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Track Listings
| 1. Dance on a Volcano |
| 2. Entangled |
| 3. Squonk |
| 4. Mad Man Moon |
| 5. Robbery, Assault and Battery |
| 6. Ripples... |
| 7. A Trick of the Tail |
| 8. Los Endos |
Editorial Reviews
Genesis cracked the Top 40 for the first time with this 1976 LP, their first post-Gabriel release. Ripples; Assault and Battery ; the title tune, and the rest join videos for the above three, 40 minutes of 1976 concert footage and more!
Customer Reviews
Most Helpful Customer Reviews
65 of 67 people found the following review helpful
By Alan Caylow
Format:Audio CD
1976's "A Trick Of The Tail" was the first Genesis album without lead singer Peter Gabriel, with drummer Phil Collins taking Gabriel's place at the mike on a full-time basis for the first time (Phil had already sung lead vocals on a pair of the band's earlier songs, "For Absent Friends" & "More Fool Me"). "A Trick Of The Tail" was a landmark album for the band, and it still stands today as one of their best. It not only showed the music world that Genesis *could* survive without Gabriel, it also proved to those who thought of Genesis as "The Peter Gabriel Band" that Gabriel was not, in fact, the only talented musician in the group. While Peter is most certainly a musical genius, and he was a fantastic frontman & songwriter for Genesis, ALL of the band members, including Collins, Tony Banks, Mike Rutherford, Steve Hackett, and former members including Anthony Phillips, etc., all contributed to the group's musical magic right along with Peter. "A Trick Of The Tail" was the proof of that. Now a quartet, "A Trick Of The Tail" finds Genesis still at the top of their game, with eight marvelous compositions that remain among the best in all of progressive rock, with such band staples as "Dance On A Volcano," "Squonk" (both superb Genesis rockers), the lovely, majestic songs "Entangled," "Mad Man Moon" & "Ripples," the great fun of "Robbery, Assault & Battery" & the title song, and the mindblowing coda, "Los Endos" (a sort of instrumental re-cap of the album's previous songs, with the band bidding a fond farewell to Peter Gabriel at the very end, as Collins sings "There's an angel standing in the sun/Free to get back home"---it's a line from "Supper's Ready," the band's magnum opus from 1972). The band's songwriting & musicianship here is truly sensational, with Banks, Collins, Hackett & Rutherford delivering some of their greatest work ever recorded. And Collins' voice perfectly fits the bill---if *any* singer could take over for Peter Gabriel, it was Phil. Thank God that the band didn't have to look very far for the man for the job! "A Trick Of The Tail" is classic Genesis all the way, and one of the band's greatest accomplishments. Let the dance---and the Phil Collins era---begin!
84 of 89 people found the following review helpful
By Argyris
Format:Audio CD
NOTE: The following review deals exclusively with the sound quality of the new 2007 reissue of the album. For an extensive analysis of the album, see my review of the 1994 edition.
An event recently took place that many of us have been waiting (sleeplessly) for ever since 1994: The entire Genesis catalog is in the process of being remastered, and the charge has been taken up by none other than the masters of remastering, Rhino Records! When I heard this, I was absolutely floored. After all, it has been now 13 years since the Genesis albums have been touched, and while Yes, King Crimson, Jethro Tull, and even Kansas have been available in remastered editions since the turn of the millennium, Genesis has been completely overlooked...until now.
Unfortunately, it's not all rosy and peachy. Unlike some reissues, yes, you definitely will notice the difference between the new and old versions. And that's the problem. By no means were the 1994 Genesis remasters perfect; in fact, some of them are downright pitiful. 'A Trick of the Tail' was one of the better ones, though there were several glaring problems that needed to be solved with the sound. Incidentally, these have been totally fixed in the 2007 reissue. But, alas, it's the other changes that complicate the matter.
Below is an itemized list of what's right with this remaster, and what's wrong with it:
What's RIGHT with 'A Trick of the Tail' (1976/r. 2007):
1) Hey! I get it now! - Throughout the album, the vocals are much clearer. Passages that seemed muffled and unfocused are now much easier to understand, even without the aid of already knowing the lyrics. This was a weakness of Phil Collins's vocals all the way up to the 1980 'Duke' release, and I'm glad to say Rhino did a great job maximizing what they had to work with. Listen to "Squonk," for instance, and you can actually follow the tale perfectly.
2) Cutting through the mix - If there was one thing that was lacking in the 1994 issue of the album, it was that the overall sound was very crowded. The 2007 reissue fixes this, though at the expense of a loss of some of the overall feel of the album (see the next section). Vocals are separated from the instrumentation better than ever before, and the guitars in particular are heard loud and clear (again, see below). Complex mixes of instrumental textures are resolved much more nicely than in the 1994 issue.
