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Train to Pakistan.

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The summer of the Partition of India in 1947 marked a season of bloodshed that stunned and horrified those living through the nightmare. Entire families were forced to abandon their land for resettlement to Muslim Pakistan and Hindu India. Once that fateful line was drawn in the sand, the threat of destruction became a reality of stunning proportions. Travelers clogged the roads on carts, on foot, but mostly on trains, where they perched precariously on the roofs, clung to the sides, wherever grasping fingers could find purchase. Muslim turned against Hindu, Hindu against Muslim, in their frantic effort to escape the encroaching massacre. But the violence followed the refugees. The farther from the cities they ran, the more the indiscriminate killing infected the countryside, only to collide again and again in a futile attempt to reach safety. Almost ten million people were assigned for relocation and by the end of this bloody chapter, nearly a million were slain. A particular brutality overtook the frenzied mobs, driven frantic by rage and fear. Women were raped before the anguished eyes of their husbands, entire families robbed, dismembered, murdered and thrown aside like garbage until the streets were cluttered with human carnage.

The trains kept running. For many remote villages the supply trains were part of the clockwork of daily life, until even those over-burdened trains, off-schedule, pulled into the stations, silent, no lights or signs of humanity, their fateful cargo quiet as the grave. At first the villagers of tiny Mano Majra were unconcerned, complacent in their cooperative lifestyle, Hindu, Sikh, Muslim and quasi-Christian. Lulled by distance and a false sense of security, the villagers depended upon one another to sustain their meager quality of life, a balanced system that served everyone's needs. There had been rumors of the arrival of the silent "ghost trains" that moved quietly along the tracks, grinding slowly to a halt at the end of the line, filled with slaughtered refugees.

When the first ghost train came to Mano Majra the villagers were stunned. Abandoning chores, they gathered on rooftops to watch in silent fascination. With the second train, they were ordered to participate in burying the dead before the approaching monsoons made burial impossible. But reality struck fear into their simple hearts when all the Muslims of Mano Majra were ordered to evacuate immediately, stripped of property other than what they could carry. The remaining Hindus and Sikhs were ordered to prepare for an attack on the next train to Pakistan, with few weapons other than clubs and spears. The soldiers controlled the arms supply and would begin the attack with a volley of shots. When the people realized that this particular train would be carrying their own former friends and neighbors, they too were caught, helpless in the iron fist of history, save one disreputable (Hindu) dacoit whose intended (Muslim) wife sat among her fellow refugees. The story builds impressive steam as it lurches toward destiny, begging for the relief of action. In the end, the inevitable collision of conscience and expediency looms like a nacreous cloud above the hearts of these unsophisticated men, a mere slender thread of hope creating unbearable tension.

I was impressed with the power of Singh's timeless narrative, as the characters are propelled toward a shattering climax, as potentially devastating as any incomprehensible actions of mankind's penchant for destruction. I was struck also, by the irony: how the proliferation of a rail system that infused previously unknown economic growth potential to formerly remote areas, also became the particular transport of Death. Only a few years earlier, a rail system in another part of the world carried innumerable Jews to Hitler's ovens, another recent barbaric use of Progress, originally intended to further enrich the potential accomplishments of the human race.

The first work by an Indian author that I ever read, Train to Pakistan is a superb book on many levels. It is a documentary of Punjab, its people, its culture. Its a narrative of the gruesome events that burned northern India in 1947. It is a story of the cultural, political, and intellectual atmosphere of India at the time. And it succeeds BRILLIANTLY. It brings the reader into the picture so vividly, its rather disturbing. If the reader is a product of the society the athor writes about, or is intimately familiar with it, and possesses any amount of intellectual spark, this book is an absolute must read. How much it'll mean to you if you are not familiar with the culture of Punjab, I don't know.

To get some insight on the people behind the muslim-sikh-hindu troubles in India and Pakistan, this is a must-read. It is a brilliant story told in a way that gives the reader an excellent inside on the human factor during the time of the separation and liberation of India and Pakistan. A stranger, a non-religious muslim who has spent most of his life in England, a modern thinker, comes to a small village on what was to be the border between Pakistan and India. In this village, sikhs and muslims live in peace. But in the world around them, the troubles start. In this small village, hell soon breaks loose. In the centre of it all is a young couple from different religions, whos fate together is made impossible from this sudden outbust of sectarianism on both sides. It's a marvellous book.

