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Town & the City Import

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Audio CD, Import, August 15, 2006
$1.86 $6.49
$5.95 & FREE Shipping on orders over $35. Details Only 1 left in stock. Sold by ExpressMedia and Fulfilled by Amazon. Gift-wrap available.

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Editorial Reviews

Since They Began as Los Lobos Del Este Los Angeles in 1973, Los Lobos have Evolved Into a Respected Artistic Entity Searching for Themes and Topics that Are an Interpretive Pulse of Our Times. Using Musical Molds Built on the Blues, Rockabilly, Jazz, Latin and their Own Mexican-american Heritage, Los Lobos have Never Beat their Fans Over the Head with Politics Or Agendas. Instead, They Subtly Challenge them with Conscience-raising Songs and Thought-provoking Lyrics. Their Lhollywood Records Release - "The Town and the City" - Certainly Does That. The Epic "The Town and the City" is Told in the First-person, with Each Song Serving as an Episodic Step in a Rough Journey that is in Your Face at Times, Comforting and Nostalgic at Others. Most of the Thirteen Songs Are Co-written by Perez and David Hidalgo; Cesar Rosas Contributes Two Songs.

1. The Valley
2. Hold On
3. The Road To Gila Bend
4. Chuco's Cumbia
5. If You Were Only Here Tonight
6. Luna
7. Two Dogs And A Bone
8. Little Things
9. The City
10. Don't Ask Why
11. No Puedo Mas
12. Free Up
13. The Town

Product Details

  • Audio CD (August 15, 2006)
  • Number of Discs: 1
  • Format: Import
  • Label: EMI
  • ASIN: B000GIN486
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (34 customer reviews)
  • Amazon Best Sellers Rank: #875,228 in Music (See Top 100 in Music)

Amazon's Los Lobos Store


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Los Lobos - 40th Anniversary feat. Set Me Free Rosa Lee from the album,Disconnected in New York City


Los Lobos were already East L.A. neighborhood legends, Sunset Strip regulars and a Grammy Award winning band (Best Mexican-American/Tejano Music Performance) by the time they recorded their major label debut How Will The Wolf Survive? in 1984.
Although the album’s name and title song were inspired by a National Geographic article about real life wolves in the wild, the ... Read more in Amazon's Los Lobos Store

Visit Amazon's Los Lobos Store
for 46 albums, photos, 3 videos, and 3 full streaming songs.

Customer Reviews

Great songwriting, great musicanship, and great production.
For the most part this disc is about the immigrant experience in modern day America; a sad journey and bittersweet journey reflected in song.
Enrique Torres
LA's Los Lobos have once again come forward with a work of great quality.
S. Finefrock

Most Helpful Customer Reviews

51 of 52 people found the following review helpful By John E on September 20, 2006
Format: Audio CD
A sophisticated record by a mature band. While traces of their bad boy roots rock remain, this record shows a older, more contemplative group of artists. On their landmark debut album they had an anthem of sorts about the plight, courage, and determination of the Latino immigrant with the soaring "Will the Wolf Survive?" Here, there are no anthems, but the story is now filled in with multiple shades and tones. What the boys kicked in the music scene door with back in the Eighties is now voiced with a tired wisdom, regret, and bittersweet pride.

Standout tracks are all over this record; among the best has to be Hidalgo and Perez's "Little Things." Strongly evoking Procol Harem's "A Whiter Shade of Pale," it's that kind of Lobos tune that can just kill you where you stand. An aching, gorgeous and beautifully sad masterpiece.

Caesar Rosas, goes all George Harrison on us this time out and only gives up two songs. Although his "No Puedo Mas" coming towards the end of the record is clearly its furious blues-rock highlight without a doubt. Anyone bemoaning the lack of "rock" on the record should skip straight to this burner and turn it up nice and loud.

But that's not what this record is about. It's about the desperate, spooky "Hold On," the Will the Wolf Survive-like "Road to Gila Bend," the bone-weary, resigned "If Only You were Here Tonight," (a song in which you'd swear Hidalgo's guitar is channeling the ghost of Jerry Garcia), and the foreboding final track "Town."

All-in-all, an excellent group of songs that is strangely reminiscent of Bob Dylan's recent brooding work. A album that requires multiple listens, your attention and your heart.

A keeper.
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36 of 37 people found the following review helpful By John C. Bannon on September 28, 2006
Format: Audio CD
If this album had been issued by a band whose name consisted of a number and a noun; and whose members were all in their twenties, decked out in skinny glasses, black leather, little beards, and kinky hair, and whose album art consisted of the band members staring glumly into the eye of a camera,this CD would be HUGE.

