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Special Features
Audio commentary by director Michael Dougherty, storyboard artist Simeon Wilkins, concept artist Breehn Burns, and composer Douglas Pipes.
Trick 'r Treat: The Lore and Legends of Halloween (28 min)
Additional scenes with optional commentary by Michael Dougherty (17 min)
Trick 'r Treat: Season's Greetings: Animated short with optional commentary by Michael Dougherty (17 min)
School bus FX comparison (1 min)
Trick 'r Treat: The Lore and Legends of Halloween (28 min)
Additional scenes with optional commentary by Michael Dougherty (17 min)
Trick 'r Treat: Season's Greetings: Animated short with optional commentary by Michael Dougherty (17 min)
School bus FX comparison (1 min)
Editorial Reviews
Amazon.com
Trick 'r Treat, directed by Michael Dougherty of Superman Returns fame, has a comic book feel but does a nice job of conveying the real things that can spook kids, making for a good Halloween thriller. Composed of four intertwined stories that unfold simultaneously, starting on the same block in Ohio, Trick 'r Treat initially bears some resemblance to John Carpenter's Halloween, in that it focuses on terrors experienced by teens and young, costumed children. As the short tales become increasingly violent and complex, one begins to see that many culprits are responsible, and that a general haunting of all neighborhood jack-o'-lanterns is the root cause of some gory crimes. For example, in one segment, Emma (Leslie Bibb), against the wishes of her husband, Henry (Tahmoh Penikett), blows out a candle in her jack-o'-lantern and pays dearly as her night unfolds. Meanwhile, Laurie (Anna Paquin of True Blood), a young woman dressed as Little Red Riding Hood, goes to the woods to party with her sister and two girlfriends, attracting a stalker whose smile alone is creepy enough to startle a slumber party crowd. The two stories starring younger kids carry the film, however. In one, elementary-schooler Charlie (Brett Kelly) meets with the demented school principal, Steven (Dylan Baker), who assesses Charlie's love of stealing candy and thrashing pumpkins. At the same time, a witchy nerd named Rhonda (Samm Todd) is invited to join a young gang at an abandoned rock quarry and faces the mean gang leader, Macy (Britt McKillip), after a prank goes awry. "Earlier" or "Later" periodically flash onscreen in comic-book typeface, successfully directing the viewer through time and also relieving some tension that would've built through a single sustained story. In this, light comedy and some downright silliness shine through. All the kids are in great costumes, and the film, overall, has a festive goth look. By the end, one trusts that Trick 'r Treat is really targeting the younger age group that it highlights, yet it contains enough spook to make adults jumpy as well. --Trinie Dalton
Product Description
A creepy, darkly comic celebration of the scariest night of the year from producer BRYAN SINGER (director of X-Men and Superman Returns) and writer-director MICHAEL DOUGHERTY(co-scripter of X2 and Superman Returns). Trick ’R Treat takes the Creepshow/Tales from the Crypt approach to nefarious new depths with four interwoven tales set on Halloween night: a high school principal (DYLAN BAKER) moonlights as a vicious serial killer; the quest of a young virgin (ANNA PAQUIN) for that special someone takes a gruesome turn; a group of teens carries out a cruel prank with disastrous consequences; and a cantankerous old man (BRIAN COX) battles a mischievous trick-or-treating demon.
Customer Reviews
Most Helpful Customer Reviews
115 of 125 people found the following review helpful
Format:DVD
I had a chance to see Trick 'r Treat at the Midwest Premiere in Chicago on the big screen and I am mystified as to why this excellent film was never given a full theatrical release? It far exceeded my expectations and I believe it to have already become a classic film for horror aficionados and lovers of the greatest holiday ever, Halloween.
The film is set up as a sort of anthology of short stories, yet they all intertwine and complement each other in the end. There is some great artwork in the tradition of Creepshow and at times reminded me of that film, but the main difference is Creepshow's stories are all their own and Trick 'r Treat follows one night with several groups and characters that each have their own encounter with a very evil character indeed. The film has lots of suspense, violence, gore, and some sexy nudity in one story involving werewolves. We also have a serial killer principal, some rotten teens trying to scare a nerdy girl, and a story told that is destined to be some type of urban legend in the future involving mentally disabled kids and a disastrous fate. The greatest thing about Trick 'r Treat is its style and campy flavor that truly stuck to the evil side of the tracks. The film was so much fun to watch and destined to be a genre classic.
