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Editorial Reviews
Amazon.com
The Bourne Identity
Freely adapted from Robert Ludlum's 1980 bestseller, The Bourne Identity starts fast and never slows down. The twisting plot revs up in Zurich, where amnesiac CIA assassin Jason Bourne (Matt Damon), with no memory of his name, profession, or recent activities, recruits a penniless German traveler (Run Lola Run's Franka Potente) to assist in solving the puzzle of his missing identity. While his CIA superior (Chris Cooper) dispatches assassins to kill Bourne and thus cover up his failed mission, Bourne exercises his lethal training to leave a trail of bodies from Switzerland to Paris. Director Doug Liman (Go) infuses Ludlum's intricate plotting with a maverick's eye for character detail, matching breathtaking action with the humorous, thrill-seeking chemistry of Damon and Potente. Previously made as a 1988 TV movie starring Richard Chamberlain, The Bourne Identity benefits from the sharp talent of rising stars, offering intelligent, crowd-pleasing excitement from start to finish. --Jeff Shannon
The Bourne Supremacy
Good enough to suggest long-term franchise potential, The Bourne Supremacy is a thriller fans will appreciate for its well-crafted suspense, and for its triumph of competence over logic (or lack thereof). Picking up where The Bourne Identity left off, the action begins when CIA assassin and partial amnesiac Jason Bourne (a role reprised with efficient intensity by Matt Damon) is framed for a murder in Berlin, setting off a chain reaction of pursuits involving CIA handlers (led by Joan Allen and the duplicitous Brian Cox, with Julia Stiles returning from the previous film) and a shadowy Russian oil magnate. The fast-paced action hurtles from India to Berlin, Moscow, and Italy, and as he did with the critically acclaimed Bloody Sunday, director Paul Greengrass puts you right in the thick of it with split-second editing (too much of it, actually) and a knack for well-sustained tension. It doesn't all make sense, and bears little resemblance to Robert Ludlum's novel, but with Damon proving to be an appealingly unconventional action hero, there's plenty to look forward to. --Jeff Shannon
The Bourne Ultimatum
The often breathtaking, final installment in the Bourne trilogy finds the titular assassin with no memory closing in on his past, finally answering his own questions about his real identity and how he came to be a seemingly unstoppable killing machine. Matt Damon returns for another intensely physical performance as Jason Bourne, the rogue operative at war with the CIA, which made him who and what he is and managed to kill his girlfriend in the series' second film, The Bourne Supremacy. Now looking for payback, Bourne goes in search for the renegade chief of CIA operations in Europe and North Africa, partnering for a time with a mysterious woman from his past (Julia Stiles) and constantly--constantly--on the run from assassins, intelligence foot soldiers, and cops. Directed by Paul Greengrass (United 93) with the director’s thrilling, trademark textures and shaky, documentary style, The Bourne Ultimatum is largely a succession of action scenes that reveal a lot about the story’s characters while they’re under duress. Joan Allen, Albert Finney, David Strathairn, Scott Glenn, and Paddy Considine comprise the film’s terrific supporting cast, and the well-traveled movie leads viewers through Turin, Madrid, Tangiers, Paris, London, and New York. Overall, this is a satisfying conclusion to Bourne’s exciting and protracted mystery. --Tom Keogh
Freely adapted from Robert Ludlum's 1980 bestseller, The Bourne Identity starts fast and never slows down. The twisting plot revs up in Zurich, where amnesiac CIA assassin Jason Bourne (Matt Damon), with no memory of his name, profession, or recent activities, recruits a penniless German traveler (Run Lola Run's Franka Potente) to assist in solving the puzzle of his missing identity. While his CIA superior (Chris Cooper) dispatches assassins to kill Bourne and thus cover up his failed mission, Bourne exercises his lethal training to leave a trail of bodies from Switzerland to Paris. Director Doug Liman (Go) infuses Ludlum's intricate plotting with a maverick's eye for character detail, matching breathtaking action with the humorous, thrill-seeking chemistry of Damon and Potente. Previously made as a 1988 TV movie starring Richard Chamberlain, The Bourne Identity benefits from the sharp talent of rising stars, offering intelligent, crowd-pleasing excitement from start to finish. --Jeff Shannon
The Bourne Supremacy
