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Transports of Delight: The Ricksha Arts of Bangladesh (CD-ROM) [CD-ROM]

Joanna Kirkpatrick (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

Price: $29.95 & this item ships for FREE with Super Saver Shipping. Details
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Book Description

April 14, 2003

Combining over 1000 brilliantly-colored photographs, videos, music, and text, this CD-ROM documents a distinctive folk art of urban Bangladesh. The owners of rickshas (conventionally known as "rickshaws" in English) personalize their vehicles with elaborate paintings that incorporate geometric motifs, drawings of animals, mythic and religious themes, and pictures of movie stars. Ricksha art is an expression of the fondest desires in men's hearts-for wealth, sex, power, one's village home, religious blessings, and consumer goods. Joanna Kirkpatrick has photographed rickshas for more than twenty years, cataloguing styles and motifs. She uses her study of rickshas as a window on Bangladesh culture and religion, examining the questions posed by pictorial representation in a Muslim society. Four video clips depict rides through crowded city streets and rural landscapes, as well as an interview with ricksha artists. Recordings of popular music evoke the rhythms of everyday life. Transports of Delight provides scholars and students with important primary source material and a rich ethnographic analysis. General audiences interested in South Asian folk art and culture and aficionados of pedicabs around the world will find this a truly delightful and informative journey. Includes glossary, map, and bibliography.

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Editorial Reviews

Review

"... this CD—ROM provides a wealth of information and is an excellent collection of beautiful and intriguing images and sounds... strongly recommend[ed]... for Bangladeshis in all walks of life as well as others interested in South Asian folk art." —Education about Asia

(Education about Asia )

About the Author

Joanna Kirkpatrick retired as Professor of Anthropology from Bennington College, where she taught for more than 25 years. The author of The Sociology of an Indian Hospital Ward, she has conducted fieldwork in South Asia on folk art, popular culture, and medical anthropology.


Product Details

  • CD-ROM
  • Publisher: Indiana University Press; Cdr edition (April 14, 2003)
  • Language: English
  • ISBN-10: 0253341485
  • ISBN-13: 978-0253341488
  • Product Dimensions: 5.8 x 4.8 x 0.4 inches
  • Shipping Weight: 3.2 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,417,337 in Books (See Top 100 in Books)

 

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2 of 2 people found the following review helpful:
5.0 out of 5 stars engaging new CD-ROM on the popular art of Bangladesh, January 6, 2006
This review is from: Transports of Delight: The Ricksha Arts of Bangladesh (CD-ROM) (CD-ROM)
Joanna Kirkpatrick

Transports of Delight: The Ricksha Arts of Bangladesh

Indiana University Press (2003)

An appealing review and analysis of the ricksha arts of Bangladesh, with comparisons to popular arts in India and Pakistan, this interactive multimedia CD-ROM is informative and easy to navigate. Besides the large number of excellent color images of rickshas and the art that decorates them, there are four video clips, shot with a hand-held camcorder, that give a vivid impression of what it is like to travel by ricksha through the city streets and country roads of Bangladesh. These clips employ both folk songs and natural sound. The introduction is also backgrounded by a contemporary Bengali ballad that invokes Kirkpatrick's interpretive theme of the CD.

The CD-ROM is divided into four main sections (Introduction, Ricksha Art Images, Streets and Views, and Readings). Sub-sections address various topics, including the history of "conveyance art," comparisons of ricksha art to other genres of popular and folk art, and recurrent themes seen in ricksha decoration. A sub-section on artists and makers examines how rickshas are made and decorated. Each sub-section includes illustrated text discussions and a gallery of photographs supplementing the points the author has made.

The text and the four articles in the Readings file raise important questions, such as how "iconophilic" South Asia reconciles with Muslim uneasiness about the depiction of human figures, and the ways that popular imagery pique or satisfy a largely male audience's desires. These and other timely discussion points make this CD-ROM an ideal resource for courses on the art or visual ethnography of South Asia. It should also be of great interest both to scholars of the region, and to general readers interested in world popular and folk art.
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