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13 of 15 people found the following review helpful:
5.0 out of 5 stars
Powerful and haunting drama, March 23, 2002
One of the best legal dramas, in my opinion, and still a powerful and haunting film after 40 years. Memorable performances from Kirk Douglas as the defense attorney, Christine Kaufman as the teenage rape victim, and Robert Blake and Frank Sutton among the defendants. It's unfortunate that the only extra is the original theatrical trailer.
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9 of 10 people found the following review helpful:
5.0 out of 5 stars
Powerful Kirk Douglas Movie, March 30, 2007
Town Without Pity is a signature Kirk Douglas performance. He plays a JAG lawyer in Germany charged with defending a group of soldiers who are accused of raping a local girl.
Douglas' character knows that to properly defend his clients (who include Richard Jaeckel, Robert Blake, and Frank Sutton), he will have to destroy the girl on the stand. He doesn't want to do it, but circumstances seem to point to its inevitability.
Douglas always seemed to play one of two character types. As the villain, he was ruthless, ambitious, arrogant, and willing to do whatever and sacrifice whomever to achieve his goal. As the hero, he seemed to specialize in playing men who are decent, honorable, noble people who are trying to do the right thing despite overwheliming obstacles like bureaucracy, intolerance, and cruelty. In both, he excelled at playing the tortured soul who suffers despite his motivations.
This is a great film, and worthy of many viewings.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
Still Relevant After All These Years, February 20, 2008
Town Without Pity could have been the ultimate exploitation film, if it didn't go beyond the sensationalism of the trailers. Instead it is an excellent character study of a conflicted military lawyer with an impossible job, a victim whose suffering doesn't stop, and a father whose position is endangered by the prejudices or envy of the townspeople. Their attitudes toward poor Karin are poorly explained; we have only Major Garrett's speculation on why they turn against this innocent girl. They tell outrageous lies, repeat rumors, and do whatever they can to sully her reputation. Their motives, however, are less important than how this film indicts a legal system that allows an accused rapist's counsel to blame the victim.
Kirk Douglas gives a stellar performance as the officer who does the dirty job he is assigned and later feels a remorse he isn't permitted to show. Frank Sutton and the other actors playing the defendants paint a picture of pure evil. The best performances are by Christine Kaufmann as the tragic Karin, Hans Nielsen as Karin's deceived father, and Gerhart Lippert as her justifiably outraged boyfriend. Tieing it all together is Barbara Rutting as the German journalist who may be the only person to see through what is going on, but who is straitjacketed by the journalistic responsibility to remain neutral, if only in print.
It is shocking that this film didn't provoke earlier passage of rape shield laws, and for this reason should be mandatory viewing whenever those laws are threatened.
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