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Tourists with Typewriters: Critical Reflections on Contemporary Travel Writing

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Travel "literature" traditionally has not been taken very seriously in academia, and so the authors (Professors at Harvard) have undertaken a scholarly examination of some popular post-WWII authors and works, while trying, they say, not to be polemical. To give a sense of what kind of book this is, here are two illustrative quotes: "Travel has recently emerged as a crucial epistemological category for the displacement of normative values and homogenizing, essentialist views." If your eyes have not glazed over yet, try this one:

[Quote]"At first blush, it certainly seems there ought to be an affinity between travel writing and postmodernism; for among its many, not infrequently contradictory features, postmodern theory foregrounds the instability of the human subject, shifting ontologies of space and place, and the undermining of linear history, which characteristically assumes a fractured or palimpsestic structure."[End Quote]

This is the kind of writing that gives scholarly books a bad reputation, at least among general readers without a degree in literature. Yet for the intrepid adventurer willing to put in the work, there is gold to be found within. The book is structured into four main chapters, along with a meaty Prologue, Introduction and Postscript that summarize and expand on the core ideas.

Chapter 1 deals with colonial myths still lurking in modern travel literature, and the post-colonial "countertravel" writers who are not white, middle-class western males. A number of examples are examined including the "anti-racist" works of Caryl Phillip's The European Tribe and Jamaica Kincaid's A Small Place. The "resistance" work of Salman Rushdie's The Jaguar Smile. The "counter-Orientalist" narratives such as by Amitav Ghosh's In an Antique Land and Vikram Seth's From Heaven Lake: Travels Through Sinkiang and Tibet. And "anti-Imperialist" works such as Pico Iyer's Video Night in Kathmandu.

Chapter 2 discusses the concept of geographic "zones", or how regions have travel mythologies built up by previous travel writers; new writers either attempt to re-discover what they pre-suppose to be there ("the dark heart of Africa"), or attempt to tear down the myths, in both cases reinforcing and continuing the mythologies. The chapter examines the zones of of the "tropical" (Congo and Amazon); the "Oriental" (Japan); the "exotic" (South Seas); and the "liminal" (Arctic). Within each zone there are 3 or 4 case authors and works discussed.

Chapter 3 looks at women and gay male writers as alternative voices. Chapter 4 examines hybrids of travel literature such as "virtual travel" and the "eco-traveler" - some of the best examples of the later include David Quammen's The Song of the Dodo, Peter Matthiessen's Cloud Forest and Barry Lopez' Arctic Dreams.

Overall I learned a lot, even though certain passages were opaque with academic verbosity. It has made me examine my notions about the trustworthiness of travel literature as an alternative to travel; the value of travel itself and the hidden complacency (co-dependence) between the travel industry and travel writing; my own inherit prejudices as a white, middle-class male and the mythologies that travel literature re-enforce; to expand my horizons on what kind of travel literature I choose to read; and helped place many well known authors and works in better historical context.

Incisive, educated, fascinating. Great reading!