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Product Details
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Track Listings
| 1. Pala Tute |
| 2. My Companjera |
| 3. Sun Is On My side |
| 4. Rebellious Love |
| 5. Immigraniada (We Comin' Rougher) |
| 6. When Universes Collide |
| 7. Uma Menina |
| 8. Raise The Knowledge |
| 9. Last One Goes The Hope |
| 10. to Rise Above |
| 11. In The Meantime in Pernambuco |
| 12. Break The Spell |
| 13. Trans-Continental Hustle |
Editorial Reviews
2010 release, the eagerly-awaited fifth studio album from the Alt-Rock outfit and the first to be release since 2007's Super Taranta!. Produced by Grammy award-winning producer Rick Rubin, Trans-Continental Hustle combines the band's radical invocations of positive primal energy and planetary consciousness with music infused with Ska, Metal, Punk, Rap, Dub and intimations of indigenous Brazilian sounds to produce a party maelstrom of electrifying proportions. Led by revolutionary change agent and provocateur Eugene Hutz, Gogol Bordello, a nine-piece juggernaut of gypsy rebel soul, has become an international force to be reckoned with.
Customer Reviews
Most Helpful Customer Reviews
36 of 39 people found the following review helpful
Format:Audio CD
It's hard to continually raise the bar on a genre that you create for yourself and yet still remain fresh or creative. That said, there's something missing on Trans-Continental Hustle that was so eye-opening on Gogol Bordello`s Gypsy Punks, so explosive on Super Taranta! that it's hard to pinpoint. The energy is here, Hutz is still Hutz, the pace is frenetically balanced between traditional punk, gypsy, and Carnaval atmosphere, with the immigrant-centric worldliness still representing the core of the band. And despite the difficult task of incorporating a more discernible Latin sound tied to punk, there's still something missing.
Many have noted the now infamous photo of the band wearing matching garb promoting the release of the TCH, a ominous sign of something completely antithetical to the core of GB and punk itself, a band comprised of wildly diverse elements too unrestrained to be coerced into uniformity. It could point to the more polished nature of the album as a whole. For since this album is under the purview of mega-producer Rick Rubin, I suspect that GB's talents, and perhaps its greatest asset, raw unpredictability, may be sacrificed for family-friendly airplay. Take the songs Uma Memina, Last One Goes The Hope, Rebellious Love and To Rise Above, for example. The backup singers sound distinctly bored with their restrained wailing. Gone is the occasional though necessary explicit lyric, and less predominant is the evocative gypsy violin from Sergey Ryabtsev in favor of the strumming of acoustic guitar.
That's not to say there are unworthy tracks here. Rebellious Love, My Companjera, In the Meantime in Pernambuco, and the epically momentum building When Universes Collide are all worthy of addition to the elite GB songs. GB's songwriting has always been intelligent, fun and belligerent, and it doesn't deviate much on TCH. In fact, the lyrics are probably as tight as they have been on previous albums; the fever to which they're musically set simply isn't as wild or spontaneous.
For the handful of standouts in this album, for me it doesn't match the intensity of Super Taranta! and Gypsy Punks. I don't blame the band for going in a more polished direction; it was bound to happen that someone influential with the promise of a big payday would try to latch onto GB. I'm thankful that it didn't detract too much from Trans-Continental Hustle, and that it happened after two supremely powerful releases. Trans-Continental Hustle is a fine, if perhaps too well-produced album that while not as overwhelmingly definitive, continues Gogol Bordello's recognition in the realm of worldly punk.
Many have noted the now infamous photo of the band wearing matching garb promoting the release of the TCH, a ominous sign of something completely antithetical to the core of GB and punk itself, a band comprised of wildly diverse elements too unrestrained to be coerced into uniformity. It could point to the more polished nature of the album as a whole. For since this album is under the purview of mega-producer Rick Rubin, I suspect that GB's talents, and perhaps its greatest asset, raw unpredictability, may be sacrificed for family-friendly airplay. Take the songs Uma Memina, Last One Goes The Hope, Rebellious Love and To Rise Above, for example. The backup singers sound distinctly bored with their restrained wailing. Gone is the occasional though necessary explicit lyric, and less predominant is the evocative gypsy violin from Sergey Ryabtsev in favor of the strumming of acoustic guitar.
That's not to say there are unworthy tracks here. Rebellious Love, My Companjera, In the Meantime in Pernambuco, and the epically momentum building When Universes Collide are all worthy of addition to the elite GB songs. GB's songwriting has always been intelligent, fun and belligerent, and it doesn't deviate much on TCH. In fact, the lyrics are probably as tight as they have been on previous albums; the fever to which they're musically set simply isn't as wild or spontaneous.
For the handful of standouts in this album, for me it doesn't match the intensity of Super Taranta! and Gypsy Punks. I don't blame the band for going in a more polished direction; it was bound to happen that someone influential with the promise of a big payday would try to latch onto GB. I'm thankful that it didn't detract too much from Trans-Continental Hustle, and that it happened after two supremely powerful releases. Trans-Continental Hustle is a fine, if perhaps too well-produced album that while not as overwhelmingly definitive, continues Gogol Bordello's recognition in the realm of worldly punk.
