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  • The Touch of Her Flesh / The Curse of Her Flesh / The Kiss of Her Flesh (Special Edition)
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The Touch of Her Flesh / The Curse of Her Flesh / The Kiss of Her Flesh (Special Edition)


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Frequently Bought Together

The Touch of Her Flesh / The Curse of Her Flesh / The Kiss of Her Flesh (Special Edition) + A Smell of Honey / A Swallow of Brine / The Brick Dollhouse (Special Edition  David F. Friedman Triple Feature) + Indecent Desires / My Brother's Wife
Price for all three: $25.56

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Product Details

  • Actors: Angelique (VI), David Boxwell, Vivian Del Rio, Rit Dexter, Sally Farb
  • Format: Multiple Formats, Black & White, Dolby, Full Screen, NTSC, Special Edition
  • Language: English (Dolby Digital 1.0)
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • Rated: Unrated
  • Studio: Image Entertainment
  • DVD Release Date: August 12, 2003
  • Run Time: 222 minutes
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (7 customer reviews)
  • ASIN: B0000A0DX9
  • Amazon Best Sellers Rank: #157,199 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "The Touch of Her Flesh / The Curse of Her Flesh / The Kiss of Her Flesh (Special Edition)" on IMDb

Special Features

  • Original Findlay Trailers for The Curse of Her Flesh, Satan's Bed, The Touch of Her Flesh and The Ultimate Degenerate
  • Gallery of Sick Sixties Sex Stills with Audio Oddities

Editorial Reviews

Product Description

It's the infamous Flesh Trilogy," where a man learns of his wife's adultery, goes mad and vows bloody revenge on her-and on ALL women everywhere! Includes The Touch of Her Flesh (1967/78 min.), The Curse of Her Flesh (1968/75 min.) and The Kiss of Her Flesh (1968/75 min.). B&w/NR/fullscreen.

From the Back Cover

Get ready to be Shocked and Appalled with an All Out Assault on Humanity! Here's the infamous "Flesh Trilogy," three of the most outrageously insane Sexploitation Sickies of the #60s from husband and wife filmmakers Michael and Roberta Findlay which mix s

Customer Reviews

3.6 out of 5 stars
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See all 7 customer reviews
The scenes were too dark to view, characters were insane.
Ricardo
Inexcusably, their films are slow as molasses, coming to life only when another unorthodox murder is imminent.
Howard Sauertieg
The only problem, too much talking from the wrong people.
A. Lee

Most Helpful Customer Reviews

11 of 11 people found the following review helpful By DrSpecter on August 27, 2007
The Flesh trilogy is a kind of travelogue of Times Square in the sixties, and uses a lot of fun, energetic and interesting camera techniques. This isn't surprising as Director Michael Findlay came from the 50s/60s New York underground film scene. Most of the strip clubs are real, and there's a lot of scenes shot guerrilla-style in the streets. The soundtrack has some early soul music. Michael's misogynistic rant might turn some people off. But remember, he made this move with his wife Roberta, and they were friends with a lot of the women in it.

Half roughies and half experimental films. The Flesh trilogy live up to their reputation. I haven't read anything Richard Kern has said about him, but I'd have to guess he's an influence.
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40 of 49 people found the following review helpful By Surfink on September 23, 2003
After reading about Michael and Roberta Findlay's "Flesh" trilogy for years (in mostly glowing terms), I was eagerly anticipating this Something Weird triple-bill DVD. I am sad to report that, with the exception of the Monster A-Go-Go/Psyched by the 4D Witch double set, this is the most boring and overrated release from SW that I've yet encountered. If you're expecting the wit and style of Satan in High Heels; the crackling energy and imagination of Confessions of a Psycho Cat; the kooky, non-sequitur weirdness of Another Day, Another Man; the moody photography and creepy shocks of The Defilers; or the high-camp hilarity of Scum of the Earth, Olga's House of Shame, Horrors of Spider Island, Curious Dr. Humpp, and other jaw-dropping SW classics, forget it. The first two movies here, Touch of Her Flesh and Curse of Her Flesh, are uniformly pretty drab, while the third, Kiss of Her Flesh, is only marginally better. Overall, the films are on about the technical level of The Creeping Terror or Beast of Yucca Flats, but lacking either's charm or bellylaughs. The homemade credits that open each film should give you a clue as to what to expect (one isolated clever touch is that Curse's credits are scrawled on the walls of a toilet stall, alongside such graffiti as "Whatever happened to Gigi Darlene" and "Lem eats blue film").

Touch of Her Flesh sets up the plot of the series: New York businessman Richard Jennings (director Michael Findlay) chances to see his wife with another man (in the Biblical sense), runs into the street, is hit by a car, and is transformed into degenerate, wheelchair-bound, eyepatch-wearing, misogynist avenger Stanley Blender. He's bent on killing his wife, her lover(s), and any other female of questionable morality, utilizing bizarre and depraved methods (e.g.
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10 of 14 people found the following review helpful By Howard Sauertieg on October 30, 2003
Having read enthusiastic reports of the FLESH trilogy's wild abandon and craziness, I was seriously disappointed when I actually saw these films.

TOUCH OF HER FLESH is my favorite of the three, though it's not less dull than its sequels. The main character, Jennings, finds his wife entertaining another man in their marital bed. He responds by running pell mell into traffic, where he becomes crippled. Confined to a wheelchair, wearing an eyepatch to hide the wounded socket beneath, Jennings stews over his wife's infidelity and plans vengeance against his wife, her lover and all women "who display themselves in public." That's a lot of vengeance, most of it irrational and pointless.
With its classical score, ambitious photography and palpable angst, TOUCH plays like a lowly art film. Its "success," I presume, inspired two sequels. For the first of these, CURSE, the Jennings character must be resurrected and given something to do. He is, and his bizarrely mindless assault on friends and relations of his wife, her lover, and random sex-industry types remains a template for cheap serial-killer sequels.
Both CURSE and KISS demand not to be taken seriously, which would be fine if the Findlays had put their artistic license to good use. Inexcusably, their films are slow as molasses, coming to life only when another unorthodox murder is imminent. Between killings lie vast deserts of bad acting, repellent fake sex and arbitrary, ludicrous plot developments.
The FLESH trilogy is not for children or impressionable adults.
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By Ricardo on December 19, 2013
Verified Purchase
Too fast pace with people and scenes.
The scenes were too dark to view, characters were insane.
MOVIE TOO VAGUE
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