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Most Helpful Customer Reviews
3 of 4 people found the following review helpful:
5.0 out of 5 stars
Raising the bar of the True Crime genre,
This review is from: The Trials of Maria Barbella: The True Story of a 19th-Century Crime of Passion (Paperback)
An impressive mixture of immigrant culture, Italian society, women's roles and the US legal system in the late 1800s. Well researched and intelligently presented.
6 of 9 people found the following review helpful:
2.0 out of 5 stars
A little cloying...,
This review is from: The Trials of Maria Barbella: The True Story of a 19th-Century Crime of Passion (Hardcover)
The readability of the book is purely thanks to the humanity of the events themselves. The author seems mostly to be writing a tribute to her great grandmother, who, in the book, nearly single-handedly saves Maria Barbella from death. To be perfectly clear, I have no reason to doubt the facts presented, but they are relatively few. The author dedicates a significant portion of the book to describing her great grandmother's beauty, noble bearing, and many attributes of character, literally to the extent that her account of the events and circumstances of Maria Barbella's case suffers. I tried to see this as resulting from the relevance of her part in the case, but when Susan B. Anthony only gets a paragraph... I'm presumably reading the book because the proposed subject of the book interests me. Not because I want to know what hotel Cora Slocomb stayed at, where her lace or dresses were made, or whether the author feels everyone was made weak-kneed by her tremendous beauty. For the record, look at the picture of her on page 36 (the only actual photograph in the book other than the one of her husband) and note her one eyebrow. The account also suffers because the author *extensively* tries to narrate actual dialogue between people and sometimes even their thoughts, which is hardly anything but conjecture when you're describing something that happened that long ago, and which there is no record of. Maria has no real voice or presence in the book, much as she was ignored in her own defense process, so I can't help myself - I doubt the author knows whether Maria actually thought "Who is this beautiful lady?" when said author's great grandmother appeared. But that little bit of info is fairly typical of the content of the book. So, from one ordinary reader to another, here's my advice: 1. Buy this book if you want. You'll get a rough idea of the story, and you'll get a chuckle from the soft-focus lense treatment I described above. You might even be tempted to find out more about the trial elsewhere. (...)It appears that there is, in fact, a third photograph in the book, aside from that of Cora and that of her husband. You guessed it, a photograph of their house. Rather tenuously related to the stated topic of the book, don't you think?
3 of 5 people found the following review helpful:
5.0 out of 5 stars
Puts a human face on a death penalty statistic,
By
This review is from: The Trials of Maria Barbella: The True Story of a 19th-Century Crime of Passion (Hardcover)
If you want to look at dry, impersonal statistics, Maria Barbella was the first woman to be sentenced to death in New York after the electric chair replaced hanging as the state's execution method of choice. If you want the bigger story behind her crime, trial, sentence, and rescue, Idanna Pucci's book provides it, courtesy of records left behind by the author's great-grandmother, who was instrumental in Maria's retrial and acquittal.
In April 1895 Italian immigrant Maria Barbella killed Domenico Cataldo for making her his mistress and then refusing to restore her honor by marrying her. An act of vengeance that would have been condoned or even encouraged in Italy saw Maria tried in New York before a hostile judge and all-male jury. Her subsequent death sentence aroused the wrath of feminists everywhere, namely American-born Italian countess Cora Slocombe, who exerted her power and influence to obtain for Maria a retrial and freedom. Previous reviewers have criticized Pucci's poetic, imaginative writing style, but she packs the entire manuscript with enough verifiable facts to excuse any sporadically injected whimsy. "The Trials of Maria Barbella" is a fascinating examination of an event that brought the feminist, immigrant, and death penalty controversies to the fore.
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