3) It doesn't hurt anymore - There were some particularly grating siblants ("esss" sounds) in the 1994 reissue, most noticeable in "Mad Man Moon." These have been handily dealt with in the Rhino remaster.
4) Backing him up - The background vocals are more spacious and clear than ever before, and solo and ensemble vocal selections contrast very nicely now. This is best heard, again, in "Mad Man Moon."
What's WRONG with this reissue:
1) Where are the bloody keyboards?! - Steve Hackett is a great guitarist. Please don't misunderstand me. But I really don't want to hear *every single note he ever strummed in his life* blasting away with all the subtlety of a jackhammer. Especially when it means that the keyboard parts, particularly the Mellotron, are completely drowned out. For instance, listen to the hypnotic ending section of "Entangled." Most of its charm is from that dark, haunting keyboard solo that proceeds to the end of the piece, backed by deep bass notes and a wash of heavily-processed Mellotron chorus. Many of you were probably not even aware that Hackett does strum a few notes here and there at the end, but if you listen to the 2007 remaster, it is utterly impossible to miss it. Of course, something had to give, and that is the Mellotron chorus, which is so muted that until the very end of the song you probably wouldn't even know it was there. This sort of thing happens all over in these reissues (it's much worse in the following album, 1977's 'Wind & Wuthering'), and it's a jarring and, in my opinion, detrimental alteration to the sonic character of the album.
Say what you will about my comments here; I really don't care. As I said, Hackett was a great guitarist, and Genesis really fell apart as a progressive act when he left. But the music just sounds wrong with his work showcased in the manner of the 2007 remaster. Your miles will vary, and the degree to which the keyboards are muted varies across the album as well, but for me, I say this was a real mistake that undermines the musical cohesion expressed by the band during this time.
2) If I wanted to hear a live performance... - On several of the songs, most notably "Dance On A Volcano" and "Squonk," there is a copious amount of echoing, stadium-style delay applied to the vocals and guitars. Along with the way the drums were EQ'ed throughout the album (a lot of bottom and top end, with the midranges muted), these songs especially sound like the engineers were trying to make them sound live. This just won't do. Apart from being inconsistent with the remainder of the album, the "live" ambiance just doesn't suit this music.
3) It ain't the 80s, guys - Throughout the album, it seems as though the engineers were trying to bring the overall sonic character more in line with the 80s Collins-era albums. As a result, something very special about the pair of albums released in 1976--'Trick' and 'Wind'--is utterly lost. This effect is much more apparent in the 2007 remaster of 'Wind' than on 'Trick,' but it can be heard in "Squonk" and "Dance On A Volcano" in particular. There was a very particular sound about 'A Trick of the Tail,' a more intimate, analog cast, that is pulverized by the cold edge of 80s-style digitization. Again, this is down to personal preference, but I think the 1994 release really captured the warm, analog tone of this album much better.
Overall, this Rhino version of 'A Trick of the Tail' sounds *very* different from the 1994 release. Some of the changes were welcome, but more of them (at least in my opinion) were wholly unwelcome. Many if not all the major issues with the 1994 release were fixed, but the new version has many new issues of its own. I can't help but feel that Rhino really dropped the ball here, and I am really disappointed with this work. It looks as though we're going to have to wait another decade or so before somebody comes along and gets it right. The thing that dismays me, though, is that I always had faith in Rhino. I guess I was just proved wrong.
Like I said, opinions will vary widely. My suggestion to prospective buyers is to buy both versions (1994 and 2007) of any one of the classic output of Collins-era Genesis, choose which one you think sounds better, and then complete the set from that version. I will get a lot of hateful comments ("How dare you insult Steve Hackett!"), but my opinion will not change. I have made a compromise with this review by rating the 2007 remasters the same way I have rated the 1994 ones (the ratings are based on the album content), but I have included my exclusive comments on the 2007 reissue quality. My purpose is to serve as an adviser to any who are considering purchasing this edition, either as an upgrade or as your first copy. Whichever version sounds better to you is ultimately your decision, and I wish you all the best with it. Rhino just didn't do it for me here.
Better luck next time.
An event recently took place that many of us have been waiting (sleeplessly) for ever since 1994: The entire Genesis catalog is in the process of being remastered, and the charge has been taken up by none other than the masters of remastering, Rhino Records! When I heard this, I was absolutely floored. After all, it has been now 13 years since the Genesis albums have been touched, and while Yes, King Crimson, Jethro Tull, and even Kansas have been available in remastered editions since the turn of the millennium, Genesis has been completely overlooked...until now.
