From Publishers Weekly
In the title novella of this collection of 14 otherwise short-short stories, Svoboda (Cannibal) tells the tale of a nameless woman, a survivor of foster homes and abuse. After a number of stays in mental institutions, she now lives in a filthy trailer park peopled by dropouts who are every bit as damaged as she is. The woman believes there is a wild child living in a gully near the trailer park but is this really true? Svoboda tends toward obfuscation and the reader is often left mystified, but the overall effect is compelling. Characters in the short stories really more like prose poems are shadowy personages difficult to pin down. The first story, "Sundress," is a prologue to the novella, in which a nameless girl and a creepy boy named Ernie move into a house by pretending to be relatives of the vacationing owners. "Polio" features a sitter who invents a game called chute: she drops a baby down a laundry chute and lets her other charges follow. Most interesting of the short pieces is "Psychic," in which a clairvoyant woman realizes she has been hired by a murderer, and uses her knowledge to wring a few extra dollars out of him. The language throughout is at once potent and oblique Svoboda has published three books of poetry and thus the allure lies less in the situations than in their strange telling. (Mar. 1) Forecast: Svoboda, sounding here like a cross between William S. Burroughs and Dorothy Allison, has been lauded in edgier venues like Spin and the Village Voice. While this may not be a mainstream hit, she could find an audience of more adventurous readers.
Copyright 2001 Reed Business Information, Inc.
From Library Journal
It is hard to digest this much Svoboda (Cannibal, A Drink Called Paradise) in one sitting. Her poetic language is spare, disjointed, confusing, brilliant, and piercing, but her angst-filled tales are neither pleasant nor pretty. Hers is a dark world of vagrancy, abuse, drug addiction, and alcoholism, containing a litany of life's losers and wounded. For all the sometimes lovely images and unique turns of phrase, this is an acquired taste. The most accessible story of the collection's 15 stories is the bittersweet "Sundress," in which two elderly lost souls, unloved former foster children, spend their days searching for vacant homes in which they can pretend to play house for brief, blissful periods. "Trailer Girl," the linchpin novella, is overflowing with cruelty and hurt. The fates of brutalized, sexually abused Kate, her battered baby brother, and the little lost wild girl, elusive as a feral animal, haunt the story's fragile narrator, the Trash Lady, who feels their pain as if it were her own. This powerful cutting-edge literary fiction is recommended for specialized collections.DJo Manning, Barry Univ., Miami Shores, FL
Copyright 2001 Reed Business Information, Inc.