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Treason: Poems
 
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Treason: Poems [Paperback]

Terese Svoboda (Author)


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Book Description

January 2003
Treason, Terese Svoboda's fourth book of poetry, is about betrayal: child to parent, wife to husband, a nation to its people. Short, sometimes gnomic or comic, many of the poems circle the subject of the mother as betrayer, creator and destroyer, seductive and maternal, the tie that terrorizes while it comforts.

Terese Svoboda, like Denis Johnson, publishes both fiction and poetry, and, also like Denis Johnson, is one of the best in both genres. In Treason, she is at the height of her powers where her style is becoming more identifiable (one thinks of Keats, Dickinson, James, Yeats, Plath, Ashbury), meaning this collection is political, highly poised, grand and intensely lyrical - a collection like none other. Sit back and let Treason work its terrible magic as its lines and images lead to each epiphany, each horror, and moment after moment of beauty.


Editorial Reviews

From Publishers Weekly

Moods wash through this poet and fiction writer's (Trailer Girl) fourth book of lyrics with an uncompromising, catch-me-if-you-can ineffability. "The Nickel Wife" is as inchoate as overheard conversation, with no single detail giving away entirely what the poem might be about ("You don't hear their words/ turn dull, his third glass/ empty"), and word play does a lot of work throughout (one poem derives the word "Mehta-physics" out of a child's desire to embrace an Indian nanny). Yet Svoboda has a knack for gem-like couplets, fluid free verse and curious off-rhymes linking several lines back to their sonic progenitors. Some specific themes get lost in the shuffle: a section concerned with African war and politics generally offers little more than a tragic, phantasmagoric take on the events that inspired them, but the spare "Sex and Class and Race," concerned with a parent's feelings for lost children, works toward an emotionally fulfilling conclusion without sacrificing the arch play of puns. The short "Duet" conjures up a rich set of existential ironies and effective intimations of the animal "other" while working within the traditional motif of the sea voyage: "The emptiness of the water/ means they're hiding, not/ that the dolphins can't see us./ If they look like sharks,/ imagine what we resemble." If Svoboda seems carried away by dense musicality, allusive content and gothic twists of grammar, readers will nevertheless find the waters here teeming with life.
Copyright 2003 Reed Business Information, Inc.

Review

"...depth charge of cry, of outrage--language at the edge of utterance, utterly original, black-bordered, indelible as we are not." -- Eleanor Wilner

Product Details

  • Paperback: 77 pages
  • Publisher: Zoo Press; 1 edition (January 2003)
  • Language: English
  • ISBN-10: 0970817762
  • ISBN-13: 978-0970817761
  • Product Dimensions: 7 x 5 x 0.4 inches
  • Shipping Weight: 6.2 ounces
  • Amazon Best Sellers Rank: #4,208,226 in Books (See Top 100 in Books)

More About the Author

Writing in the voice of God as I did in Tin God didn't seem like much of a stretch after being the eldest of nine children. We lived in a small town in southwest Nebraska with the smell of sage tumbleweeds and cattle feedlots. Although I've lived most of my adult life in NYC, I'm still haunted by home, a place that's now mostly in my head. But in NYC, I can travel without going anywhere. Eight languages are spoken on my block, including Chinese. For me, that's perfect--I can be surrounded by people I know but I can't understand a word they're saying. Although I've never been a pirate in 18th America, this year's Pirate Talk or Mermalade should reveal my interest in research. Even Henry Hudson believed in mermaids! Next year's Bohemian Girl will return to Nebraska, albeit 19th century Nebraska, with a spunky girl who escapes from the Indians.

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