From Publishers Weekly
Starred Review. Banks's latest novel opens with a warning from "Patient 8262" stating that he or she is an unreliable narrator, before the epic takes off, plunging the reader into a whirlwind of intricately constructed characters and detailed accounts of their experiences as they "flit" across multiple Earths. The cast of characters include Adrian, the greedy city trader, emblematic of the selfishness needed to become a "traveler"; the Philosopher, an assassin who despises killing; a catch-me-if-you-can rogue operative named Mrs. Mulverhill; and the imperious Madame d'Ortolan, possibly the leader of the Concern, a vast multi-world organization that claims to protect worlds from chaos, but may also hide a greater, darker purpose. Banks's prose is elegant and electric and his story dizzying, but inevitable contradictions are brilliantly tied together-the only way many characters maintain sanity is to question everything, and readers would be well-advised to do the same. Banks manages the neat feat of synthesizing 19th-century style with the cutting edge, the irreverent with the philosophical, and the intellectual with the adventurous.
** 'Baroque, digressive, kinetic, teeming with big ideas and grand theories, it's a novel to get lost in ... gripping THE TIMES ** 'One of Iain Banks's most imaginative and compelling novels yet SCOTSMAN ** 'Wildly imaginative ... A corker of a thriller, a classic good versus bad tale, and one which the author uses to tackle some seriously big moral and philosophical issues - but always in his typically light-handed and darkly humorous fashion ... A book that makes you think, one that makes you look at the world around you in a different light, and it's also a properly thrilling read. If only more contemporary fiction was like it Independent on Sunday ** 'Transition is Banks at his exuberant, flamboyant, head-spinning best Financial Times
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