Good enough to suggest long-term franchise potential, The Bourne Supremacy is a thriller fans will appreciate for its well-crafted suspense, and for its triumph of competence over logic (or lack thereof). Picking up where The Bourne Identity left off, the action begins when CIA assassin and partial amnesiac Jason Bourne (a role reprised with efficient intensity by Matt Damon) is framed for a murder in Berlin, setting off a chain reaction of pursuits involving CIA handlers (led by Joan Allen and the duplicitous Brian Cox, with Julia Stiles returning from the previous film) and a shadowy Russian oil magnate. The fast-paced action hurtles from India to Berlin, Moscow, and Italy, and as he did with the critically acclaimed Bloody Sunday, director Paul Greengrass puts you right in the thick of it with split-second editing (too much of it, actually) and a knack for well-sustained tension. It doesn't all make sense, and bears little resemblance to Robert Ludlum's novel, but with Damon proving to be an appealingly unconventional action hero, there's plenty to look forward to. --Jeff Shannon
The Bourne Ultimatum
The often breathtaking, final installment in the Bourne trilogy finds the titular assassin with no memory closing in on his past, finally answering his own questions about his real identity and how he came to be a seemingly unstoppable killing machine. Matt Damon returns for another intensely physical performance as Jason Bourne, the rogue operative at war with the CIA, which made him who and what he is and managed to kill his girlfriend in the series' second film, The Bourne Supremacy. Now looking for payback, Bourne goes in search for the renegade chief of CIA operations in Europe and North Africa, partnering for a time with a mysterious woman from his past (Julia Stiles) and constantly--constantly--on the run from assassins, intelligence foot soldiers, and cops. Directed by Paul Greengrass (United 93) with the director’s thrilling, trademark textures and shaky, documentary style, The Bourne Ultimatum is largely a succession of action scenes that reveal a lot about the story’s characters while they’re under duress. Joan Allen, Albert Finney, David Strathairn, Scott Glenn, and Paddy Considine comprise the film’s terrific supporting cast, and the well-traveled movie leads viewers through Turin, Madrid, Tangiers, Paris, London, and New York. Overall, this is a satisfying conclusion to Bourne’s exciting and protracted mystery. --Tom Keogh
Product Description
Matt Damon, Julia Stiles. He was the perfect weapon...until he became the target! Catch Jason as he's bourne again in the thrilling manhunt trio of The Bourne Identity (2002/119 min.), The Bourne Supremacy (2004/109 min.) and The Bourne Ultimatum (2007/116 min.). 3 Discs. Color/PG-13.
Customer Reviews
Most Helpful Customer Reviews
308 of 344 people found the following review helpful
Format:Blu-ray
(Update 08/11/2012: Knowing what I know now, I've completely rewritten my reviews for the box set and individual titles from scratch, which might make some of the comments obsolete. But in exchange, I hope this review seems more in-depth now).
(Note: Since I can't fit all 3 individual reviews into one entry, I've essentially condensed it down to a general overview of the plot, A/V specs and presentation, and only a list of the special features for each. The numbers you see don't necessarily equate to technical perfection, but those are the average numbers based on each movie and rounded up to the nearest whole or half number. To read the individual reviews, use the links below).
http://www.amazon.com/review/R35Y9M58QPFCXE/ref=cm_cr_rdp_perm
http://www.amazon.com/review/RFJDO2K5251W2/ref=cm_cr_rdp_perm
http://www.amazon.com/review/R1BYXHJU8KPQFN/ref=cm_cr_rdp_perm
Movie - 5.0
The first time I ever saw this film series was from a total blind-buy. Previously, I never even wanted to touch it because I had this stupid, unexplainable bias against Matt Damon. To this day, I still can't remember why I had such feelings, but I'm glad I got over it, because The Bourne Trilogy is a masterfully-executed story that has changed the face of spy-thriller movies forever. The Bourne Identity starts with the discovery of a man found overboard. He has two gunshot wounds in his back, a Swiss bank account in his hip, and no immediate recollection of who he is. Coincidentally, upon reaching the mainland it seems that he's a master in firearms and fisticuffs when he instinctively disables a couple of poor police officers that just happened to mess with the wrong guy. When he gets to the Swiss bank, he finds a deposit box with a passport and his name: Jason Bourne (Matt Damon). But to his surprise, there's a slew of other passports with the same picture and different names, in addition to lots of cash and even a handgun. Upon setting out to Paris, he meets a woman named Marie (Franka Potente), and the two of them would go on to face assassins and conspiracies while uncovering answers to who he is.