It's too bad that an original idea comes to Hollywood and and they respond by not giving it a release in theaters and snubbing it. I was very lucky to see it in a theater at all. It really is a shame Hollywood is only pumping out atrocious sequels, remakes, and reinterpretations left and right. I guess seeing indie flicks is the only satisfaction I will be getting anytime soon, for the major studios are filling the theaters with boring horror crapfests!
The film is set up as a sort of anthology of short stories, yet they all intertwine and complement each other in the end. There is some great artwork in the tradition of Creepshow and at times reminded me of that film, but the main difference is Creepshow's stories are all their own and Trick 'r Treat follows one night with several groups and characters that each have their own encounter with a very evil character indeed. The film has lots of suspense, violence, gore, and some sexy nudity in one story involving werewolves. We also have a serial killer principal, some rotten teens trying to scare a nerdy girl, and a story told that is destined to be some type of urban legend in the future involving mentally disabled kids and a disastrous fate. The greatest thing about Trick 'r Treat is its style and campy flavor that truly stuck to the evil side of the tracks. The film was so much fun to watch and destined to be a genre classic.
It's too bad that an original idea comes to Hollywood and and they respond by not giving it a release in theaters and snubbing it. I was very lucky to see it in a theater at all. It really is a shame Hollywood is only pumping out atrocious sequels, remakes, and reinterpretations left and right. I guess seeing indie flicks is the only satisfaction I will be getting anytime soon, for the major studios are filling the theaters with boring horror crapfests!
189 of 214 people found the following review helpful
By J. Pollock
Format:DVD
People all over the webbins have been talking about Trick r Treat for some time now - exploring conspiratorial notions on why the film has sat shelved for so long while rhapsodizing about just how well X-Men 2/Superman Returns scribe Michael Dougherty's directorial debut works. Having recently seen the film, I can tell you that I know why the film sat for years: It's one of the more ruthless studio-funded horror films ever made. It's not very gory or explicit at all - but it has a truly, deeply, bad attitude. If William Gaines penned morality plays this venomous - to hell with the Comics Code. He'd have probably served time. Trick r Treat is overflowing with the kind of anarchic, mean-spirited hilarity that never sits well with the suits.
One of the reasons the film feels so vile is that the people who populate the tale feel so utterly real. It's really hard to explain without spoiling a lot of what makes it work so well, but - to give you an idea - director Michael Dougherty explained to us that one of the notes he received during the production process was that the children he cast were "too young". Couldn't he make the kids older? Couldn't he cast hotter? That's not to say that elements of the cast aren't flat-out "foxy" (witness the sexi-sexi of Lauren Lee Smith and Rochelle Aytes) but there are sequences in the film that work perfectly because they're not about plasticine twentysomethings. Again - I can't explain exactly what I mean without doing you a disservice - but when you finally see the film, you'll understand completely.
Trick r Treat has been described in certain quarters as an anthology film - but that's not wholly accurate. In truth, the film possesses a non-linear narrative structure - it's more a Pumpkin Pulp Fiction than a Creepshow copy (though the EC Comics connection this film shares with Romero's classic make them kindred spirits - and a great double bill). The film moves back and forth between tales that, at first, seem to be related only by the presence of the mysterious, malevolent little creature seen in the film's promotional materials. Over the running time, we come to realize that the tiny creeper pops up for a reason - and even that detail is something I don't want to spoil for you.
Despite the aforementioned EC Comics vibe (wherein the table-turning reveal that hands the petty thief or adulterous couple their just desserts is par for the course), the twisted twistiness of Trick r Treat still manages to surprise. At different points during the running time, the audience could be heard to speculate on how they felt some swerve might play out - very early on, I had an idea of how I thought the tale featuring Dylan Baker should end - but I was convinced that there was no way my resolution would fly. That Dougherty was able to do exactly what common sense told me would be excised by an executive before it was ever filmed completely negated my anticipation of the last shot. The sequence ended the only way an understanding of the horror genre dictates it should - but instead of feeling "been there, done that" - the payoff plays like the reward for sitting through all of the committee-created genre projects that lack the spine to do it right. Another reveal - easily the film's most glorious - made me feel like a complete idiot. Thinking about it now, I still don't understand why I didn't call it with a chuckle the very moment True Blood's Anna Paquin awkwardly stepped out of her fitting room to face the derision of her friends. At least I wasn't alone - by the end of her character's arc, the audience I was part of sat in stunned silence...then burst into reverent applause - a response based on elements converging in a perfect storm: a beautifully-shot and edited sequence featuring a fantastic revelation, a flawless mix of practical and computer generated imagery, an awesome character beat - and one super-cool line of dialogue. You could sell the film with that single scene...if it didn't give so much away.
