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The Trick is to Keep Breathing [Import] [Paperback]

Janice Galloway (Author)
4.8 out of 5 stars  See all reviews (12 customer reviews)


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Paperback, Import, 1997 --  

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Product Details

  • Paperback: 240 pages
  • Publisher: Minerva; New Ed edition (1997)
  • Language: English
  • ISBN-10: 0749391731
  • ISBN-13: 978-0749391737
  • Product Dimensions: 5.1 x 0.6 x 7.8 inches
  • Shipping Weight: 6.4 ounces
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #3,956,897 in Books (See Top 100 in Books)

More About the Author

Janice Galloway is one of the UKs most distinctive and versatile authors. Her first novel (The Trick is to keep Breathing, now widely regarded as a Scottish contemporary classic) was shortlisted for three major prizes and won the MIND/Allan Lane Book of the Year. Her second novel, Foreign Parts, won both the McVitie's Prize and the American Academy of Arts and Letters EM Forster Award, while her third, Clara, won the Saltire in 2002. Collaborative texts include libretti, art installation texts, and four extended works with Anne Bevan, the Orcadian sculptor. Her latest book, This is not about Me, won the SAC non- fiction Book of the Year Award 2009. She has one husband and one son and lives in Lanarkshire, Scotland.

 

Customer Reviews

12 Reviews
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4 star:
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3 star:
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2 star:    (0)
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Average Customer Review
4.8 out of 5 stars (12 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

13 of 16 people found the following review helpful:
5.0 out of 5 stars Haunting, March 10, 2002
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My interest in the band "Garbage" led me to this book - its title was used by them to create a chillingly magnificent song on their second CD. I found the book itself to be one of the most creative and compelling works I read this year. The story it tells gets under your skin to such a point that I don't recommend it for those already depressed. For the rest of us, it is a chilling look inside a sympathetic character, a young woman dancing around the border between sanity and madness. She knows she is on the verge of losing it all, and knows she is not getting the kind of help she needs from anyone - least of all the mediocre medical personnel who see her as just one more casefile. Yet she's unable to shake the helplessness and displays the lack of will to take control of her own life which is so often found in the insane and/or suicidal. Galloway makes extremely skilled use of innovative page layouts and even unexpected graphics to really show us her character's imbalanced view of the world. We see through her eyes.
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10 of 13 people found the following review helpful:
5.0 out of 5 stars Painful, but So Beautiful, May 18, 2000
This novel is painful to read because Janice Galloway's descriptions of Joy Stone's feelings and experiences are so accurate. We've all felt the way Joy feels at some time or another. The accuracy is so startling that at times it's tempting to forget that this is fiction, and not a non-fiction depression narrative, like "The Beast" or "Girl, Interrupted." Perhaps this is why Galloway added the subtitle, "A Novel." This novel is truly inspiring; it's refreshing to read a novel about depression which maintains a sense of humor. Galloway uses a number of unusual narrative techniques, including spontaneously breaking into dialogues when she's on the phone or talking to doctors, and putting comments in the margins to represent the thoughts that we all have, but don't always acknowledge, even to ourselves. This is a novel I'm sure I'll go back to again and again, because even though the subject matter is depressing and painful, this novel is so beautifully written and the ending is uplifting. This novel will be with me for quite some time.
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2 of 3 people found the following review helpful:
4.0 out of 5 stars Breaking Apart, August 15, 2008
Tense, fractured, unorthodox, often brilliant prose takes us into a mind that is slowly cracking apart, despite the narrator's heroic, nail-shredding efforts to maintain a grip on reality. Throughout the book, she teeters on the edge of madness, fit neither for life, nor for the strait-jacket, going in and out of an asylum, in a disorienting, see-saw journey. Oddly enough, we identify with the tortured soul, and I often found myself rooting desperately for her recovery. The taut, frenetic, often foreshortened, sentences (which sometimes abruptly cut into white space) make for a challenging, unorthodox, sometimes telegraphic, read. There are flowing, suddenly truncated, segments of mental clarity and the sense of the narrator's life cracking, melting, and breaking, in a series of crafty, disturbing, surreal images. There is no sense of a 'whole' life, only of its fragments and remnants--often strewn across a whole swathe of days--like the maimed, mouldering pieces of a jig-saw puzzle. The book is disturbing, sometimes funny and Galloway, ever-creative, has devised a clever, broken, narrative all her own. It is the book that the author of 'Prozac Nation' might wish that she had written.
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