Most Helpful Customer Reviews
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
young fans suck., October 12, 2005
I have been a Fear Factory fan since the first album. I've seen them play in every crappy club and big arena that I could drive to. One thing I can say about Fear Factory is, they are consistantly good, live and on every album. They stick to their roots and at the same time are not afraid to grow as musicians and obviously people. To all the young fans out there looking for the same crappy sound that everyband is putting out nowadays: stfu. This album is very good. I even like the covers, because they did them their way. And their way is good. I reccomend this album to anyone that is a long time Fear Factory fan or anyone openminded enough to not want to hear the same damn song on every album by every artist forever. It is a solid effort and I like something about every single song on it.
For this, Fear Factory gets a big smooch from me, for continuing to provide me with a plethora of music that I can enjoy for the rest of my life without fear of ever being bored by them.
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8 of 9 people found the following review helpful:
3.0 out of 5 stars
They took the "Factory" out of Fear Factory., August 30, 2006
Or is that the "Fear". No, it's really the industrial elements I'm missing most in Trangression. These are my impressions after listening to the album for 2 weeks regularly:
The first few songs sent me diving for the internet to see if they had replaced their drummer. Where is the double-kick?
The next few listens made me think they've replaced their guitarist - no rhythmic downstroke chugs in perfect time with the kick? Well that could just be because their IS no kick...
Then the second half of the album basically descends into what you might mistake for a compilation of all the "soft" songs off FF's previous albums. Ballads, etc.
And then comes "I will follow". Hang on, is this a Killers album? One thing that always p'd me off about FF is the way they modify their style each album to sound slightly like whatever's popular. They Kornified themselves in Obsolete; they nu-metalled themselves after that... This is NOT maturing - this is biting a style for reasons of pure commercialism.
So all in all... it's Fear Factory - they can't really do TOO much wrong. Even when they're bad they're pretty good. It's hard to live up to a genre birthing album like Demanufacture and, sorry people, that's IS what people are looking for when they get the urge to hear some Fear Factory.
On that note I'd like to say to all those people reviewing this album (or any album on Amazon). It annoys me that reviewers will violently slag off other reviewers for not "appreciating the maturing of the band", and to "get over it, they've changed". You're entitled to your opinion on the album, but equally valid is the opinion of the once-fan has been severely disappointed with the album. In fact maybe more valid because a large amount of people who come looking for a review on Amazon will be fans of a bands "original" style and expect more of the same. If Fear Factory put out an album vastly different from the sound that made them the pioneers of their genre then they've gotta expect a lot of disappointed fans. Yes, I came here looking for some more Cybermetal offerings in the vain of Demanufacture (coz EVERYONE I'm sure can agree - it is FF's definitive album). If I'd wanted a "matured" (read "lazily composed/throwaway") album like Trangression I'd have searched Amazon for any one of the thousands of nu-metal clones out there.
Obviously there is a little hypocrisy in my own review. If I hadn't felt the need to defend my "old school" views on FF then maybe I woulda spent more time giving an in-depth analysis of the album. Props to those reviewers who did just that; objectively sizing up the album's good and bad points and rating it in consideration with what the majority of fans expect form this band.
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5 of 5 people found the following review helpful:
4.0 out of 5 stars
Give it a couple spins, then draw an opinion, September 2, 2005
This album definitely is different and it could have been a lot better, but it also could have been "Digimortal." I don't say it could have been better because it was different, because I do like the experimentation on it, even if it doesnt exactly work at times.
For instance, the opener "540,000 Degrees Fahrenheit," on first listen the clean vocals really didn't do much for me the first time through. After I listened to it again, though, it grew on me; the mix of clean verse to rough chorus works really well once you get used to it. The following track "Transgression," really isn't that experimental, and I honestly could have possibly seen it on "Archetype," along with the closer, "Moment of Impact," hands down the heaviest song on the album.
In the middle, though, is really where the experimentation comes into play and, like I said, sometimes it works, and sometimes it doesn't. There is a lot more melody incorporated on this album, and to me at least, it seemed as though there was more of a noticeable electronic presence here than on "Archetype." Which, as I said, works at times, and at times it doesn't. Also, just the riffs here seem different. A lot of people are saying how Christian just rehashed some of Dino's riffs, and while they do all sound like Fear Factory, it's not like I feel like I am listening to an old Fear Factory album with different lyrics. The riffs just seem to have a different style to them and in all honesty you just have to listen to the album for yourself to understand what I'm saying. You might think differently after all.
Now, there are some things that I find very wrong with this album. First off, the production could have been better, but it is liveable. Before I heard it for myself you would have thought it was "St. Anger" or something from the way people talked about it. The one thing that really does bother me, though, is the track order. After "Supernova," the album kinda dies until "Moment of Impact." If "Echo of My Scream" and "Supernova" had been collectively placed one or two more positions toward the end (because it really is a great transition from one to the other) then I think they would have a better effect on the album as a whole. Though, to do this they really needed to have recorded some more top notch tracks to replace the OK filler tracks, which you'll read about shortly. The U2 cover does absolutely nothing for me, and I think that for me it is going to turn into another version of "Cars"; a song that is kinda neat at first, but as you listen to it more and more, you're just thinking to yourself, "Why, Burton, why?" "Millenium" is OK; not bad, but nothing really to get excited about (unless you're a Killing Joke fan, because I'm pretty sure it's a cover of their song by the same name). "New Promise" and "Empty Vision" are both OK songs in their own right, but not really up to Fear Factory standards.
The variable on this album, however, is "Supernova." Some people are going to absolutely hate this song. It is upbeat, all clean vocals, maybe 5 seconds of semi-heavy guitar, and that's it. I, however, love this song. It really is unlike anything they have done before, and, what the hell, why can't Fear Factory make an upbeat song? It's nothing you're going to hear being played on your local Top 40 station anytime soon, though I could see it going to radio if any track did, but I still think it is one of the best song they have ever done, and that is partially because it is so different.
This album is still growing on me, and yeah, it's not their best, but it's definitely not their worst. It's not their heaviest, which isn't at all to say it's not heavy, because it definitely is. With a few more months of work and some more time to fine tune some aspects and, well, to put it bluntly, record 2 or 3 better songs, this could have very well been one of Fear Factory's best. It's not though, but it is still a good album, and you shouldn't automatically knock just because it's not "Archetype" or "Demanufacture." It's something different, and it succeeds in keeping things interesting.
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by Fear Factory 