14 of 15 people found the following review helpful
Format:MP3 Music
I was surprised when I first read several user reviews of Gogol Bordello's new album that criticized it heavily. After having listened to this album several times over, and being a long time listener of Gogol Bordello, I feel comfortable saying they were quite wrong. I suspect they wanted the band to just rehash the sound and beats that they had gotten used to. The thing is that Gogol Bordello has a stated purpose of constantly innovating and changing up their music in order to prove an aesthetic argument. And I think they succeed here. There is the same underlying passion and energy, but it is at times more subtle or subdued. Furthermore, they once more find ways to incorporate new folk traditions from around the world and emerge with a sound that is novel and refreshing once more. If you only like the punk sound of the Gypsy Punks album, maybe this is not for you. If you enjoy interesting and innovative music, than I would suggest this album. One user was trying to declare Gogol Bordello's music dead with this album. Fortunately, they seem to be in good aesthetic health.
8 of 8 people found the following review helpful
By StarShine
Format:Audio CD
This is what happens when you take a good punk rock gypsy Balkan band (or whatever descriptors fit it best) with a great formula, and try and change the formula by over-producing it. The soul has been stripped out of this band by mediocre backing instrumentals that could easily be a "one sound fits all other rock bands", namely acoustic guitar.
I was eagerly awaiting this new release, and so much wanted to like it, but there were too many things that did not sound right.
Stripped of the debauchery, humour, screaming backing vocals, Sergeys energetic violin and the accordion, this album is sadly lacking - a lot.
The publishers blurb says "...primal energy...Ska, Metal, Punk, Rap, Dub". Unfortunately, in my opinion, these have all been produced right out of the original sound of Gogol Bordello. What is left is a mediocre rock/pop sound. You would be hard pressed to find anything Balkan or danceable (in the crazy style of Eugene Hutz) here.
On the good side, the vocals and lyrics are still great, and definitely have potential. If the album was redone with the wildness of "Gypsy Punks" it could still be a great album. No doubt when performing this album live, some of the wildness will creep back in. I will await the remake...
I was eagerly awaiting this new release, and so much wanted to like it, but there were too many things that did not sound right.
Stripped of the debauchery, humour, screaming backing vocals, Sergeys energetic violin and the accordion, this album is sadly lacking - a lot.
The publishers blurb says "...primal energy...Ska, Metal, Punk, Rap, Dub". Unfortunately, in my opinion, these have all been produced right out of the original sound of Gogol Bordello. What is left is a mediocre rock/pop sound. You would be hard pressed to find anything Balkan or danceable (in the crazy style of Eugene Hutz) here.
On the good side, the vocals and lyrics are still great, and definitely have potential. If the album was redone with the wildness of "Gypsy Punks" it could still be a great album. No doubt when performing this album live, some of the wildness will creep back in. I will await the remake...
Most Recent Customer Reviews
5.0 out of 5 stars
Need my Gogol Bordello fix every day
We played 5 Gogol Bordello CDs over & over as roadtrip music - got us through 1500 miles with never a sleepy moment. High-energy music! I need my Gogol Bordello fix every day.
Published 2 months ago by LKR
3.0 out of 5 stars
Something is off in the pace
This album feels slower that the previous work. My favorite thing about Gogol Bordello is that almost every song feels like the kind of song you'd want to dance to at the greatest... Read more
Published 3 months ago by Priya86
3.0 out of 5 stars
This recording doesn't do them justice!
I love Gogol Bordello, and I was pretty disappointed the first time I listened to this album. I was actually.... bored. Read more
Published 10 months ago by Juliana Olmstead
3.0 out of 5 stars
Losing themselves?
I'm a big Gogol Bordello fan - have been for many years. I have owned all of their albums at one time or another, except for this one, which I just recently bought. Read more
Published 13 months ago by Kat T.
5.0 out of 5 stars
Listen non-stop
This CD is the best of the Gogol Bordello works. Pretty much every song is a hit. The melodies became smoother and English has improved significantly. Read more
Published 16 months ago by DB
4.0 out of 5 stars
More of the same
Gogol Brodello have produced another record with good tunes, loads of energy and songs about gipsy life and immigration. Read more
Published 16 months ago by D. Stuart
3.0 out of 5 stars
Another album ruined by Rubin
(disclaimer: this review is based on an Amazon digital download)
"Transcontinental Hustle" is an album that should be good. Read more
"Transcontinental Hustle" is an album that should be good. Read more
Published on May 3, 2011 by J. Pager
5.0 out of 5 stars
very pleased
I heard the first two songs from this album on New Years at a party & it was a huge hit w/ the dancers. This is the 3rd cd of Gogol Bordellos I've bought since then. Read more
Published on February 8, 2011 by joelseaquist
4.0 out of 5 stars
Trans-Continental Hustle
Having seen Gogol Bordello supporting RATM this year, and being very impressed with their set, I thought I would give one of their albums a try and I am thoroughly glad I did. Read more
Published on January 10, 2011 by Spider Monkey
4.0 out of 5 stars
The Rubin Effect
After settling on the current format, Gogol Bordello released the revolutionary Gypsy Punks: Underdog World Strike (2005) followed by the brilliant Super Taranta! Read more
Published on January 2, 2011 by PortoCali Kid
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