The most brilliant thing about Dougherty's film is how it uses Halloween holiday iconography to craft iconic visuals (if the film received the 3,000 screen release it so richly deserved, really cool parents would be dressing their kids up as "Sam" for years). It's Jack O' Lanterns and autumnal golds and vacuformed masks and flame retardant costumes that tie in the back and urban legends and classic monsters and tainted candy and everything else you know and love about October 31st. As so many before me (including Dougherty himself) have said, this is not a film that takes place during Halloween - this is a film about Halloween. It's about the reason for the season. Dougherty says his hope was that his film could become a Halloween holiday perennial - the one you watch every year. And trust me - it is. I'll watch Trick r Treat every CHRISTMAS - because the film is a gift.
Jason Pollock
One of the reasons the film feels so vile is that the people who populate the tale feel so utterly real. It's really hard to explain without spoiling a lot of what makes it work so well, but - to give you an idea - director Michael Dougherty explained to us that one of the notes he received during the production process was that the children he cast were "too young". Couldn't he make the kids older? Couldn't he cast hotter? That's not to say that elements of the cast aren't flat-out "foxy" (witness the sexi-sexi of Lauren Lee Smith and Rochelle Aytes) but there are sequences in the film that work perfectly because they're not about plasticine twentysomethings. Again - I can't explain exactly what I mean without doing you a disservice - but when you finally see the film, you'll understand completely.
Trick r Treat has been described in certain quarters as an anthology film - but that's not wholly accurate. In truth, the film possesses a non-linear narrative structure - it's more a Pumpkin Pulp Fiction than a Creepshow copy (though the EC Comics connection this film shares with Romero's classic make them kindred spirits - and a great double bill). The film moves back and forth between tales that, at first, seem to be related only by the presence of the mysterious, malevolent little creature seen in the film's promotional materials. Over the running time, we come to realize that the tiny creeper pops up for a reason - and even that detail is something I don't want to spoil for you.
Despite the aforementioned EC Comics vibe (wherein the table-turning reveal that hands the petty thief or adulterous couple their just desserts is par for the course), the twisted twistiness of Trick r Treat still manages to surprise. At different points during the running time, the audience could be heard to speculate on how they felt some swerve might play out - very early on, I had an idea of how I thought the tale featuring Dylan Baker should end - but I was convinced that there was no way my resolution would fly. That Dougherty was able to do exactly what common sense told me would be excised by an executive before it was ever filmed completely negated my anticipation of the last shot. The sequence ended the only way an understanding of the horror genre dictates it should - but instead of feeling "been there, done that" - the payoff plays like the reward for sitting through all of the committee-created genre projects that lack the spine to do it right. Another reveal - easily the film's most glorious - made me feel like a complete idiot. Thinking about it now, I still don't understand why I didn't call it with a chuckle the very moment True Blood's Anna Paquin awkwardly stepped out of her fitting room to face the derision of her friends. At least I wasn't alone - by the end of her character's arc, the audience I was part of sat in stunned silence...then burst into reverent applause - a response based on elements converging in a perfect storm: a beautifully-shot and edited sequence featuring a fantastic revelation, a flawless mix of practical and computer generated imagery, an awesome character beat - and one super-cool line of dialogue. You could sell the film with that single scene...if it didn't give so much away.
The most brilliant thing about Dougherty's film is how it uses Halloween holiday iconography to craft iconic visuals (if the film received the 3,000 screen release it so richly deserved, really cool parents would be dressing their kids up as "Sam" for years). It's Jack O' Lanterns and autumnal golds and vacuformed masks and flame retardant costumes that tie in the back and urban legends and classic monsters and tainted candy and everything else you know and love about October 31st. As so many before me (including Dougherty himself) have said, this is not a film that takes place during Halloween - this is a film about Halloween. It's about the reason for the season. Dougherty says his hope was that his film could become a Halloween holiday perennial - the one you watch every year. And trust me - it is. I'll watch Trick r Treat every CHRISTMAS - because the film is a gift.
