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Years after his escape, his publisher drags him back into the city, wanting the books he was promised five years back. Needing money to live in the city, he whores himself out to The Word, a newspaper run by an old friend. These are his "adventures."
Spider is brilliant, witty, and cynical. Through his eyes, Ellis gives an outlook of a bizarre future in which Aliens have landed, corporate America manages to advertise in your dreams, and reporters can write off their drug habits as a journalistic expense.
This is the second collection of Transmetropolitan, following back on the streets. Reprinted are issues 4-12. Spider is both hostage and witness as events unfold. Fortunately, it's ammunition which he fires right back at the world.
Spider can turn anything into an article, from the consequences of cryogenic freezing and restoration to simple Television. He visits reservations from the sensible to the logical extreme, and provides political commentary (And even rearranges their bowels). He encounters death threats and tangles with religion.
Let's not beat around the bushes here. This is a comic book. Fancy words aside, it's packages exactly as Spider-Man or Batman would be. That's where the similarities end. This is not aimed at children, and probably shouldn't be read by children. There is blood, gore, nudity, and thought-provoking material
What we do have is Warren Ellis' own use of the medium--A twisted, often dark, and humorous look at a futuristic world. his portrayal is brilliant, steps ahead of almost every other writer in the field of comics.
Brilliance in such a simplistic medium. Such a refreshing and innovative series.
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