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Tour Tempo: Golf's Last Secret Finally Revealed (Book & CD-ROM)
 
 
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Tour Tempo: Golf's Last Secret Finally Revealed (Book & CD-ROM) [Hardcover]

John Novosel (Author), John Garrity (Author)
4.4 out of 5 stars  See all reviews (90 customer reviews) |
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Book Description

Publication Date: April 27, 2004
The original Tour Tempo's subtitle proclaimed: Golf's Last Secret Finally Revealed. At the time, it was a pretty bold claim. 

Today, however, Tour Tempo's premises have been backed up and validated by an independent scientific study performed by the Departments of Physics and Biomechanics at Yale University. To test the provocative thesis of Tour Tempo, Yale professors Robert Grober and Jacek Cholewicki had enlisted the cooperation (and students) of three prominent golf instructors: Bill Greenleaf, PGA Master Professional; Michael Hebron, PGA Master Professional and former National PGA Teacher of the Year; and David Leadbetter, founder and chief instructor of the worldwide David Leadbetter Golf Academy network.  The students ranged in golfing ability from "tour professionals" and "teaching professionals" to "average weekend golfers, " and their swings were timed with "motion sensing accelerometers and wireless communications electronics mounted in the shaft" with sampling rates "of order 250 Hz, yielding eight times more detail than that obtained from conventional video. " 

Armed with this new data from the study, the Yale professors found that the data for playing professionals was consistent with the data that was reported in Tour Tempo. Additionally, Tour Pros exhibited very small values of standard deviation relative to all other golfers, meaning that their swings are very reproducible. They also concluded that the standard deviations measured for the other groups - "teaching professionals" to "average weekend golfers" - were "much larger" than that of tour professionals. "Additionally, " continued the authors, "the golf swings of professional golfers are universally faster than that of the average golfer. " 

The Titleist Performance Institute's 3D research data, culled from the analysis of tour-pro swings, also confirms the results of the Yale University study. TPI's researchers concluded that "Tour Tempo is the only golf training aid that has been validated by an independent scientific study. " 

Published in 2004 by Doubleday and written by John Novosel and Sports Illustrated senior writer John Garrity, Tour Tempo challenged the myths surrounding golf's most elusive fundamental and explained how amateur golfers could dramatically improve their ball striking--instantly, in most cases--by copying the swing rhythm of the pros. Its main premise--that tempo, the most important fundamental of the golf swing, can be learned quickly and easily without expensive lessons or exhaustive practice--is now accepted by swing coaches at every level of the game. And, now PGA tour pros including Major Championship Winners work Tour Tempo training into their practice routines.

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Editorial Reviews

From Booklist

Most hackers have met the tee-box philosopher who, perhaps with a Taoist tract in hand, advises them to swing more slowly. Novosel, who is here to squelch that theory of swing speed, maintains the opposite is true. More audaciously, Novosel, with the help of coauthor Garrity, argues that his swing-harder idea is tantamount to a panacea for all swing ailments. Well, as astronomer Carl Sagan said of belief in UFOs, extraordinary claims require extraordinary evidence. Novosel's chief proof is his observation, derived from frame-by-frame analysis of video, that the backswing-to-downswing elapsed-time ratio of professional golfers is 3:1. So Novosel recorded tones in that ratio (a CD of sounds accompanies his book), had amateurs of various skill levels listen while they swing, speeding up their tempo until they were grooving to the 3:1 ratio. Thus retooled, their clubhead speeds on Novosel's charts are indeed faster and translate into more distance. In a fickle sport that mandates springtime optimism, Novosel gives his readers hope by offering an empirical grip on the ever-elusive perfect swing. Gilbert Taylor
Copyright © American Library Association. All rights reserved

Review

“I have been playing golf for 50 years and during that span of time I have had over 200 private lessons and attended four national golf schools, but I have not found anything that gets results like the Tour Tempo system. I had a 20-year problem of ‘coming over the top’ and pulling my shots. With John Novosel’s system, I cured that 20-year problem and am finally hitting the ball consistently straight!”
Dr. Lynn Ketchum, surgeon