Jason Pollock
29 of 31 people found the following review helpful
Format:Blu-ray
In October of 2007, a film was briefly marketed and then abruptly shelved by Warner Brothers. The film in question was Michael Dougherty's TRICK `R TREAT, and the theatrical trailer looked promising. Audiences were frustrated when Warner Brothers repeatedly pushed back the release date, and then, without warning, pulled the film completely out of the public eye.
There are a few reasons why this would have happened. For instance, Warner Brothers had just suffered from the box office dud that was SUPERMAN RETURNS, which was directed by Bryan Singer and was written by Michael Dougherty, who eventually helmed TRICK `R TREAT. Both individuals were probably seen as potential risk hazards for executives at Warner Brothers considering the failure of their previous film. Another reason could have been that they simply did not want to compete with the latest SAW-fest. Whatever the case, the people responsible for the marketing of this film should be ashamed - very ashamed - of themselves. TRICK `R TREAT premiered at several different film festivals, and won the audience award at Screamfest. Harry Knowles and other critics hailed it as one of the greatest Halloween films ever made. With all of the positive hype surrounding the film, no one could quite understand why the good people at WB had remained silent about it.
As of next Tuesday, TRICK `R TREAT will be released...on DVD. Now, there is a stigma attached to straight-to-DVD fare. This is for a reason. Getting a straight-to-DVD release is a bona-fide guarantee that the film sucks. It's never a good sign. However, TRICK `R TREAT is the exception to that rule. Technically, you could say that it doesn't qualify in the S.T.D.V.D. hall of shame simply because it actually screened in theatres, and won awards and critical acclaim, and you'd be right. The film is excellent. It is everything that you would expect it to be and more. It is the little Hallow's Eve indie that could, and has already gained a strong cult following.
What we have here is an homage to eighties horror films, such as CREEPSHOW, TALES FROM THE DARKSIDE: THE MOVIE, and CAT'S EYE. Each film is basically split up into three or four segments, each one telling a different story. TRICK `R TREAT follows this formula, but the narrative structure has more in common with PULP FICTION than anything else. The film is fun. It's not going to keep you up at night, but if you are on its wavelength, you are going to have one hell of a good time! With all of that being said, the film does have it's disturbing moments, but the humor contained within the film tends to balance it all out. We have stories of demons, zombies, werewolves, vampires...we even have a story that centers around an elementary school principal - played by Dylan Baker, with just the right amount of creepiness that made his deranged character in HAPPINESS so memorable and disturbing - who just so happens to be a serial killer. He knocks off children one by one by poisoning their candy. Afterwards, he proceeds to bury them in his backyard, while his son watches admiringly from the window. Yeah, this segment of the film was pretty controversial, and was probably another factor that caused mainstream film executives to shelve the film.
In short, it's the most fun that I have had with this particular genre in a long time! Both creepy and hilarious at the same time, this film delivers what it promises, and for those of you who have followed the film up until now, I can tell you this: believe the hype, it's all true - one of the best Halloween films that I have ever seen. If you love Halloween as much as I do, you'll understand why I loved it so much! Michael Dougherty has given us an instant classic.
Also stars Anna Paquin (THE PIANO, True Blood) and Brian Cox (BRAVEHEART, ADAPTATION).
There are a few reasons why this would have happened. For instance, Warner Brothers had just suffered from the box office dud that was SUPERMAN RETURNS, which was directed by Bryan Singer and was written by Michael Dougherty, who eventually helmed TRICK `R TREAT. Both individuals were probably seen as potential risk hazards for executives at Warner Brothers considering the failure of their previous film. Another reason could have been that they simply did not want to compete with the latest SAW-fest. Whatever the case, the people responsible for the marketing of this film should be ashamed - very ashamed - of themselves. TRICK `R TREAT premiered at several different film festivals, and won the audience award at Screamfest. Harry Knowles and other critics hailed it as one of the greatest Halloween films ever made. With all of the positive hype surrounding the film, no one could quite understand why the good people at WB had remained silent about it.