Ethnic conflict has been a staple of cross-cultural contact for as long as more than one race and religion have tried to co-exist. In the border between Pakistan and India, the theme of revenge killing calling for ever more revenge killing has found a clear voice in TRAIN TO PAKISTAN by Khushwant Singh. Nearly everyone in the novel is flawed to some degree with the effects and aftereffects of ethnic cleansing. There is no clear cut hero although a criminal named Jugga comes closest. Jugga is a Sikh thief who happens to take a Moslem woman as a lover. Their illicit relation is a microcosm of all that is terribly wrong when the cut of a person's beard counts more than the content of his soul. Jugga is far from an angel, but he slowly grows in stature from the baseness of his profession to one who is forced to contemplate the consequences of his own role in the ongoing cycle of killing between Sikh and Moslem. He is used as a pawn in the Sikh's killing of innocent Moslems, and his choice is the same that all men of revived conscience have had to face in similar such times: should he participate willingly even eagerly in the proposed slaughter of a train of deported Moslems shipped unceremoniously to Pakistan or should he speak out against the insanity that is insane only to him? The various flaws of all the characters of the novel--their vicious caste system, their willingness to demonize other races, their unwillingness to question even the most fundamental elements of their dogma--all stem from the cycle of killing that did not begin with the trainload of Sikh corpses that entered the sleepy town of Mano Majra in India. This mass killing is simply a sociological given: its root cause goes back uncounted centuries of strife between Moslem and Sikh yet it is hailed by Sikhs as 'the' reason to replicate the slaughter of Moslems on yet another train headed to Pakistan. Khushwant Singh portrays a society of confused, angry villagers who see no way out of the ongoing cycle of killing except to perpetuate that killing. Singh suggests that the men of good conscience who try to make even token attempts to bring this insanity to a halt are few and far between. The events of clashes between Sikh and Moslem that have occurred since this book was first published in 1956 further suggest that such men of good conscience have grown fewer in number.

This book was recommended to me by two retired U.S. Foreign Service officers who had served in the subcontinent. I had asked them for advice on background reading about India and Pakistan. It turned out to be one of the best books I've ever read; I can't think of a more dramatic ending. It also sheds light on recent events in other corners of the globe (former Yugoslavia, Rwanda). The only difficulty Western readers (like me) might encounter is the frequent use of local language; in future editions, a glossary of terms, and real-life names, might be helpful. But this didn't diminish the book's awesome power and universality.

When the monsoon rains wash a whole village of massacred babies, men, and women down the swollen river and past a small, peaceful community on India's border with the newly created Pakistani state, the residents of the village are aghast. When whole trains of newly slaughtered Sikhs and Hindus, not a passenger still alive, start arriving in their village from Muslim Pakistan, they hastily cremate and bury the remains, then retire to the temple in shock. When their own Muslim friends from the village are forcibly evacuated to Pakistan on ten minutes notice, the villagers know that the fabric of their lives is changed forever.

With the immediacy of an on-the-spot observer to these events of 1947 and the passion of a sensitive writer impelled to tell a story, Singh mourns the seemingly permanent loss of compassion and tolerance which accompanied the separation of the Indian subcontinent into Hindu/Sikh India and Muslim Pakistan. His novel, written less than ten years after some of the events which are chronicled here, is filled with vibrant and realistic characters sometimes forced to make impossible decisions, characters who reflect the horrors of religious intolerance, which flourished when artificial boundaries were set up to divide India by religions. The book cries out against the losses of civility, tolerance, and life itself.

With his love story of a Sikh dacoit and a Muslim weaver's daughter, told within an elegaic portrait of peaceful village life suddenly altered by religious strife, Singh draws the reader into the world of Mano Majra and its contrasts. He peppers the narrative with manipulative and grasping government officials and police, and outside agitators preying on residents' insecurities. The small world he creates so vividly becomes a microcosm through which the reader gains knowledge of the wider issues. Most remarkably, Singh holds himself above the ethnic and religious fray, reflecting his equal abhorrence of the Muslim atrocities and the Sikh response, "For each Hindu or Sikh they kill, kill two Mussulmans." Singh, writing this book in 1956, dramatically foreshadows the violence which has continued in this area to the present day. He makes us feel the sadness and the permanent loss to all the participants on all sides of this tragic conflict. Mary Whipple

Khushwant Singh's Train to Pakistan shall ever be considered one of the most significant chronicles of the horrors that accompanied the partition of India. In this spare and tight narrative, Khushwant Singh selects Mano Majra, a small village near the border, as the place where Hindus, Muslims and Sikhs come to terms with religion based division of a country. To be uprooted from one country, the country that was your home was several hundred years or more, is an extremely painful experience. Khushwant Singh choses to leave the sentimentality to the reader, and just draws a series of sketches of how the events influence his nicely crafted characters.