“After working with John Novosel for only one hour, my swing speed went from 84 mph to 104 mph. My drives on the course started going 40 yards farther; my dad couldn’t believe it, I was out-driving him by 20 yards!”
Shawna Bajich, accountant


“I started John Novosel’s Tour Tempo system a year ago as a 17 handicapper: today I shot a 33-38 for a 71, the first time I’ve ever beaten par on 9 holes and 18 holes. Wow!”
John Ross, businessman

“Before I met John Novosel , everything I did just added more thoughts to my swing -- and the more thoughts I added, the worse the results I got. What I like about his program is that it reduces the swing thoughts while increasing the results. Within one week after starting with John, I increased my clubhead speed by 20 mph and started hitting the best shots of my life. It’s just made a monstrous difference in my game!”
Rob Jonas, chief financial officer


“I have never hit the ball as solidly as I did after 15 minutes of training with John Novosel’s Tour Tempo System. It increased my swing speed with a 5 iron from 79 mph to 99 mph, adding an average of 35 to 40 yards with every club!”
Bruce Provo, businessman
See all Editorial Reviews

Product Details

  • Hardcover: 176 pages
  • Publisher: Doubleday (April 27, 2004)
  • Language: English
  • ISBN-10: 0385509278
  • ISBN-13: 978-0385509275
  • Product Dimensions: 6.2 x 0.6 x 8.2 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (90 customer reviews)
  • Amazon Best Sellers Rank: #65,012 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews
44 of 45 people found the following review helpful
Format:Hardcover
Smart Golf

SWING GET IN (TOUR) TEMPO

A NEW SYSTEM FOR PERFECT RHYTHM

BY JOHN PAUL NEWPORT

If you've ever wandered out to the range at a PGA Tour event to watch the pros practice, you were probably less impressed by how far they hit the ball (you already knew they were long) than by the smooth, leisurely tempos on display up and down the line. Compared with the quick-jerk artists at your neighborhood range, the best players in the world seem to swing in slow motion. But the truth is that they are completing their swings much faster than it seems. If you were to start your take-away at the same instant that a languid-swinging pro like David Toms started his, in all likelihood you'd still be lost somewhere in your backswing by the time Toms made contact. Moreover, your swing almost certainly would look rushed while Toms's swing would look like it always does, smooth and easy.

What the top pros have that you, I and the quick-jerk range rats don't is perfect tempo. And now, thanks to the work of John Novosel, a businessman, inventor and golf enthusiast from Leawood, Kansas, we know a lot more about what constitutes perfect tempo than we used to. Novosel closely analyzed video of most of the world's greatest golfers, both past and present, and discovered that virtually all of them executed their swings, from take-away to impact, within a very small window of time, from .93 seconds to 1.2 seconds. He also discovered that nearly all accomplished golfers have a precise, identical rhythm: three beats back, one beat down. Novosel then devised a way for average golfers to approximate the tempo of a pro swing by hitting balls while listening to tones through a headset and watched in amazement as their shots improved instantly and dramatically-without any attention whatsoever to wrist cock, hip turn, swing path or the countless other mechanical issues that are the bane and substance of traditional instruction. This improvement happened essentially, Novosel came to realize, because once the tempo is right, there isn't any time left over for the club to do all the crazy, inefficient things it usually does during bad swings, like pause, hitch, wander around in loops and come over the top.

Novosel has compiled the results of his research and offers an instructional program (see below) based on his findings in a compelling new book, Tour Tempo: Golf's Last Secret Finally Revealed, cowritten with John Garrity, due out this spring. In Novosel's view, good tempo ought to be viewed as a bedrock fundamental of the golf swing that helps produce good mechanics, rather than something tacked on as a kind of extra once a player has supposedly mastered the mechanics. "The old paradigm of teaching club, hand and body positions at every conceivable point in the swing doesn't work very well," Novosel said. "There's really no good way for a player to incorporate all that information during a swing that lasts just a second and while the player is moving the club at a hundred miles an hour." He doesn't contend that mechanics are irrelevant, only that beyond a certain point, teaching them in the traditional manner is unnecessary and even counterproductive. People learn faster and better, he argues, by focusing on tempo to get the feel of an effective, powerful swing and letting the body figure out the rest by itself.

