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Transnormal Skiperoo
 
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Transnormal Skiperoo

Jim WhiteAudio CD
4.9 out of 5 stars  See all reviews (7 customer reviews)

Price: $13.99 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Formats

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MP3 Download, 12 Songs, 2008 $7.99  
Audio CD, 2008 $13.99  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song TitleArtist Time Price
listen  1. A Town Called AmenJim White 3:42$0.89 Buy Track
listen  2. Blindly We GoJim White 3:09$0.89 Buy Track
listen  3. JailbirdJim White 5:44$0.89 Buy Track
listen  4. Crash Into the SunJim White 4:30$0.89 Buy Track
listen  5. Fruit of the VineJim White 7:43$0.89 Buy Track
listen  6. Take Me AwayJim White 4:27$0.89 Buy Track
listen  7. Turquoise HouseJim White 3:20$0.89 Buy Track
listen  8. Diamonds To CoalJim White 4:36$0.89 Buy Track
listen  9. Counting Numbers In the AirJim White 5:19$0.89 Buy Track
listen10. Plywood SupermanJim White 5:39$0.89 Buy Track
listen11. Pieces of HeavenJim White 3:26$0.89 Buy Track
listen12. It's Been a Long Long DayJim White, Vida Wakeman 3:51$0.89 Buy Track


Amazon's Jim White Store

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Biography

"Titles never come easy to me, but this one did. Long before I recorded a single note I knew what I'd call it. That name, it was just in the air."

Singer songwriter Jim White has a habit of snatching meaning from thin air. His critically acclaimed debut album, The Mysterious Tale of How I Shouted Wrong-Eyed Jesus, tapped into the zeitgeist of what would soon blossom into the lo-fi Americana… Read more in Amazon's Jim White Store

Visit Amazon's Jim White Store
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Frequently Bought Together

Transnormal Skiperoo + Drill a Hole in That Substrate & Tell Me What You See + Funny Little Cross to Bear (Dig)
Price For All Three: $34.50

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  • In Stock.
    Ships from and sold by Amazon.com.
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  • Drill a Hole in That Substrate & Tell Me What You See $13.52

    In Stock.
    Ships from and sold by Amazon.com.
    Eligible for FREE Super Saver Shipping on orders over $25. Details

  • Funny Little Cross to Bear (Dig) $6.99

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    Ships from and sold by Amazon.com.
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Product Details

  • Audio CD (March 4, 2008)
  • Original Release Date: 2008
  • Number of Discs: 1
  • Label: Luaka Bop
  • ASIN: B0012IXBP0
  • Also Available in: Audio CD  |  MP3 Download
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #107,661 in Music (See Top 100 in Music)

Editorial Reviews

Review

Strange things appear in Jim White s songs. There are revelations
and tall tales, absurdities and tragedies, Southern roots and
existential disorientation. A man sits on a railroad track howling at
the moon. Jesus returns driving a motor home, alongside Buddha on
a motorcycle and Muhammad in a train. The singer finds himself
handcuffed to a fence in Mississippi, where things is always better
than they seem.
Mr. White grew up in Pensacola, Fla., soaking up the Pentecostal preaching that many of
his songs still react against. He recently made a documentary for the BBC, Searching for
the Wrong-Eyed Jesus, about the rural South, and he now lives in Georgia. The music
on his new album, Transnormal Skiperoo (Luaka Bop), leans mostly toward folksy
country.

While his tunes are down-home, his words are restless and uncertain. Mr. White is entirely his own combination of philosopher and raconteur,
country boy and intellectual. --Jon Pareles, The New York Times, 2/28/08

Pensacola -- a panhandle Gulf town best known for hosting hurricanes, evangelicals, and post-hardcore bands -- is a tough home base for a surreally gothic alt-country crooner with a Gram Parsons bent. But Jim White's Joe Pernice produced fourth record (whose title White claims is shorthand for a sensation of total giddiness and gratitude) deftly melds Southern-flavored soul with California twang. Stompers like "Turquoise House" and "Crash Into the Sun" are unusually buoyant for White, full of backing vocals, Dobro, and electric guitar. Much like his hometown, Transnormal Skiperoo is sunny and dark at the same time. --Amanda Petrusich, Spin Magazine, March 2008

Product Description

Transnormal Skiperoo is a name I invented to describe a strange new feeling I've been experiencing after years of feeling lost and alone and cursed. Now, when everything around me begins to shine, when I find myself dancing around in my back yard for no particular reason other than it feels good to be alive, when I get this deep sense of gratitude that I don't need drugs or God or doomed romance to fuel myself through the gauntlet of a normal day, I call that feeling 'Transnormal Skiperoo. Jim White


Jim White traveled many a junkyard road to get to Transnormal Skiperoo. Raised in Pensacola, Florida, a town crushed between the church and heroin, Jim s songs reach deep into the underbelly of the South. One time Pentacostal, fashion model, New York taxi driver, drifter, pro-surfer, photographer, film-maker, his music is the conduit for all the stories he collected along the way. His previous albums Wrong-Eyed Jesus [1997], No Such Place [2001] and Drill a Hole in That Substrate... [2004] were acclaimed as masterpieces of outer space alt.country and established Jim as a phenomenal maverick talent. Jim also starred in the BBC4 film Searching for the Wrong-Eyed Jesus , an award-winning road-movie exploring Southern culture through its music and stories. Now living in an old farmhouse in the backwoods of Georgia, Jim White may have finally reached a place called home, but his other search, for what he calls the gold tooth in God s crooked smile continues in this new set of backyard tales. Transnormal Skiperoo was produced by Joe Pernice and Michael Deming, recorded with the band Ollabelle, and also features tracks with Tucker Martine and Laura Veirs, local Georgia legend Don Chambers & Goat, bluegrass duo Jeff & Vida and percussionist Mauro Refosco of Forro In The Dark.

