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A Trick of the Light: A Chief Inspector Gamache Novel (Chief Inspector Gamache Novels) Hardcover – Bargain Price, August 30, 2011


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Product Details

  • Series: Chief Inspector Gamache Novels (Book 7)
  • Hardcover: 352 pages
  • Publisher: Minotaur Books; First Edition edition (August 30, 2011)
  • Language: English
  • ISBN-10: 0312655452
  • ASIN: B00740FEIM
  • Product Dimensions: 6.3 x 1.3 x 9.5 inches
  • Shipping Weight: 15.2 ounces
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (572 customer reviews)
  • Amazon Best Sellers Rank: #657,044 in Books (See Top 100 in Books)

Editorial Reviews

Review

"The superbly gifted Louise Penny is on my secret shortlist of must-read authors, and A TRICK OF THE LIGHT proves why. Artist Clara Morrow is about to have a prestigious show of her paintings when her childhood friend is found murdered, and the finger of suspicion points to Clara. Chief Inspector Gamache is called to investigate, and using his trademark powers of deduction and his intuitive knack for the right question at the right time, he exposes the darkness that underlies the bright stars of Montreal's art world, where competition between friends, and even between husband and wife, can turn lethal. Ultimately, of course, it's Louise Penny who steals the show, and A TRICK OF THE LIGHT will not only keep you engrossed from start to finish, it will teach you something new about love, truth, and the human heart.” --Lisa Scottoline

“Penny, elevating herself to the pantheon that houses P.D. James, Ruth Rendell and Minette Walters, demonstrates an exquisite touch with characterization, plotting and artistic sensitivity. And there could be no better explanation of A.A. than you will find here.” --Kirkus Reviews (starred review)

“Outstanding….With her usual subtle touch and timely injections of humor, Penny effectively employs the recurring motif of the chiaroscuro, the interplay of light and dark, which distinguishes Morrow's artwork and which resonates symbolically in the souls of the author's characters.”—Publishers Weekly (starred review)

“Like P. D. James, Penny shows how the tight structure of the classical mystery story can accommodate a wealth of deeply felt emotions and interpersonal drama.”—Booklist“Penny’s characters are sharply drawn, realistically complicated and heartbreakingly real. Wonderful, complex characters and sophisticated plotting makes this a perfect book. Do not miss it.”—RT Book Reviews


 

                                                                                                                  

About the Author

LOUISE PENNY is The New York Times and Globe and Mail bestselling author of eight previous Chief Inspector Armand Gamache novels. She has been awarded the John Creasey Dagger, Nero, Macavity and Barry Awards, as well as two each of the Arthur Ellis and Dilys Awards. Additionally, Louise has won four Anthony Awards and five Agatha Awards, the most recent for The Beautiful Mystery, which debuted at #2 on the New York Times bestseller list. She lives in a small village south of Montréal.


More About the Author

LOUISE PENNY is the #1 New York Times and Globe and Mail bestselling author of the Chief Inspector Armand Gamache novels. She has won numerous awards, including a CWA Dagger and the Agatha Award (five times) and was a finalist for the Edgar Award for Best Novel. She lives in a small village south of Montréal.

Customer Reviews

This book had many twists and turns that it kept me guessing until the end.
Jenny
I like the way Louise Penny writes, the characters are well developed and the plot is a very interesting one.
A reader
If you are just discovering her, start with the first book and read them in order.
Deja View

Most Helpful Customer Reviews

215 of 223 people found the following review helpful By Maine Colonial TOP 500 REVIEWERVINE VOICE on August 5, 2011
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
Clara Morrow, at age 50, is far beyond the age when most artists are discovered. Yet, on the evening this novel opens, she is about to enter the prestigious Musée d'Art Contemporain in Montreal for a gala solo show of her work. Clara's nerves nearly get the best of her, but she gets through the experience and is soon able to return to her idyllic Eastern Townships home of Three Pines for a celebratory party with her Three Pines friends, and artists, gallery owners and artists' agents from Montreal.