Like many discoveries, Novosel's insights into tempo occurred serendipitously. While editing video of LPGA star Jan Stephenson's swing for an infomercial, he happened to pay attention to the frame counter on his editing program. Broadcast video is shot at a rate of thirty frames per second (or roughly thirty-three thousandths of a second per frame), and Novosel noticed that Stephenson's tempo was exactly the same from swing to swing, no matter what club she was using: twenty-seven frames from take-away to the top, nine frames from the top back down to impact, for a total of thirty-six frames, or 1.2 seconds. Curious, he started examining the videotaped swings of other top pros. The fastest swingers, like Nick Price, Ben Hogan and Jack Nicklaus, took twenty-one frames to reach the top of their backswings and seven frames back to impact, for twenty-eight frames total and .93 seconds total swing time. Another group, including Tiger Woods, Ernie Els and Sam Snead, took twenty-four frames back and eight frames down, for 1.02 seconds total swing time. And a third group, including Bobby Jones, David Toms and Jim Furyk, swung consistently at a 27:9 tempo. Of the more than one hundred pros whose swings Novosel studied, only one-Ed Furgol, the 1954 U.S. Open champion-swung faster than 21:7 (he swung at 18:6), and only a handful swung slower, including Nancy Lopez in her prime (30:10). But always, the three-to-one time ratio of backswing to downswing was identical.

The only time the swings of the best players in the world diverged from this ratio was when they hit bad shots. For example, Novosel's analysis of a badly pulled drive by Phil Mickelson revealed a tempo of 3.5 to one. Amateurs, on the other hand, were consistent only in being all over the lot. Some swings that Novosel recorded took as long as three full seconds to complete. Ratios ranged from solid, quick three-to-ones for certain low handicappers to good rhythms but slow and weak three-to-ones for others (33:11) to highly erratic for most (26:11, 44:11, 66:11).

The audio files that Novosel created for players to listen to while swinging (through MP3 player or CD Walkman-type devices) come with his book in the three main, pro-quality tempos: 21:7, 24:8 and 27:9. The three-tone sequences can be played in endless loops, allowing golfers to initiate the swing whenever they are ready. Novosel directs his students to initiate the take-away in reaction to the first tone, initiate the transition between backswing and downswing in reaction to the second, and synchronize the moment of impact to the final tone. "Almost always the first reaction I get is, 'Whoa! That's impossibly fast. I could never swing that quickly,'" he said. But usually it takes only ten minutes for novices to get into the groove. Most start out with the slower, 27:9 sequence and then experiment with the 24:8 and 21:7 versions to see which they feel most comfortable with.

The results are often dramatic. A video CD accompanying Novosel's book shows the before-and-after experiences of a half-dozen players. Typical is Bruce Provo, a nine-handicapper. His form improved, his backswing significantly shortened and his five-iron clubhead speed shot from 79 m.p.h. to 99 m.p.h. after just twenty minutes of work. Our experiences hitting balls with the Tour Tempo tones, although not so transformative, were highly satisfying. When our timing was in sync with the tones, our shots were invariably straight and long; when our timing was off, so were our shots. After just a few minutes on the range with the tones, our focus over the ball shifted almost completely from mechanical considerations (taking the clubhead back on line, stopping the backswing before parallel, etcetera) to getting the timing right. Novosel said this is typical and transfers easily to the golf course.

