Amazon.com Review
Long before terms like "multiculturalism" and "world music" came into vogue, dancer, choreographer, and University of Chicago-trained anthropologist Katherine Dunham traveled to Africa, the West Indies, and South America, chronicling the spread of Africa-derived dance traditions and creating a multitude of critically acclaimed revues, including
Tropics and
Le Jazz Hot. Her choreography was even featured in the 1943 film
Stormy Weather. But Dunham's autobiography, written in the late 1950s while she was on a sojourn in Japan, is bittersweet. She was born on June 22, 1909, in Joliet, Illinois, the daughter of a West African-Malagasy father and a light-complexioned mother of French-Canadian-Native American heritage who died when Dunham was an infant.
A Touch of Innocence chronicles the first 18 years of Dunham's life: her upbringing with her brother, Albert Jr., in the white suburb of Glen Ellyn; the antagonism of her domineering father; and the experience of being raised by aunts in Chicago while her dad worked as a traveling salesman. From this piercing work, the world-famous dance icon emerges with the all-embracing allure of the everyday aristocracy that the best African American achievers radiate.
--Eugene Holley Jr.
From Library Journal
These titles represent an odd combination from a person who was equally unusual-she is both a noteworthy choreographer and an anthropologist. Innocence is Dunham's 1959 autobiography as well as, she says, "the story of a world that has vanished." Island (1969) is a "nostalgic, funny, scientific" anthropology title on Haiti (LJ 9/15/69). With that country making recent headlines for atrocities, this may be a portrait of another world now vanished.
Copyright 1994 Reed Business Information, Inc.
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