From Publishers Weekly
Folklorist Welsch ( Omaha Tribal Myths and Trickster Tales ), an adopted member of the Omaha tribe, here relates the saga of the Turtle Creek band of the fictional Nehawkas and their most sacred object: the Sky Bundle, a medicine pouch containing powerful talismans. The interlinked stories appear in reverse chronological order, beginning in 2001, the year the Sky Bundle was returned to the Nehawkas from a Boston museum, and moving back to the tribe's origins somewhere in the mists of history. The hand of Coyote, the old trickster, can be seen at work in the narrative. The Nehawkas secure the funds to gain repatriation of the relic by threatening to build a living museum in the manner of colonial Williamsburg: a suburban tract house that Indians can visit to see how white people live. They secure the reburial of another sacred object by making so many exact replicas that no one can find the real one. The tale of the Sky Bundle's return recalls the real-life story of the Omahas' own Sacred Pole, and the chronicle of the Jefferson Peace Medal echoes struggles over a similar medallion given to the Cherokees. This gives Welsch's stories great universality; they speak of all Native Americans, not just of an individual tribe or a single holy artifact. Author tour.
Copyright 1992 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
From Kirkus Reviews
Folklorist, widely published and broadcast essayist Welsch-- who was adopted into the Omaha Tribe in 1967--reveals much love and knowledge of Plains Indian people and their spiritual life, but skilled fiction writing still eludes him in his 16th book and second collection (It's Not the End of the Earth, But You Can See It from Here, 1990). The first of the seven linked stories takes place in the year 2001, when members of the invented Nehawka tribe outwit a racist museum director and retrieve their sacred Sky Bundle. The stories move backwards in time until the historic origin of the bundle, the symbolic objects it contains, and the sometimes otherworldly events they commemorate are all revealed. By the end, the logic-oriented reader is led to appreciate that cultural fragments strewn through the text may seem irrational taken out of context but, in fact, are meaningful and make sense. The opening pieces, concerned with contemporary political issues, are more problematic: characters rarely transcend stereotype, and affirmative endings seem forced-- as when a violent racist ex-drug-dealer turned bounty-hunter tracks down two young Indians who've jumped bail after an arrest for distributing sacramental peyote; exposure to their innate nobility and religious conviction transforms him; he helps them beat the rap, marries the young woman, and throws in his lot with the Nehawka. Welsch opens with a passionately partisan and moving essay about the religious persecution of Native American peoples; the stories themselves, while well-intentioned and offering interesting detail, remain heavy-handed and unconvincing. --
Copyright ©1992, Kirkus Associates, LP. All rights reserved.
--This text refers to the
Hardcover
edition.