"The purpose of the Tour Tempo audio tracks is to internalize the intrinsic tempo of the golf swing in your subconscious mind," he said. "If you are a low to mid handicapper with reasonably sound swing fundamentals, you can basically forget about mechanics once that happens. Out on the course, you won't have to worry about what starts your backswing, where you are at the top or what triggers your forward swing. Those things will happen reflexively, as they do in the swings of the pros." Novosel recommends practicing frequently with the tones to reinforce the rhythm, but never for longer than you can pay full attention to them. Five-minute sessions in the backyard or during warm-ups at the range are often all it takes to stay in tune, he says.

For experienced players without sound mechanics, Novosel teaches two simple mechanical drills designed to get your swing off to the right start. He believes that in most cases these drills, combined with practicing to the tones, will eventually get most golfers to the point where good tempo and instincts can profitably take over. For those who want more-personalized tempo training, Novosel is schooling instructors around the country to use the Tour Tempo system, and he himself is available for lessons in Kansas City, Kansas.

PRO TEMPO

With uncanny consistency, the best golfers in the world hit the ball using a 3:1 time ratio of backswing to downswing. In the videos John Novosel studied, a large group of pros, including Tiger Woods, took twenty-four frames to reach the top of their swings and another eight to make impact. Most other pros swung at ratios of 21:7 or 27:9.

THE "Y" DRILL

Even the best tempo will not produce great shots if your mechanics are dreadful. But Novosel believes that tempo training combined with two fundamental drills (developed with the help of teaching pro John Rhodes of Fort Worth, Texas) can bring almost any golfer up to speed. In the "Y" drill, establish the shape of that letter with your arms and the club at address and try to maintain it (though it will collapse a bit) as you take the club back to waist high and then through to a short finish. The key is monitoring the club's position. At the end of the short backswing, the shaft should be parallel both to the line of flight and to the ground, and the clubface should be perpendicular to the ground. Start out slowly, without a ball, then hit balls, and finally synchronize with the Tour Tempo tones. Read more ›
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34 of 35 people found the following review helpful
Format:Hardcover
Tour Tempo - It Works! I got the Tour Tempo book less than two weeks ago just out of curiosity. I've read the book twice, I've viewed the DVD for a short while, and I have listened to the CD repeatedly in my car.

I have played since I was a kid, but not being a natural golfer, I have been burdened with too many swing thoughts. The best I have ever been is a 16 handicap; in the last two years playing once a week I have not broken 90. I do not belong to a club so I don't have easy access to a practice range; I sometimes swing a club in the yard. I have only played 9 holes 4 times this season. Yesterday I played in an outing at Little Mountain in Concord, Ohio. It has a reputation for being a difficult course.

In preparation for this round I listened to the Tour Tempo CD in my car on the way to the golf course. I arbitrarily picked the 24/8 tempo (27/9 sounded too slow & 21/7 seemed like it might be too fast). I alternated between track 5 (3 tones) and track 6 "Swing, Set, Through".

There is no driving range at this course, so a few swings on the first tee had to suffice.
On the course, before each shot, I took two practice swings silently saying "Swing, Set, Through" in my head.

I missed only two fairways, shot a 40-43-83 but more importantly, my biggest swing flaw was entirely eliminated. I have had a tendency to not finish my swing. With Tour Tempo, I found myself accelerating through the ball with the club swinging to finish naturally. My bad swings, which were few, were not bad swings at all, but alignment errors. Even my few mis-hits had decidedly better results.

I always knew tempo was important, but no one was ever able to tell me what good tempo is. You have not only solved the mystery, but made great tempo almost instantly accessible. I am obviously looking forward to even greater improvement. Thanks!

Jeffrey S. Young
Chagrin Falls, Ohio

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19 of 19 people found the following review helpful
This is great stuff November 7, 2005
By Garo
Format:Hardcover
Order two books -- Tour Tempo and Swing Like a Pro. Here's my story: None of my friends could believe I was an 18 handicap as hard as I worked on my game and the basic swing I had. My problem was inconsistency, and I never knew which golfer was going to show up -- the pretty good one or the hack. Breaking 90(!)became the holy grail.

