Touch of Evil 1958 NR CC

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(271) IMDb 8.2/10
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This exceptional film noir portrait of corruption and morally-compromised obsessions stars Welles as Hank Quinlan, a crooked police chief who frames a Mexican youth as part of an intricate criminal plot.

Starring:
Charlton Heston, Janet Leigh
Runtime:
1 hour 36 minutes

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Touch of Evil

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Touch Of Evil (50th Anniversary Edition)

Price: $18.77

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Product Details

Genres Thriller
Director Orson Welles
Starring Charlton Heston, Janet Leigh
Supporting actors Orson Welles, Joseph Calleia, Akim Tamiroff, Joanna Moore, Ray Collins, Dennis Weaver, Valentin de Vargas, Mort Mills, Victor Millan, Lalo Rios, Michael Sargent, Phil Harvey, Joi Lansing, Harry Shannon, Marlene Dietrich, Zsa Zsa Gabor, Joe Basulto, Yolanda Bojorquez
Studio Universal Studios
MPAA rating NR (Not Rated)
Captions and subtitles English Details
Rental rights 24 hour viewing period. Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

Customer Reviews

I'd like a dollar for every idiot who comments, "He's not looking too good in this film".
Neville Blender
Although critics are always eager to mention Citizen Kane as Welles' greatest film (or indeed the best film ever made), this movie is much more enjoyable.
Sean vdM
Touch of Evil is probably the finest example of the film noir genre, and Welles' camera angles emphasize the sinister aspects of everyone and everything.
Jason N. Mical

Most Helpful Customer Reviews

313 of 332 people found the following review helpful By Toshifumi Fujiwara on November 20, 2000
Format: DVD
Generally considered as the ultimate Film Noir (and the last film of the genre), TOUCH OF EVIL is certainly one of the most macabre, bizarre poignant films ever produced in Hollywood. The director Orson Welles is of course the man who made CITIZEN CANE, but many Welles affectionados such as Peter Bogdanovich actually consider TOUCH OF EVIL better than KANE; as a matter of fact the best film Welles has ever directed.
Welles' bravula mise en scene, with the help of Russel Metty's startling black-and-white lighting and stunning camera movement, transform Venice, California into a chaotic frontier town between the US and Mexico. Charlton Heston, often refereed to as the most wooden actor in American cinema, gives a performance of his life as a Mexican cop. His casting may sound funny, but please forget that it's the same guy who played BEN HUR and Moses in the TEN COMMANDMENTS watching this movie then his highly energetic, rather over-the-top performance is actually convincing, especially as opposed to Welles' deliciously vicious portrayal of a corrupted American cop. It was actually Heston who suggested Universal that Welles would not only act in this film but also direct it, so you should give him some credit. Janet Leigh plays Heston's all-American wife "from Philadelphia", and is also quite marvelous in the way she turns out to be something else that we first think she is. With Hitchcock's PSYCHO and Anthony Mann's THE NAKED SPUR, this is probably her best performance. Metty's contrasty black-and-white photography also makes her very beautiful. She looks always better in blacho and white than in color, don't you think so?
This unorthodox casting works, because the film is a bigger than life caricature.
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85 of 91 people found the following review helpful By Michael Crane on July 22, 2003
Format: DVD
The story is pretty much known by many that after the heated battle with "Citizen Kane," Orson Welles was never given complete control over his films again. This would lead to the studio editing his movies and changing things he didn't want changed. This was the case with "Touch of Evil," and of course this really upset Welles. Now circumstances are different, as the DVD "Touch of Evil" offers you the restored and uncut version that is as close to Orson Welles' vision as you can get. And the results are pretty amazing, I must admit. "Touch of Evil" is an outstanding film noir that is unlike any you have ever seen.
It all starts with a car explosion that kills two. A Mexican narcotics investigator and a very obsessive and cold police chief are thrown into the investigation. That's only half the story, as the investigator's wife is confronted by a known criminal and his gang of hoodlums that threaten to cause trouble for them. And what's worse is that the police chief doesn't appear to be the most honorable man in the world, and perhaps is even crooked. This all leads to an explosive plot with an unbelievable finale that is both unpredictable and satisfying. It is very clear why "Touch of Evil" is hailed as a classic by many.
It's great to see that the movie has been restored to Welles' original vision. I've never seen the studio version of the film, and I never want to. I'm sure they did a fine job butchering it. Welles has done for "Touch of Evil" what Hitchcock has done for "Psycho." The outcome is an authentic and exhilarating film noir that is very different from any other film noir that is out there.
Charlton Heston is great in his role. He proves to be a pretty convincing Mexican narcotics investigator. Very hard to imagine, but it works on the screen.
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45 of 47 people found the following review helpful By Neville Blender on August 21, 2000
Format: DVD
Touch Of Evil has been my all-time favourite film eversince I first viewed it with eyes fixed & mouth agape at the stunning opening sequence. The cinematography is amazing (apart from Robert Foster's corny inserts). Heston agreed to do the movie because he heard Welles was signed on. He would have done anything Welles told him to do, and it shows. Orson gives one of his best cinema appearances as the bent cop, Hank Quinlan. He uses great make-up & costume for the role which still fools viewers till this day. I'd like a dollar for every idiot who comments, "He's not looking too good in this film". Janet Leigh gives nice performance with broken arm & Akim Tamirof nearly steals all the thunder from the others with great character as head Grande. Dennis Weaver is perfect as goofball nightman & Deitrich is unforgetable. This is the greatest film noir ever made. With Welles behind & in front of the camera, it is a feast for all film lovers. After seeing the standard UCLA art house print & the restored print from recent years, I was so glad that someone decided to re-edit the film according to Welles' 58 page memo to MGM. The result is impressive to say the least. Not only do we get to see that famous opening crane shot without obtrusive opening credits, but the entire movie flows a hell of alot smoother & is easier to follow than the earlier theatre cut. Soon we'll all be able to see this masterpiece on DVD, re-edited & including Welle's 58 page memo. Who could ask for more?
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