As of next Tuesday, TRICK `R TREAT will be released...on DVD. Now, there is a stigma attached to straight-to-DVD fare. This is for a reason. Getting a straight-to-DVD release is a bona-fide guarantee that the film sucks. It's never a good sign. However, TRICK `R TREAT is the exception to that rule. Technically, you could say that it doesn't qualify in the S.T.D.V.D. hall of shame simply because it actually screened in theatres, and won awards and critical acclaim, and you'd be right. The film is excellent. It is everything that you would expect it to be and more. It is the little Hallow's Eve indie that could, and has already gained a strong cult following.
What we have here is an homage to eighties horror films, such as CREEPSHOW, TALES FROM THE DARKSIDE: THE MOVIE, and CAT'S EYE. Each film is basically split up into three or four segments, each one telling a different story. TRICK `R TREAT follows this formula, but the narrative structure has more in common with PULP FICTION than anything else. The film is fun. It's not going to keep you up at night, but if you are on its wavelength, you are going to have one hell of a good time! With all of that being said, the film does have it's disturbing moments, but the humor contained within the film tends to balance it all out. We have stories of demons, zombies, werewolves, vampires...we even have a story that centers around an elementary school principal - played by Dylan Baker, with just the right amount of creepiness that made his deranged character in HAPPINESS so memorable and disturbing - who just so happens to be a serial killer. He knocks off children one by one by poisoning their candy. Afterwards, he proceeds to bury them in his backyard, while his son watches admiringly from the window. Yeah, this segment of the film was pretty controversial, and was probably another factor that caused mainstream film executives to shelve the film.
In short, it's the most fun that I have had with this particular genre in a long time! Both creepy and hilarious at the same time, this film delivers what it promises, and for those of you who have followed the film up until now, I can tell you this: believe the hype, it's all true - one of the best Halloween films that I have ever seen. If you love Halloween as much as I do, you'll understand why I loved it so much! Michael Dougherty has given us an instant classic.
Also stars Anna Paquin (THE PIANO, True Blood) and Brian Cox (BRAVEHEART, ADAPTATION).
Most Recent Customer Reviews
4.0 out of 5 stars
A great movie to watch during Halloween
This is a great movie that tells multiple stories about multiple people in a town. It tells of how they meet their demise and how other got their revenge. Read more
Published 8 days ago by Paul Stewart
1.0 out of 5 stars
zzzzzzzzzzzzzzzzzzzzz....
WELL...I was prepared to waste more cash on amazon bc my iTunes dont work I used to see previews of "Trick..." and it looked terrible; but i went on the reviews which are okay... Read more
Published 14 days ago by thomas larson
5.0 out of 5 stars
Easily my new favorite Halloween movie
I had no clue what I was getting into besides it being a composition of four interrelated stories.
What a ride!
Fun, terrifying, laugh out loud, etc. Read more
What a ride!
Fun, terrifying, laugh out loud, etc. Read more
Published 22 days ago by J.
5.0 out of 5 stars
Love this movie
Great movie for Halloween! I like to put it on while I carve Jack O' Lanterns. The story is pretty cool too!
Published 27 days ago by Maricela Mendoza
1.0 out of 5 stars
Too much blood and gore
I only watched 20 minutes of this movie and couldn't take it anymore. The video was very good, but I couldn't understand the dialogue and there is no closed captioning. Read more
Published 1 month ago by pgh girl
5.0 out of 5 stars
Great Horror
Randomly picked this up and loved it. One of the best horror movies of the last 10 years. Campy and fun!
Published 1 month ago by Wolfy
5.0 out of 5 stars
love
i really love this movie, follows a few different story lines and how they intertwine. sam is waaaaaay to cute.
Published 1 month ago by Erin
1.0 out of 5 stars
Dumbest Movie Ever . . . Period.
Without question, this is probably the worst movie I have ever seen, with no redeeming value whatsoever. Tedious, dull, unimaginative, lifeless and pointless from beginning to end. Read more
Published 1 month ago by Novel Reader
5.0 out of 5 stars
trick r treat
a cult classic in the making.trick r treat takes the creepshow/tales from the crypt approach to nefarious new depths with four interwoven tales set on halloween night. Read more
Published 1 month ago by john boyer
5.0 out of 5 stars
Awesome
I love this movie.. So I had to order a back up. The movie arrived on time and in great condition.
It plays great and looks brand new. I am glad I made this purchase. Read more
It plays great and looks brand new. I am glad I made this purchase. Read more
Published 1 month ago by Laura Smith
