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Traditional Photographic Effects with Adobe Photoshop
 
 
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Traditional Photographic Effects with Adobe Photoshop [Paperback]

Michelle Perkins (Author), Paul Grant (Author)
4.0 out of 5 stars  See all reviews (3 customer reviews)


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Paperback, August 28, 2001 --  

Book Description

August 28, 2001
Written with professional and amateur photographers in mind, this guide approaches Photoshop from the technical and artistic standpoint of traditional photography. Rather than emphasizing how to distort or create unusual or outlandish digital effects, it explores the use of Photoshop to achieve very realistic photographic images. In-depth instruction illustrates how to duplicate traditional photography and darkroom effects and techniques such as hand coloring; dodging, burning, and tinting; and the use of alternative films, specialized filters, lenses, and camera accessories. Techniques can be used on a Mac or PC with any version of Photoshop 4.0 or later.

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Editorial Reviews

About the Author

Michelle Perkins is a writer and photo editor with extensive experience using Adobe Photoshop to perfect photos for book publication. Paul Grant is a broadcast engineer and writer trained in instructional design who uses Photoshop to create photographic images for print publication and the Internet. They both live in Buffalo, New York.

Product Details

  • Paperback: 128 pages
  • Publisher: Amherst Media, Inc.; 1st edition (August 28, 2001)
  • Language: English
  • ISBN-10: 1584280565
  • ISBN-13: 978-1584280569
  • Product Dimensions: 11.1 x 8.6 x 0.3 inches
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #3,624,281 in Books (See Top 100 in Books)

More About the Author

Michelle Perkins is a writer, a photographer, and a digital imaging specialist. She is a technical editor for Rangefinder, a regular contributor to After Capture, and has written for PC Photo. She is the author of numerous photography books, including Professional Portrait Lighting and Professional Portrait Posing, and is the coauthor of The Illustrated Dictionary of Photography. She lives in Buffalo, New York.

 

Customer Reviews

3 Reviews
5 star:
 (2)
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2 star:
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Average Customer Review
4.0 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

10 of 10 people found the following review helpful:
5.0 out of 5 stars Made me feel like a pro, May 30, 2002
By 
Marilyn Dalrymple "MaLing" (Lancaster, CA United States) - See all my reviews
(VINE VOICE)   
This review is from: Traditional Photographic Effects with Adobe Photoshop (Paperback)
I like this book very much because it starts with the basics of Adobe Photoshop, and it also starts with learning different effects and techniques you can start to use right away. This is a fun way to learn - you really feel like you are accomplishing something. Perkins and Grant use layman language without making the reader feel like a dummy; illustrations and examples of what is being talked about are plentiful.

I turned to this book many times when I needed to learn a Photoshop technique in a hurry, although I have several Adobe Photoshop books on hand. I knew with Tradional Photographic Effects With Adobe Photoshop I could do what I needed to with little confusion and searching.

Along with clear and concise instructions for working on your photographs, a section covers input and output techniques.

This is a great book for Photoshop beginners and a nice book for Photoshop pros to have on hand to a technique up in a hurry.

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12 of 14 people found the following review helpful:
5.0 out of 5 stars A guide to using the "digital darkroom." This one's a must., November 11, 2001
By 
This review is from: Traditional Photographic Effects with Adobe Photoshop (Paperback)
This book pulls out all the stops, presenting helpful, practical information vital to creating perfect prints. It is well illustrated with color images and screenshots, making any digital-photographic endeavor--from sandwiching to vignetting to creating "infrared" images--a quick and painless process. I especially appreciated the reader-friendly organization of the book. I could flip to any page to find a great technique, mastering the steps at my own pace without wading through a maze of unimportant, high-brow digital jargon. This book is inspiring!
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1 of 1 people found the following review helpful:
2.0 out of 5 stars light and fluffy, May 16, 2007
this book is very light on technique you can find the exact same thing on the net I wouldnt bother unless you no nothing about photo shop
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Inside This Book (learn more)
Browse and search another edition of this book.
First Sentence:
Inputting images into your computer is the first step in digital imaging and the foundation upon which the image stands. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
curves dialogue box, lithographic film, grayscale mode, new laver, layer mode, layers palette, history brush, history palette, channels palette, channel mixer, color mode, layer opacity, eraser tool, duplicate layer, adjustment layer, wedding photography, professional printer
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Channels Paths, Blending Options, Preview Image, Auto Options, Jeff Smith, Load Selection, Save Selection, Input Levels, Jeff Hawkins, Output Levels, Rick Ferro, Flatten Image
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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