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Think of One are an aggressively eclectic band from Antwerp, which is in the Flemish-speaking (Walloon) sector of Belgium. T.O.O. has been diligently attempting to evade fame by putting out seven albums under four aliases over five years. In fact, some collectors may already own a few of their releases unawares. The key to identifying their output is to be on the lookout for previously unimaginable juxtapositions of influences that can be from literally anywhere, as old as the ages or new as tomorrow. Big-band brass, clunky bass lines, electronica, quick-frozen beats, reggae, punk, samba, hip-hop and the proverbial kitchen sink are all grist for their mill. This time out, the tracks were composed and recorded in Recife, a city in Northern Brazil, sung in Flemish and Portuguese and mixed by an Englishman, two Belgians, a Frenchman and a Brazilian. Even amid the polyglot ambience that is presently taking the world and its music by storm, T.O.O. have relatively few forebears -- the French multi-kulti outfit LoJo, and the wacky, faux-whatever 3 Mustaphas 3 outfit spring immediately to mind. But T.O.O.s mad genius goes a step further -- the album is funny, enchanting, deranged, and absolutely essential. --
Christina Roden
Product Description
Think Of One see themselves as musical explorers. They love nothing more than traveling to distant countries to record with Moroccan, Inuit, Congolese or Brazilian musicians. Tráfico was written and prepared during the bands extended stay in Recife, Brazil where the band worked closely with several musicians and vocalists including 66-year old veteran singer Dona Cila do Côco, percussion wizard Carranca, and vocalists/percussionists Cris Nolasco and Ganga Barreto. Many of the tracks on Tráfico are infused with rhythms from the Brazilian northeast interspersed with ambient keyboards, thundering horns, quirky call-and-response vocals in Portuguese and Flemish, a cavalo marinho rhythm which mutates into a neo-punk jam, strange stories hummed in Antwerp dialect and some remarkable avante-jazz horn arrangements performed by a quasi-big band.