Unfortunately, it's not all rosy and peachy. Unlike some reissues, yes, you definitely will notice the difference between the new and old versions. And that's the problem. By no means were the 1994 Genesis remasters perfect; in fact, some of them are downright pitiful. 'A Trick of the Tail' was one of the better ones, though there were several glaring problems that needed to be solved with the sound. Incidentally, these have been totally fixed in the 2007 reissue. But, alas, it's the other changes that complicate the matter.
Below is an itemized list of what's right with this remaster, and what's wrong with it:
What's RIGHT with 'A Trick of the Tail' (1976/r. 2007):
1) Hey! I get it now! - Throughout the album, the vocals are much clearer. Passages that seemed muffled and unfocused are now much easier to understand, even without the aid of already knowing the lyrics. This was a weakness of Phil Collins's vocals all the way up to the 1980 'Duke' release, and I'm glad to say Rhino did a great job maximizing what they had to work with. Listen to "Squonk," for instance, and you can actually follow the tale perfectly.
2) Cutting through the mix - If there was one thing that was lacking in the 1994 issue of the album, it was that the overall sound was very crowded. The 2007 reissue fixes this, though at the expense of a loss of some of the overall feel of the album (see the next section). Vocals are separated from the instrumentation better than ever before, and the guitars in particular are heard loud and clear (again, see below). Complex mixes of instrumental textures are resolved much more nicely than in the 1994 issue.
3) It doesn't hurt anymore - There were some particularly grating siblants ("esss" sounds) in the 1994 reissue, most noticeable in "Mad Man Moon." These have been handily dealt with in the Rhino remaster.
4) Backing him up - The background vocals are more spacious and clear than ever before, and solo and ensemble vocal selections contrast very nicely now. This is best heard, again, in "Mad Man Moon."
What's WRONG with this reissue:
1) Where are the bloody keyboards?! - Steve Hackett is a great guitarist. Please don't misunderstand me. But I really don't want to hear *every single note he ever strummed in his life* blasting away with all the subtlety of a jackhammer. Especially when it means that the keyboard parts, particularly the Mellotron, are completely drowned out. For instance, listen to the hypnotic ending section of "Entangled." Most of its charm is from that dark, haunting keyboard solo that proceeds to the end of the piece, backed by deep bass notes and a wash of heavily-processed Mellotron chorus. Many of you were probably not even aware that Hackett does strum a few notes here and there at the end, but if you listen to the 2007 remaster, it is utterly impossible to miss it. Of course, something had to give, and that is the Mellotron chorus, which is so muted that until the very end of the song you probably wouldn't even know it was there. This sort of thing happens all over in these reissues (it's much worse in the following album, 1977's 'Wind & Wuthering'), and it's a jarring and, in my opinion, detrimental alteration to the sonic character of the album.
Say what you will about my comments here; I really don't care. As I said, Hackett was a great guitarist, and Genesis really fell apart as a progressive act when he left. But the music just sounds wrong with his work showcased in the manner of the 2007 remaster. Your miles will vary, and the degree to which the keyboards are muted varies across the album as well, but for me, I say this was a real mistake that undermines the musical cohesion expressed by the band during this time.
2) If I wanted to hear a live performance... - On several of the songs, most notably "Dance On A Volcano" and "Squonk," there is a copious amount of echoing, stadium-style delay applied to the vocals and guitars. Along with the way the drums were EQ'ed throughout the album (a lot of bottom and top end, with the midranges muted), these songs especially sound like the engineers were trying to make them sound live. This just won't do. Apart from being inconsistent with the remainder of the album, the "live" ambiance just doesn't suit this music.
3) It ain't the 80s, guys - Throughout the album, it seems as though the engineers were trying to bring the overall sonic character more in line with the 80s Collins-era albums. As a result, something very special about the pair of albums released in 1976--'Trick' and 'Wind'--is utterly lost. This effect is much more apparent in the 2007 remaster of 'Wind' than on 'Trick,' but it can be heard in "Squonk" and "Dance On A Volcano" in particular. There was a very particular sound about 'A Trick of the Tail,' a more intimate, analog cast, that is pulverized by the cold edge of 80s-style digitization. Again, this is down to personal preference, but I think the 1994 release really captured the warm, analog tone of this album much better.
Overall, this Rhino version of 'A Trick of the Tail' sounds *very* different from the 1994 release. Some of the changes were welcome, but more of them (at least in my opinion) were wholly unwelcome. Many if not all the major issues with the 1994 release were fixed, but the new version has many new issues of its own. I can't help but feel that Rhino really dropped the ball here, and I am really disappointed with this work. It looks as though we're going to have to wait another decade or so before somebody comes along and gets it right. The thing that dismays me, though, is that I always had faith in Rhino. I guess I was just proved wrong.
