Trickster Makes This World: Mischief, Myth, and Art [Paperback]

Lewis Hyde (Author), Michael Chabon (Foreword)

Book Description

Release date: August 17, 2010

In Trickster Makes This World, Lewis Hyde brings to life the playful and disruptive side of human imagination as it is embodied in trickster mythology. He first visits the old stories—Hermes in Greece, Eshu in West Africa, Krishna in India, Coyote in North America, among others—and then holds them up against the lives and work of more recent creators: Picasso, Duchamp, Ginsberg, John Cage, and Frederick Douglass. Twelve years after its first publication, Trickster Makes This World—authoritative in its scholarship, loose-limbed in its style—has taken its place among the great works of modern cultural criticism.

This new edition includes an introduction by Michael Chabon.

Editorial Reviews

From Kirkus Reviews

A model of rangy, creative, but not far-fetched interpretation, in this case of a common mythological archetype, the shifty trickster. With often inspired readings of a variety of myths, including the Homeric Hymn to Hermes, North American tales of Raven and Coyote, myths of the Yoruba god Eshu and the Norse god Loki, Hyde (Art and Politics/Kenyon Coll.; The Gift, 1983) delineates some of their common themes: voracious appetite, ingenious theft, deceit, opportunism, and shamelessness. Through such themes trickster tales dramatize a mythic consciousness of accident and contingency (supplementing fate), moral ambiguity, foolishness, and transgression--in other words, the world as it is, rather than the way it may originally have been intended by the more senior gods. While careful to note that tricksters are heroes in a symbolic, imagined world and fixtures of wider polytheistic moral orders, Hyde ultimately identifies the trickster's crucial role as boundary-crosser with the provoking one often taken up by the artist in modern times. Without ever being heavy-handed about universal archetypes, Hyde uses such examples as Marcel Duchamp, Allen Ginsberg, and Maxine Hong Kingston, vividly illustrating the ``trickster consciousness'' as a vital component of human imagination. His choice of the fiery 19th-century African-American orator Frederick Douglass may at first seem puzzling in this regard. But in light of the real-life gravity of the ``boudaries'' Douglass crossed, and the ingenuity with which he did so, Hyde's example makes sense. Indeed, with his clever interpretive skills and his eye for the meaning-rich detail, Hyde brightly illuminates the ways in which his examples struggled to subvert such seemingly intractable elements as the defintion of art or slavery and segregation. Eclectic and cunning in its own connections, Hyde's wandering journey through cultures shows him to be nearly as versatile and ingenious as that master trickster, Odysseus. (illustrations, not seen) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

Review

Trickster Makes This World: Mischief, Myth and Art is Lewis Hyde's second masterpiece of--well, of what? Of wondering, of pertinent storytelling, pondering. Of making connections that seem both absolutely true and absolutely obvious once Hyde has made them but which we've somehow never noticed before. He's one of those quirky, eccentric Wise Children the United States sometimes throws up--a sort of Thoreau-cum-anthropologist-cum-seer, an asker of naive questions that turn out to be the reverse of naive, fascinated by why we behave the way we do, and why our right hand is often so blind to what our left hand is up to, and why it matters, especially to that elusive entity we've named the soul. Robert Bly calls Hyde a mythologist, which sort of fits, but perhaps he could also be called an illuminationist. In short, he casts light.... Hyde's book is a glorious grab bag stuffed with necessary loot, a joyful plum pudding rich in treasures. Once more, we are indebted to him. -- The Los Angeles Times Sunday Book Review, Margaret Atwood

Hyde never makes it clear how he has selected his culture heroes, and in any case, apart from the first two or three, his efforts to identify them as tricksters are unconvincing.... Hyde thinks one of Trickster's lessons is the anthropologist's insight that we take for reality is often just inherited cultural categories. It is a lesson he has yet to take as seriously as it deserves. -- The New York Times Book Review, Paul Mattick --This text refers to an out of print or unavailable edition of this title.

See all Editorial Reviews

Product Details

• Paperback: 432 pages
• Publisher: Farrar, Straus and Giroux (August 17, 2010)
• Language: English
• ISBN-10: 0374532559
• ISBN-13: 978-0374532550
• Product Dimensions: 8.2 x 6.6 x 0.8 inches
• Shipping Weight: 12 ounces (View shipping rates and policies)
• Average Customer Review: 4.1 out of 5 stars  See all reviews (23 customer reviews)
• Amazon Best Sellers Rank: #21,767 in Books (See Top 100 in Books)
  • #35 in Books > Politics & Social Sciences > Social Sciences > Folklore & Mythology

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Most Helpful Customer Reviews

40 of 40 people found the following review helpful

5.0 out of 5 stars Masterful non-fiction writing August 4, 2002

By "sleepofreasonbooks"

Format:Paperback

A brilliantly written, funny and moving book--filled with substantial scholarship and honest about its own stakes.

