Review
Tourists at the Taj is a must-read for all who are interested in the phenomenon of tourism, the construction of meanings around sites and sights, and/or contemporary India.it is a fine study that summarizes much of the scholarship on tourism, introduces a useful vocabulary, and articulates the contested nature of sites frequented by tourists. Art historians will find it a thought-provoking work, opening new avenues for exploring not only the intersection between tourism and art history, but also the narratives about monuments..
In this fascinating study, the author attempts to unravel the multiple narratives of the Taj [Mahal] told and performed by tourists. Edensor is mindful that tourism and ethnography, like colonialism, are forms of intervention, inhabiting a space created by Western power. --Frank J. Korom, Boston Univ. for
Religious Studies Review.
...it certainly makes for a fine text within the cultural study of tourism.
Annals of Tourism ResearchThis volume presents a rich mix of description and appli cable theory...well documented discussion on the construction of touristic spaces....Upper-division undergraduates and above.
Choice, June 1999
Product Description
The Taj Mahal has long been a subject for photography and poetry, but this book presents the first sociological analysis of the Taj as a cultural phenomenon. Tim Edensor examines the conflicting narratives which surround the site: postcolonial views of the monument as a symbol of love, of India and of splendid exuberance; and those which challenge this ethnocentricity, for whom the Taj is the symbolic center of Islamic power or a site of Moghul appropriation. He discusses many of the tourist practices around the Taj and considers the notion of tourism in a wider context. Clearly written and fascinatingly illustrated, this book describes tourism as "performance" and the tourist site as a "stage" on which tourists are directed and rehearsed, improvising cultural conventions in the complex production of leisure space.
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