The characters are closest to the villagers, Policemen and Magistrates I have known in reality. The conversations, the arguments, the brotherhood that extends beyond religion in villages, and the complexity of human nature is all brought out by this pithy masterpiece nicely. Without going into the details of story or characters (which I will let you read and marvel at yourself), I can tell you that the storyline, in spite of the baggage it carries in terms of trains full of dead bodies, forms a reading full of suspense, agony, mystery and things run to a brilliant climax.

Why hasn't Khushwant Singh's novel acquired the reputation it deserves in the world literature? I think there are several reasons which primarily are related to how the novel is written. I believe Khushwant Singh could have spent a little more time and text on the history of Sikhism and Islam in India. What happened in 1947 was perhaps a consequence of accumulated hatred of centuries. What happened against the Jews in Europe wasn't the result of Hitler's personal vendetta alone, what happened in India wasn't a result of Jinnah (or you can blame Indian National Congress, if you like Jinnah) alone. We need to look at these in the light of bloodshed that had preceded these events.

Train to Pakistan presents one of the best studies (in English) of Sikhs and villagers of India. Another novel from the same time Maila Anchal (The Soiled Border) by Phanishwer Nath Renu is a complimentary study of villagers in Bihar, as these villagers witness rise of caste based politics and changes in wake of India's freedom. Since the events during partition involved a million deaths, and uncountable inhuman excesses (rapes, slashed breasts, castrations), the novel provides context for very strong emotions. In the dark dance of death and murders, there are occasional glimpses of romance, friendship and kinship.

I would urge every Indian and Pakistani to read this book. It is part of our painful heritage. The book is perhaps not as descriptive as it should be for the taste of non-Indian, non-Pakistani readers, but I am sure it presents the Indian holocaust in a very delicate, refined and understated fashion.

The recent communal carnage in the state of Gujarat, India and the ongoing controversy over the Hindu temple to be built in Ayodhya have created a lot of stir and helped to focus public attention on the unending hostilities among religious groups in India. This seems a perennial problem in the Indian subcontinent, the land of the great apostle of nonviolence Mahatma Gandhi. Khushwant Singh's "Train to Pakistan" deals with this issue at its worst during the partition of India and Pakistan in 1947. He tells the poignant story of the innocent men and women of a border village called Mano Majra on the river Sutlej. The large-scale massacre of millions during the exodus after the partition impacts the simple folks in this village in a terrible way. The story of the agony of this village is told convincingly with graphic detail and hideous force. This book will always remain an excellent classic among historical novels.

Khushwanth Singh writes convincingly. He doesn't waste words, he doesn't mince them. Every character is firmly etched out; the descriptions are vivid; the emotions are real; the writing is objective and evocative.

Khushwanth Singh's is a journalist's view; an objective view - he doesn't take sides, even while dealing with hugely complex issues of religion, violence and ideologies.

One empathises with each one of his characters - each one of them seems real. His best character (in my opinion) is Iqbal Singh, the Western-educated Communist trying to bring about a Socialist Revolution in the village. You don't know whether to like him or loathe him till the end, and even then, you empathise with them.

The strong first chapter has you 'hooked', the tension is maintained throughout bursting with savage force in the final chapters. For someone belonging to a generation of Indians who haven't experienced at first or second hand the horrors of the partition, this is an eye-opener.

Train to Pakistan's greatest triumph is the dialogue - with liberal doses of Punjabi and Hindustani, and appearing to be translated from the Urdu or Punjabi. The effect - an air of authenticity about every word uttered.

For all his economy, Khushwanth Singh is wonderfully visual, evocative writer. You can hear the sound of the train, you can smell the monsoons, you can see the village - alive in all its rural glory.

This one's a classic - realistic, riveting, hard-hitting.

A very powerfully written book which touches your heart and threatens to engulf your soul. A love story layered in some of the greatest romances and tragedies of history.

A must read - even for those who've already read it!