To tell you the truth, I was moved to write this review by the two reviews below, both of which fall pretty wide of the mark. First, this is an amazingly well-written book, and that goes for both Hyde's prose style and his winding structure. His reflections of his own project do not upstage the subject matter but rather deepen and situate it in "time-haunted history." I wonder why anyone would expect or want a book about tricksters to be linear and transparent. By this I don't mean to suggest that Hyde is exactly "performing" the trickster in his writing. He announces his approach perfectly well: Saturn dreams of Mercury.

I suspect that this book will frustrate all species of lazy reader because it asks for a sustained, continuous, and thorough reading. All the chapters are rewarding individually, but they are best read sequentially. If you want to be able to look at a table of contents and pick one or two chapters by topic, find a doctoral thesis, or a utilitarian academic monograph.

49 of 51 people found the following review helpful

4.0 out of 5 stars The Trickster's crucial role November 30, 2002

By Lleu Christopher

Format:Paperback

The Trickster is a mythological or archetypal character found in stories throughout the world. The best known in Western myth are Hermes and Loki. In this fascinating study, Lewis Hyde gives equal time to the Native American Coyote, the Chinese Monkey King and India's Krishna. At first glance, these characters are merely pranksters; humorous, sometimes annoying and occasionally dangerous ne'er do wells who disrupt the normal flow of things. As the title of this book suggests, Hyde believes tricksters are much more than this. He makes a convincing case that tricksters are essential in both preserving and transforming societies. Without their disruptions, cultural stagnation would result. He points out that tricksters can either help to maintain the status quo or bring about radical transformation. An example of the former case is illustrated by carnivals such as Mardi Gras, where social customs are predictably and temporarily ignored or reversed. This allows people to vent their frustrations and unleash their inhibitions before returning to normal life. Hyde mentions the abolishionist Frederick Douglas as an example of the more radical sort of trickster who brings about permanent change. Within the institution of slavery, slaves were allowed one week of freedom and revelry. Douglas was not satisfied with this; he wanted to completely overhaul the status quo and indeed helped to accomplish this. Trickster Makes this World describes the antics of both actual (e.g. Douglas, the artist Marcel Duchamp) and mythic (e.g. Hermes, Coyote, Krishna) tricksters. This, of course, suggests a worldview similar to that of Joseph Campbell and others, who see the mythic as the foundation of real life.... This book isn't easy reading; Hyde has a trickster-like style of zig-zagging his way all over a very expansive intellectual terrain. It doesn't so much make a case or present an argument as suggest a way of seeing the world. At the center of this worldview is not the all-powerful Zeus, but the slippery messenger/thief/trader Hermes (or one of his counterparts). Getting back to the provocative title, Trickster does not make the world in the conventional way (as the God of the Bible, for example). Rather, he (tricksters are usually male, an issue Hyde devotes a chapter to exploring) remakes and readjusts the world in which he finds himself. This is arguably a task as important as creation itself, or an essential part of creation. Read more ›

22 of 22 people found the following review helpful

5.0 out of 5 stars a remarkable synthesis February 5, 2002

By A Customer

Format:Paperback

This is an extraordinarily well-written and perceptive book that examines the Trickster archetype in depth with wit, imagination, and an appreciation for the vagaries of life. One of Hyde's strengths is his ability to untangle the common threads in such diverse areas as Native American mythology, African divination, the art of Marcel Duchamp, the chance-based music of John Cage, and the life and thought of Frederick Douglas. As its subtitle implies, it is weighted heavily towards "culture work" (myth, literature, art, storytelling, etc.) and does not really explore the social territory of the Trickster-- the domain of cons, grifters, snake-oil salesmen, chain-letter writers, illusionists, pranksters, and scam artists of all stripes. But given that the 20th century Western art world was largely dominated by a succession of Trickster figures, this book is a useful antidote to the hoary idea of art as simply a harmonious search for beauty or a form of self-expression that somehow takes place in a vacuum, unhindered by cultural constraints. I suspect that, in keeping with its subject matter, this book is likely to engender a deep sense of anxiety in some readers, while coming to others as a breath of fresh air.

13 of 14 people found the following review helpful

5.0 out of 5 stars Great, but the naysayers are right as well July 23, 2002

By David Petry

Format:Paperback

This book, like the myths it describes, is an interpretation. It is one man's exploration of his own exploration of the trickster myths. True, some of the tricksters he indentifies don't live up to his own definition; and true, his own definition is elastic. The structure of the book is a bit circular and tangential, not the most eloquently structured thing I've read. But... the book is also full of insights about how we erect a world, both in story and in fact. It makes distinctions that, as other reviewers have said, are glaringly obvious once you've read them, but were somehow beyond the pale before you read the book.

I've not yet read The Gift, though I did purchase it after reading half-way through this book. I found "Trickster" inspiring and insightful, often funny, always surprising.

Hyde does not promise us a scholarly dissection, which, when you consider that we're talking about myths, is entirely appropriate. His writing, even when he takes us on tangents, is fluid and clear. He's someone I'd want to have dinner with, maybe once a month or so, just to hear where his thinking is going and where it's been.

Read the excerpt. See for yourself.