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30 of 31 people found the following review helpful:
5.0 out of 5 stars
Enchanting..., June 11, 2000
By A Customer
A strange, shape-shifting monster has imprisoned the King's bride, Gwynne of Skye, in a tower, and taken her place. Cyan Dag is sent by a mysterious old bard to rescue Gwynne. But his quest--so simple and desperate at first--keeps changing, twisting, turning in on itself. Instead of Gwynne's tower he finds a dark tower of dreams, a dragon-guarded tower full of gold, and a mouldering tower by the sea. And instead of the lady of Skye, he finds Melanthos, a village girl who obsessively embroiders what she sees in a magic mirror; Thayne Ysse, prince of Ysse, who wants to free his country from Gloinmere's rule; and Sel, a strange old woman haunted by something she has forgotten. No matter how hard he tries to keep to his one simple task, he is inexorably drawn into their many stories, which turn out, in the end, to all be different parts of the same story. Patricia McKillip has created yet another compelling novel that combines beautiful language, evocative imagery, a deceptively simple plot, and well-drawn characters. The only disappointing thing about it, to my mind, is the ending, which solves some problems a little too neatly and easily. It is still, however, a story well worth reading.
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24 of 24 people found the following review helpful:
5.0 out of 5 stars
Silken prose and prickly knights!, July 29, 2000
There are a very small number of writers who are extraordinary literary stylists. Patricia A. McKillip is one such and this latest novel reads like honey-coated silk. Her stories, always larger than life fairy tale romps in darkened woods, while maintaining a certain strength of characterization and intricate plots, become, at times, almost secondary to the beautiful prose in which they are written. This particular story, based loosely on Tennyson's The Lady of Shalott and more specifically on Loreena McKennitt's song of the same name, tells of a woman, cursed half-mad with love who is locked away in a tower to observe the happenings of the world from her magic mirror, not the window of her chamber. The hero is of course a knight in the grandest of Lancelotian traditions, full of angst and some self-doubt, all kept well-hidden beneath the virilest exteriors. The tale is truly great fun, but again it is the magnificently wrought prose that makes reading such a divine pleasure.
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21 of 21 people found the following review helpful:
5.0 out of 5 stars
Bewitching, enchanting, intoxicating..., June 4, 2000
I have nothing but praise for all of Patricia A. McKillip's recent novels, and her latest only strengthens my conviction that she is one of the finest fantasy writers out there. I would go so far as to say that she has the most lyrical prose of anyone in the genre. The Tower at Stony Wood is a typically enthralling offering, loosely based on Tennyson's poem, "The Lady of Shallot." McKillip never retells, however; she expands, using the lady with her mirror in a tower motif as the bare framework for her story. In Tower, there is more than one tower to be surmounted, more than one maiden to be rescued, more than one quest to finish. The mundane and overdone-- knights on quests, evil queens, dragons, and bards are all given new life and shown at different angles. Rarest of all, there are no evil or malevolent characters. As bewildered protagonist Cyan Dag discovers, not all is as it seems. In fact, very little is as it initially appears. Each apparently disparate thread is successfully woven into the whole, creating a surreal, beautiful novel of the sort only Patricia McKillip could create. If you have never read anything by McKillip, but appreciate gorgeous writing and intricate plots, do yourself a favor and read this one. And after you've finished, go on and read Song for the Basilisk, Winter Rose, The Book of Atrix Wolfe... Ailanna
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