Bought these two books a couple of weeks ago, and had about four 2-hour practice sessions in that time. Went out Friday, shot 82 and left at least 3 strokes on the course. Went out Saturday and finished third in our year-end tournament, winning money, golf balls and a trophy. Normally I've been disgusted after playing and VERY frustrated -- not anymore!

Tour Tempo allows you to improve without thinking, and you WILL be able to hit the ball farther and straighter. I am just crushing the ball and hitting the sweet spot on the club every time.

That said, if you start hitting the farther but not straighter, do 2 things: (1) Check your club position going back (the positions are in the book for a reason)and make sure your club is over your toeline half-way back and / or go straight to Swing Like A Pro.

The biggest help in Swing Like a Pro was the set-up. I thought there was no way I was going to be able to hit the ball from that position. Watched TV, and Davis Love looked just like the composite. It helped make my swing more efficient and consistent, in terms of path.

HIGHLY recommended. Hey, look what it did for me!
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Most Recent Customer Reviews
Tour Tempo, Golf's last great secret
This is a great book! I read through once and listened to the CD that came with it. I saw an immediate increase in distance with both my irons and my driver. Read more
Published 1 month ago by Rick
This Works and Will Change Your Game...
The Tour Tempo concept works for me. My handicap went from a 21 to a 17, employing the concepts in this book. Read more
Published 1 month ago by Douglas W. Hansen
Tour tempo kept me from quiting golf!
Tour tempo literally kept me from quitting golf. Before reading the tour tempo book I had read every just about every thing written on the golf swing with little or no improvement! Read more
Published 2 months ago by Casey
MUST READ for EVERY GOLFER
Can't say enough good things about how helpful this book has been - thanks to using tour tempo, my handicap has dropped from a 14 to a 5 (not a vanity handicap,either); never... Read more
Published 2 months ago by hapkfelter
No basis whatsoever, complete fraud
There are three things you need to sell a golf book and/or training aid:
1) Come up with a new concept (doesn't matter if it's true or not)
2) Have a bunch of... Read more
Published 3 months ago by ROBERT F. Areddy
Exceptional Book & Excellent Company!!
Without reinventing the wheel, I will just say that the swing theory on which the Novosels based their book is science based & supported, not opinion that through constant... Read more
Published 3 months ago by Forged4ever
Engrossing book but certainly not the elixir for a proper golf swing
I like the fact that this book emphasizes the importance of a consistent tempo for a good swing. It's something I am dedicating to my swing this year. Read more
Published 4 months ago by Daniel Nguyen
TOUR TEMPO
THE TOUR TEMPO BOOK IS GREAT,I HAVE THE NEW TOUR TEMPO BOOK, MY WONDERFUL WIFE BOUGHT ME A KINDLE FIRE,THE ONLY WAY TO GET NEW BOOK. Read more
Published 4 months ago by AIRHAMMOND
IT'S NOT A SECRET
I don't trust anyone that obviously overstates their case. They claim to have discovered through video analysis, "golfs final secret". What secret? Read more
Published 16 months ago by Paul L
Tour Tempo
I found this book and the accompanying DVD/CD very helpful in understanding a subject that many seem to mention or talk about but little is provided to objectively explain and... Read more
Published 16 months ago by Chas
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Front Cover | Table of Contents | First Pages | Surprise Me!
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First Sentence:
"No one ever swung a golf club too slowly," wrote the great Bobby Jones. Read the first page
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Tour Tempo, Tiger Woods, Average Carry, Country Club, Percy Boomer, Seconds Swing, Training Report, Training Site, Sam Snead, Bobby Jones, Frames Ratio Swing, Impact Swing, Jan Stephenson, Bob Walsh, Ernie Els, Fred Shoemaker, Frequently Asked Questions, Phil Mickelson, Sergio Garcia, David Toms, Fred Couples, Golf's Last Secret Finally Revealed, John Rhodes, Michelle Wie, The Mystery of Tempo
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