In the "friends" category are Chief Inspector Armand Gamache of the Québec Sureté and his second-in-command, Jean-Guy Beauvoir. Gamache and Beavoir have become acquainted with Three Pines and its quirky residents during their investigations of several prior murders. (Penny amusingly acknowledges the incongruity of Three Pines being simultaneously a place of art, friendship and warm hospitality, and a locale with a frighteningly high murder rate, by having bookseller Myrna describe Three Pines as "a shelter[, t]hough, clearly, not a no-kill shelter.")

The celebratory mood of Clara's Three Pines party doesn't last. Early the next morning, it is brought to an abrupt end by the discovery of the murdered corpse of a woman in Clara's garden. The woman is identified as Lillian Dyson, Clara's childhood friend who cruelly betrayed her while they were in art college. Clara claims she hadn't seen or heard from Lillian in over 20 years.

Looking at means and opportunity leaves Gamache and Beauvoir with a wide field of suspects. They must focus on motive, which reveals a huge gap between the type of person Lillian is widely reported to have been 20 years earlier and how she is seen contemporarily by her new circle of acquaintance.
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99 of 103 people found the following review helpful By Kristi VINE VOICE on August 7, 2011
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
In this story about art, artists, love, hate, addiction, redemption and, yes, murder, readers will visit the beautiful and perhaps magical village of Three Pines, Quebec,a place that isn't on any maps and "...could only be found if you were lost." The plot is intricate and follows all the rules of mystery writing, with red herrings and false denouments, and would make a satisfactory read without any gourmet touches.

Yet, as always, Penny gives us characters that are so real and nuanced that, frankly, you want to go and, if not live with them, at least spend a few weeks of quality time. Calling them "real," is perhaps a disservice, because the central characters, especially Chief Inspector Armand Gamache of Sûreté du Québec, are in many ways the people we wish we could be. They are wise and kind and generous and damaged and flawed and trying their very best. They love and are loved, and have good friends with whom they share wine and simple meals (food is taken very seriously in these books!). The mental landscape of the characters is revealed through writing of such elegant and resonant clarity that the advancement of the story becomes synonymous with the development of a deep personal relationship with the characters. This story revolves around the first solo art show of 50-year-old but 'newly discovered' portrait artist and Twin Pines resident Clara Morrow, at the prestigious Musée d'Art Contemporain in Montreal. In the book, Clara's portraits are described by those who view them: at first, they see unremarkable-looking individuals that, upon closer consideration, are found to have depths of emotion and beauty of spirit that affect the viewer strongly, often with great joy.
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189 of 218 people found the following review helpful By David Cady VINE VOICE on September 30, 2011
Format: Hardcover Vine Customer Review of Free Product ( What's this? )
I'm prepared for the "unhelpful" votes.

Because as much as I like Louise Penny, I wish I liked her more. There's no question that she's a superb writer, with a keen understanding of the human heart and mind; her dialogue is, for the most part, very good; and her ability to create distinct, idiosyncratic characters is unmatched. But for me, the mechanics of a mystery are paramount, and in "A Trick of the Light," I feel that Penny falls short. Simply put, she jumps through some mighty big hoops to ensure that all of her suspects remain -- or return -- to the cosy town of Three Pines after the murder takes place. Characters hang out for no good (or believable) reason (even those who can't stand one another) or make the drive to and from Montreal arbitrarily. They even assemble, most improbably, at a climactic dinner party so that Penny's detective can actually announce, more or less, "The killer is in this very room." As psychologically astute as Penny can be, the nuts and bolts of plot seem to elude her.

One of the problems, I think, is the very narrow focus Penny has created for herself. Yes, the denizens of Three Pines are a colorful bunch, but ensuring that each of her mysteries (but one) somehow takes place there, creates logistical problems that strain credulity. Even Miss Marple traveled beyond the boundaries of St. Mary Mead. I think Penny would get more bang from her buck if the supporting characters surrounding Inspector Gamache changed with each book. This worked for Conan Doyle, Christie, James, Rendell -- the list is endless. I'd hate to see happen to Penny what happened to Martha Grimes, whose Richard Jury series became repetitive and precious precisely, I think, because her story telling was held hostage by characters who wore out their welcome.
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