Like I said, opinions will vary widely. My suggestion to prospective buyers is to buy both versions (1994 and 2007) of any one of the classic output of Collins-era Genesis, choose which one you think sounds better, and then complete the set from that version. I will get a lot of hateful comments ("How dare you insult Steve Hackett!"), but my opinion will not change. I have made a compromise with this review by rating the 2007 remasters the same way I have rated the 1994 ones (the ratings are based on the album content), but I have included my exclusive comments on the 2007 reissue quality. My purpose is to serve as an adviser to any who are considering purchasing this edition, either as an upgrade or as your first copy. Whichever version sounds better to you is ultimately your decision, and I wish you all the best with it. Rhino just didn't do it for me here.
Better luck next time.
56 of 60 people found the following review helpful
Format:Audio CD
Remember how George Harrison released five years' worth of stifled songwriting creativity after the Beatles' breakup, with the masterful "All Things Must Pass"?
I have to qualify this by saying that I'm a huge Gabriel-era Genesis fan. For the most part, I can do without the Phil Collins era (okay, "Duke" is pretty good). I even prefer Ray Wilson's work on "...Calling All Stations..." to most of Phil's. But despite that, I have to say that "A Trick of the Tail" is my single favorite Genesis album, PERIOD.
As wonderful as Peter was, he really had demanded too much control over the songwriting. As a result, this first album sans Peter - where they were clearly under enormous pressure to prove that they could survive without him - ended up being like a songwriters' and instrumentalists' clinic.
Tony Banks's songwriting, Mike Rutherford's and Steve Hackett's guitar playing, and Phil Collins's singing and drumming all get a great workout here, and there isn't a single clunker in the bunch - "Squonk," "Dance on a Volcano," and "Entangled" are the clear winners here, though Banks's keyboards really shine on "Ripples" and "Mad Man Moon." Only "Robbery, Assault & Battery" ever strikes me as a bit dated or campy - but it's strong enough instrumentally to overcome the somewhat forced lyrics.
I never get tired of listening to this one on roadtrips, and it often rocks harder than much of their other work. So - despite preferring 1969-75 Genesis overall - it's usually the album I use to introduce newbies to the band. My recommendation is without reservation.
Most Recent Customer Reviews
5.0 out of 5 stars
Prog rock at its finest!
My cousin gave me this album when I was 16-17. She said she didn't get it. Well I got it, I listened to the album over and over for months. Read more
Published 4 days ago by Laurence Klem
5.0 out of 5 stars
A serious contender for "best Genesis album", despite Peter Gabriel's...
The people who told you that Genesis sucked after Peter Gabriel left are wrong. In fact, while A Trick of the Tail doesn't match the distinctive, intentional quirkiness of the... Read more
Published 7 days ago by G B
5.0 out of 5 stars
One of my favorites, my first concert
The creative imagination of Genesis on this album was intense and the lyrics could have been a book of bedtime stories. Read more
Published 11 days ago by Stobbie
5.0 out of 5 stars
PHIL COLLINS IS A BEAST!!!
Everybody knows that 80's era Phil Collins was spawned from the blood of a wild, raw flesh eating animal, but few know that 70's era Phil Collins was twice as nasty! Read more
Published 1 month ago by wally gator
5.0 out of 5 stars
One of their best albums
Trick of the Tail, Wind & Wuthering and Foxtrot are their best albums. They didn't go commercial and platinum until Then There Were Three in 1980. Read more
Published 2 months ago by Robert Ericksen
5.0 out of 5 stars
Great follow up to Steve Hackett's Voyage of the Acolyte
In 1975 Steve Hackett, Mike Rutherford, and Phil Collins put together a Steve Hackett solo album called Voyage Of The AcolytePhil sings plays drum, while Mike writes and plays... Read more
Published 3 months ago by thissucks
5.0 out of 5 stars
Genesis . A Trick of the Tail
This is another fantastic cd from genesis the songs and video clips are unreal this is another cd i play a lot
Published 3 months ago by Cobber
5.0 out of 5 stars
When Genesis was good
Before Genesis went Pop. As a high school student in the early 70's, I preferred progressive rock such as Yes, King Crimson, and Genesis, and this is still my favorite genre --... Read more
Published 3 months ago by Stupor Dave
5.0 out of 5 stars
Great
DVD sound is awesome, Just a great classic. The videos on the DVD are very good also. This also loaded into my cloud player for free , pretty cool
Published 3 months ago by E. Nutter
5.0 out of 5 stars
Sounds Incredible!!
I played Squonk for my brother in my car and he thought I'd just spent waaaaaaay to much on a new stereo. I hadn't
Published 4 months ago by David
