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2 of 2 people found the following review helpful:
5.0 out of 5 stars
Traffic's vision fully-realized this once on 2nd outing -, January 26, 2000
This review is from: Traffic (Audio CD)
If Dave Mason could have stuck around and worked things out, who knows where they could have gone with this and hereafter? This is what Traffic could have been, and was, for an all-too brief moment, a very dynamic, creatively tense and peculiar balance between the divergent talents of Mason and Steve Winwood. This is an important album, even with Mason's ownership of half the credits for this dark masterpiece, for those following the artistic development and history of Stevie Winwood, too; particularly on the soul-stunning "No Time To Live", thankfully not over- compiled in the retrospect too much. So thus avoid the the chopped up compilations and buy the original albums like this one first. I only wish the future re-emerged Traffic (which had broken up after this recording) had been as consistent in quality as this, but sometimes fearless leader had his "So Uninspired" moments. But this is a great moment in music. In this work, thus a "House For Everyone", even more than the first outing, a quickly matured act. Even though with the pessimism this one predicts it ends up a bit dated in that respect, musically still, it holds up. A must for fans of the late '60's counter-culture scene, as well as rock musical possibilities.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
One of the Best Albums of the '60s, July 24, 2002
This review is from: Traffic (Audio CD)
Traffic had one of the most original (and interesting) sounds in British rock, and not only because of their eclectic musical influences, which embraced psychedelia, folk, jazz, soul, R&B, and even classical. Their unique sound was also the result of their unusual instrumentation. While the group went through a number of personnel changes, its constant core members were Steve Winwood (vocals, keyboards, guitars), Chris Wood (sax, flute, and organ), and Jim Capaldi (drums & percussion). With no regular bass player, Winwood often filled in with the bass pedals on his organ. And, while there is no lack of guitars on most Traffic recordings, the guitar is not emphasized or particularly important to the group's sound. Dave Mason came and went in their early years and, on other recordings, Steve Winwood would switch to guitar, with Chris Wood taking over organ duties. In short, Traffic was anything but your typical guitar-bass-drums rock outfit. And, with "white Ray Charles" prodigy Winwood at the helm, and with their willingness to experiment with virtually any sound or musical style, they cut some of the most distinctive and important records in British rock. Their sophomore album, "Traffic," perfected the band's sound, and stands as one of the best albums in British rock. Psychedelic influences were still evident, but gone was the silly "Sgt. Pepper"-style trippiness of "Mr. Fantasy." Instead, Winwood and Capaldi perfected their jazzy take on psychedelic-soul, while Dave Mason turned in by far his best contributions with the group. Mason's "You Can All Join In" and "Feelin' Alright" (later popularized by Joe Cocker) are folk-rock gems, while Winwood's genius shines through on the whimsical but very funky "Who Knows What Tomorrow May Bring" and the swampy jungle-rock epic "40,000 Headmen." Furthermore, in contrast with the cut-n-paste nature of Traffic's other LPs with Dave Mason, here there is real collaboration, as when a Mason folk-rocker climaxes with Winwood's soulful wailing on the refrain or the bridge ("Don't Be Sad," "Cryin' To Be Heard"). The overall result is a delicious paradox: a recording that is wildly eclectic, yet artistically cohesive. If you haven't heard "Traffic," all I can say is, you don't know what you're missing.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
their best, December 17, 1999
This review is from: Traffic (Audio CD)
Though I'm also partial to John Barleycorn, this gets the nod as my favorite Traffic album. The added dimension Dave Mason brings with his songwriting, vocals and guitar just gives this album more diversity, though Barleycorn is a close second. Brilliantly written, played and produced
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