So if you've never heard of Los Lobos; or if you think they're just a bunch of pudgy throwbacks to the roots-music movement; or if you liked Kiko but lost interest after that; or even if you love Los Lobos so much you'd buy anything they recorded, why not try a little experiment: buy the CD; take it out of the packaging without looking at any of it; slap it into your audio system; grab a comfortable chair and place it right in the center of the stereo image; turn out the lights; and listen as closely as you possibly can.

Who are these guys? How the hell did they come up with these soundscapes, timbres, moods, and fleeting highlights? How come, just when you're expecting the band to boost the volume over the top, throw the drums in your face, and "like, totally rock out," they drop the volume and add a nuance that is more exhilarating than a rave up would ever be? How, with state of the art recording techniques, do they make their songs sound hazy, intriguingly distant, like old lp's without the scratches? Who knows? Wait, I've GOT to know.

But hey, did you hear that? What the guitars are doing? If he weren't so humble, it would be hard to believe that the lead player could be capable of playing so many styles so perfectly, and yet so personally. I wait in vain for the cliches. He's in the pantheon, allright.

What's with the bass player? What, no funky thumb-wacking, no treble-booster?
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28 of 30 people found the following review helpful By on September 22, 2006
Format: Audio CD Verified Purchase
This is the deal. I'd only amplify the previous positive reviews, which I admire: great, great recording, and I'd also mention that the atmospherics, as my music pals call them, are more integrated here than on about any CD I've heard in a very long while, maybe ever. There is just stuff here that continually surprises you, and not in some obnoxious, "clever" way. It's all part of the portrait they're painting, the immigrant life In California. Like the dab of yellow on a great painting that makes you see everything, except the dab of yellow. It's the trigger.

The Playing is explosive when necessary, subtle when appropriate. Probably their strongest lyrics yet. (I'm picky, because I have a book out that deals with immigrant LA, the source of my own writer's inspiration. They kick me real bad here, and for that I'm grateful.)

The guitar performances are especially unbelievably fine. Anyone who has heard "Tomorrow Never Knows" on the box set know that these guys can sound as if George Martin had run the guitar track backwards. But they can run it real time.

Man, what an accomplishment from los veteranos del Norte. And, I say this as a listener for many years, there is NO BAND better than Los Lobos. Nobody. Nowhere. The Beatles of East LA. Not a small accomplishment. Amigos siempre. Amigos de mi corazon.

My Spanish sucks. Forgive me, amigos. Your record is the best of this and many years.
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10 of 10 people found the following review helpful By Nicman on September 15, 2006
Format: Audio CD
Yeah I still call them albums, and I still think Los Lobos is one of the best bands around. This album grows on you with each listen so, you might have to give it a chance. This time out, Los Lobos(producing), with Tchad Blake (mixing)have created a work that, sonically, is laced with so much detail that it would be hard to digest in one sitting. Through out the album you can hear; Nylon acustic guitar strings against electronic soundscapes, Electronic and acoustic persussion, and a huge rage of guitar tones crunching and strumming, even beautiful organ on a few tracks. At one point, while listening, I took off my headphones because I thought my phone was ringing! There's more to these songs than meets the ear at first listen. I was listening with headphones on my PC. I really want to hear this on my 5.1 Home Theater System!

Overall it's a very strong album, telling the tale of the immigration experince. The songs have a theme of a Mexican immigrant traveling into the USA, and his feelings and experiences,looking at it from different(character)angles. Each song is another story. Their dedicating the album to their parents for "giving all they had" made me think of my own grandfather who was a Mexican immigrant during the 1920's.He was naturalized in Nogales (mentioned in Gila Bend) and married his wife there.

While this album may not "Rock" as much as you might want, the songs are solid. From the rockin "Road to Gila Bend" and the shuffly "Two Dogs and a Bone", the wonderful Mexican dance of "Chuco's Cumbia" the blusey "No Pueda Mas", ballads like "If you were only here with me tonight" the experimental sounding "Luna". "Little Things" does sound heavily influenced by the organ drenching of Procol Harem, another beautiful ballad. But don't be fooled!
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This ranks right up there with KiKO.
Does anyone know why this album is unavailable at Amazon, and whether it will be?
Sep 21, 2006 by PayOrPlay |  See all 2 posts
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