with effortless precisions: the opener "Please Don't Keep Me Waiting" is a firm fan favourite, but was never given a single release (it appeared as the B-side to "Deeper Than The Night" in most countries). It is an average disco tune for the first four minutes, where upon it takes a distinctly bizarre turn leaving the remaining two or three minutes for Olivia to produce some of the most amazing notes ever captured on record. She swoops and dives as if she'd done disco all her life, creating an incredibly atmospheric almost "epic" opening track. The other disco tune on "Totally Hot" is Olivia's self-penned "Talk To Me". Typical of the late seventies, Olivia's silky vocals are complimented perfectly by a jazzy saxophone - an instrument sadly lacking in today's music. The best track is perhaps her beautiful cover of "Boats Against The Current". The notes she hits towards the end of the track still give me shivers, and I must have heard them about 200 times. Olivia's breathy, very vulnerable interpretation is one of her greatest ballads to date, and blows the rather average "I Honestly Love You" out of the water. Over 20 years on, "Totally Hot" is still a fantastic record. Unlike many albums of the seventies, it has not dated whatsoever - even the disco tunes stay fresh and interesting. Olivia is one of the most underrated singers of our time, and "Totally Hot" remains her most compelling work.
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