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Transitions and Exits (Hardcover)

by Ari Marcopoulos (Author), Diego Cortez (Editor, Contributor), Louise Neri (Contributor)
3.8 out of 5 stars See all reviews (4 customer reviews)

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Transitions and Exits + Ari Marcopoulos (Alleged Press) + Ari Marcopoulos: Even the President of the United States Sometimes Has Got to Stand Naked
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Editorial Reviews

Amazon.com Review
Photographer Ari Marcopoulos has made a career of capturing life on the cultural edge. From his beginnings as an artist working for Andy Warhol, Marcopoulos has been drawn to those who work and live outside of their contemporary society. Some of his more famous subjects include William Burroughs, the Beastie Boys, and Jean-Michel Basquiat. In Transitions and Exits, Marcopoulos covers the life and times of the world's top young snowboarders with contemplative portraits, mountainous landscapes, and daredevil action shots.

The faces of these athletes lie somewhere between wholesome and ragamuffin, and they deliver us into a fascinating world of modern Peter Pans, filled with video games, black eyes, cheap beer, and cigarettes. But beyond the mere stuff of adolescents lies boyishness with a cause. Marcopoulos explains: "They are political in the way they shape their existence. Their lifestyle is financed by corporations and yet they live by their own rules outside of social norms.... In snowboarding there is nothing better than breaking the rules." The photographs illustrate a commitment to natural beauty, adventure, and athletic perfection, as well as capturing the family-like clan that develops in the many off-hours. Included is an enlightening interview between the photographer and curator-writer Louise Neri. --J.P. Cohen

Product Description
Wild man Ari Marcopoulos crossed time zones incessantly while documenting the non-linear lives of one of the first 21st-century tribes--snowboarders. Rell Sun once called surfers the Gypsies of the Earth because they travel more and consume less. Snowboarders are the evolutionary offshoots of these nomads, who follow the seasons in search of what is embedded in their DNA. Transitions and Exits documents much of the time these young nomads spend travelling to the Nirvana of fresh powder and perfect jumps. And the waiting in Purgatory: riders kindle their boredom with hours, even days of contemplation. It's the time when helicopters are grounded, low pressures are laying new carpets of snow, and the weather channel is only hinting at what's to come. In snowboarding there are many prodigies. They are young, come from California and Scandinavia, earn serious dough for play, and speak a unified language around boarding and the latest electronic gadgets. But after hearing the crack of a compound fracture sounding off the walls of a perfectly shaped halfpipe--the price paid for mastering a new trick--it's hard to label this life glamorous. With photos and digital video grabs of the world's top snowboarders--all under the age of 25--Transitions and Exits showcases, in a hardcore artist's book and DVD, a brilliant take on a surreal world, much like Larry Clark's Tulsa.


Product Details

  • Hardcover: 176 pages
  • Publisher: powerHouse Books; 1 edition (October 31, 2000)
  • Language: English
  • ISBN-10: 1576870928
  • ISBN-13: 978-1576870921
  • Product Dimensions: 11.4 x 8.9 x 0.9 inches
  • Shipping Weight: 2.8 pounds (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars See all reviews (4 customer reviews)
  • Amazon.com Sales Rank: #1,541,989 in Books (See Bestsellers in Books)

    Popular in this category: (What's this?)

    #74 in  Books > Outdoors & Nature > Outdoor Recreation > Snowboarding

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Customer Reviews

4 Reviews
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Average Customer Review
3.8 out of 5 stars (4 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful:
5.0 out of 5 stars beyond the clichee, February 20, 2001
By udo herzefeld (berchtesgaden (germany)) - See all my reviews
this book offers a radical new look at the world of snowboarding and, for that matter, specific aspects of youth culture in general. it's also beautifully photographed and avoids the usual stylistic clichees of snowboarding photography... marcopoulos seems to have followed the crusaders of corporation-sponsored "rebellion" and "individualism" over longer periods of time, getting familiar with the various protagonists and their lifestyle, thus gaining access to all areas. this results in a volume of images of touching intimacy and odd beauty. 'transitions and exits' could well become the thinking person's snowboarding bible. marcopoulos would deserve it.
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4 of 6 people found the following review helpful:
4.0 out of 5 stars On the Frontier, December 4, 2000
On the frontier of the snowboarder, mad dogs patrol. Ari Marcopoulos's photographs paint quite a picture of this crispy culture, from shattered spines to heavenly landscapes, busted faces to blue sky. He's an insider - travelling with these nomads from the Alps to Alaska, he's taken rolls of behind the scenes snapshots, along with large format landscapes and the money shots. It's an honest, evocative portrait of this nomadic culture.
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2 of 3 people found the following review helpful:
5.0 out of 5 stars transglobal cultural ethos, February 23, 2001
By Giles Hendrix (Chapel Hill, NC USA) - See all my reviews
Ari Marcopoulos poesseses a unique ability to keep pace with the transglobal cultural ethos that is constantly and belatedly appropriated by mainstream media. Transitions and Exits is a perfect example. Marcopoulos and Cortez have selected a group of images that both confirms and dispels the stereotypes of this exploding privileged community. Marcopoulos' subtle use of digital manipulation and compositing within some of the layouts reinforces his vision and the overall story of his subjects. Marcopoulos understands his medium and has achieved its potential yet again.
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1.0 out of 5 stars glossy porn
I purchased this book based on the reviews of customers and editorial reviews as well. Nowhere did I read about what was really in the book, which is glossy porn and drug use. Read more
Published on September 13, 2001 by V. Ball

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