Jim White is a highly original voice in the immense Southern gothic tradition. When broken humanity aches for grace, music like his may give you a shot at redemption.

 

Customer Reviews

7 Reviews
5 star:
 (6)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.9 out of 5 stars (7 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

19 of 20 people found the following review helpful:
5.0 out of 5 stars Jim White's Best Yet....And That's Saying A Lot, March 4, 2008
By 
JG "wordmule" (...onward....thru the fog!) - See all my reviews
This review is from: Transnormal Skiperoo (Audio CD)
A while back, Jim White opened for Ollabelle, his backing band on several tracks on "Skiperoo". After the show, I commented to him that "A town called Amen", the opening track, sounded like Jim White channeling John Prine. Jokingly or not, White said "that's exactly what I was doing on that song". For my money, Jim White does John Prine better than Prine himself.

"Skiperoo" is a new chapter in Jim White's quirky adventures from the south. By his own description, it's a happier chronicle of the goings on in his world than previous albums, but fear not, there's plenty of dark, mysterious and mystical stuff lurking around every corner, just like on his past records.

As you listen to "Skiperoo", you'll soon get the feeling that White has made peace with some of the demons that have haunted him in the past, although on "Jailbird", the first of several gorgeous, contemplative songs, he reflects on the difficulties of leaving one's past behind, a theme that has often emerged on his previous records. As a lonely harmonica trails off at the end, you can just picture the player sitting on a front porch in the Appalachians. The end of the song is so similar to the end of "Sleepy town" from White's debut album "Wrong Eyed Jesus" that you might find yourself listening for that lonesome dog barking in the neighbor's yard down that dirt road, but it's not there this time.

White has a great sense of humor too, and isn't afraid of changing the mood on his albums. The first offbeat, not to mention infectiously addictive party song, is "Crash into the sun". Some say the lyrics are subtly political, but with its trumpets, handclaps, and "woo-hoo" chorus, it sure is a lot of fun, and guaranteed to stick to the neurons in the back of your brain.

Things can get dark and spooky "out in the junkyard of the pines of the south". "Fruit of the vine" makes you feel like you're in White's BBC documentary "Searching for the Wrong Eyed Jesus". Sit back and enjoy some great slide guitar and White working his magic on his unique electric banjocaster on this one.

White likes to "road test" his songs, often for years, before they show up on a record. He's done a dizzying series of arrangements of "Take me away" live over the years. You can be sure when you see him live, that the song will have changed once again. Like Dylan, White treats his songs as living, changing creations, rather than trying to replicate the studio versions as so many musicians do.

The album cover has a turquoise house on it. "Turquoise house" the song, is White's goofball ode to all the alternative lifestyles that some of the morally self righteous characters in the current US government are so deathly afraid of. Listen for the great Fleetwood Mac mandolin quote on this song too.

There has always been a distinct cinematic quality to just about all of White's music, probably not coincidentally because of the fact he's a film graduate of New York University. "Diamonds to coal" is a great example of that. Lyrically, it's also a great metaphor for not ruining a good thing.

Someone sent me a list from the internet where White's own "Christmas Day (1998)" was listed as the third saddest song ever recorded (In case you're wondering, "Lonesome whipporwill made the No. 1 spot). Well, folks, if "Christmas Day" was sad, "Plywood Superman" is even sadder, but more on an internal, instead of shattered love level.

Some of the greatest musicians often comment they don't know the meaning of their own songs until years later. I've also heard musicians say they've found new meanings in their songs after hearing a listener's interpretation of a song. "Pictures of heaven", according to White, is dedicated to his daughters. Before I read his description of the meaning of the song, the words made me think of a good friend of mine and his young sons, who recently lost his wife and their mother to cancer.

"Skiperoo" is the best record Jim White has made yet. And that's saying a lot.

Be sure to visit jimwhite dot net for more.
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20 of 24 people found the following review helpful:
5.0 out of 5 stars Jim White's Best Yet....and that's saying a lot, October 2, 2007
By 
JG "wordmule" (...onward....thru the fog!) - See all my reviews
This review is from: Transnormal Skiperoo (Audio CD)
Please see US version of CD. This was a review of the import edition.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Take time to know him., December 7, 2008
By 
This review is from: Transnormal Skiperoo (Audio CD)
I take the title from an old Percy Sledge song, take time to know her. You cannot appreciate Jim White with just one listen. There are more layers to his music than anyone I can remember, I listen to his music a lot and I always hear something new, a sound, a word, an absurdity or just a different way of seeing the same thing. I first saw Jim White at a concert opening for Lucinda Williams,in Milwaukee, WI, I talked with him a moment and bought a couple of his CDs, which he signed. His music dosen't have a one song hook it is the entire work thats the hook. Again take time to know him.
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