Sequels seldom match their predecessors in quality, except for Taylor's second set of short lives of 1970s soul music superstars. The Commodores, the Isley Brothers, Earth, Wind & Fire, Donna Summer, and Parliament/Funkadelic are among the luminaries limned, along with the Brothers Johnson, Natalie Cole, George Benson, the Trammps, and the less prolific Sister Sledge and Rose Royce. The chapters on the Isleys and George Clinton's P-Funk crisply detail the complex lineup changes and stylistic developments of those two often underestimated, long-haul purveyors of the irresistible backbeat. Taylor cites Clinton's and EWF's flamboyant performance presentations and celebrates Benson's silky smooth manner. He recalls born-again Christian Donna Summer's ambivalence about being marketed as "something of a sex goddess," though she "often performed with a machine blowing steam between her legs." Packed with detail, eminently readable, Taylor's second volume should satisfy Chaka Khan, whom he covers in the context of her erstwhile band, Rufus, for he "tell[s us] something good."
Mike TribbyCopyright © American Library Association. All rights reserved
Review
A work of oral history capturing this period of the popular music by black artists. Entertaining as well as informative. --
Henry Berry, Editor/Publisher, The Small Press Book ReviewGreat effort toward perfection. This is a great contribution to the media and music itself. The presentation of the book is beautiful!! --
Maurice White, producer and lead singer of Earth, Wind & FireIt's a book our younger artists need to read so they can carry on and protect a great legacy. Great job, Marc! --
Cliff Perkins, lead singer of The Soul Generation