In The Bourne Supremacy, we find the two in Goa living a life of peace after managing to escape pursuit. Meanwhile, an operation in Berlin to uncover a mole amongst the top CIA brass, led by Deputy Director Pamela Landy (Joan Allen), goes south when a Russian federal agent, Kirill (Karl Urban), infiltrates the deal and takes out the informant while leaving a fingerprint of Bourne to cover his tracks. When Kirill attempts to find Bourne and assassinate him, Marie is killed in his stead. And in a rage of anger, Bourne decides to aspire vengeance on all those who had been chasing him. But in the process, he would discover a few more things about his past that would change him for the better.
And in The Bourne Ultimatum, after a British reporter named Simon Ross (Paddy Considine) discovers a new Treadstone replacement agency called Blackbriar, led by Director Noah Vosen (David Strathairn), Bourne figures to find the source of Ross' information so he can finally get the answers he'd been searching for, as well as putting an end to these agencies. Upon Ross' assassination, Bourne instills the aid of former Treadstone handler Nicky Parsons (Julia Stiles) and receives the benefit of the doubt from Pamela Landy as he makes his way back home to New York and discovers the truth to everything he had forgotten.
The Bourne movie franchise has made quite the name for itself. In the hands of Doug Liman, he not only managed to introduce an interesting character with a lot of mystery and intrigue to his background, but also a character we were able to sympathize for. He was a character that lost his memory, re-discovered himself, then tried to leave his dark past behind and escape a corrupt system. After Paul Greengrass took the reigns, he improved what Liman left on the table, further exposing the humanistic side of this character as we see him lose the part of his life he cares about the most. But despite that loss, his humanity would prove to be stronger than his vengeance as even more memories started to surface, making his journey for revenge turn into a search for redemption. And after finding his inner peace, he takes pursuit of those responsible in an effort to destroy the very system that had created him and brought about so much pain and suffering, not only to him, but to many of those involved throughout its history. At this point, I think it's safe to say that Matt Damon's portrayal of Jason Bourne has really cemented itself amongst the iconic spy heroes (next to James Bond and maybe Bryan Mills from Taken).
Video - 5.0
- Video codec: VC-1
- Video resolution: 1080p
- Aspect ratio: 2.40:1, 2.35:1
- Original aspect ratio: 2.39:1
The video quality of the series is pretty much perfect aside from the first one. In my initial review a few years ago, I said I wasn't pleased with Identity, but did a pretty crappy job explaining it. After reading up on the technicalities of film-making since then, I've gotten a much better grasp on how to explain and describe these things. That being said, Identity looks very good in terms of black levels, colors, and sharpness. Looking at a lot of the outdoor shots, especially, and a few indoor, the picture retains enough detail that it makes for a pleasant image for the trilogy's initial entry in HD. However, it does suffer from low contrast, giving it a somewhat murky look, and there are several occasions when dirt and a couple of scratches from print damage pop up. It's not terribly distracting, but it is noticeable.
Supremacy, on the other hand, is a major step up. With the changing of director in Paul Greengrass, he gave the image a much more vibrant look that better accentuates all of the aforementioned qualities. Blacks are darker, colors are much more vivid, contrast is better-balanced, and the sharpness is even sharper. Just looking at the beginning scenes in Goa, there's a tremendous amount of color that really adds more life, and the rest of the movie follows accordingly. Some people say the saturation is a little too high, but I'm in the belief that it was intentional since Grengrass is such a visualist. And there's also a good amount of film grain as well, which again, I believe is intentional. So unless you don't like the color timing or are a grain-hater, then those are about the only problems you might have. Finally, Ultimatum has the same kind of photography, only with a difference of intensity. Supremacy ran a little hot in terms of color, but I feel it added to the overall tone of the film itself (Bourne getting hot and angry for revenge, hence the hot look to the picture). However, Ultimatum is essentially where things come full circle and the adventure ends. Because of that, this is probably about as "normal" of a color level as you'll get. So there you have it. Aside from the first movie, there's not much else to complain about.
Audio - 5.0
Languages
- English: DTS-HD Master Audio 5.1
- French: DTS 5.1
- Spanish: DTS 5.1
Subtitles
- English SDH, French, Spanish
Again, aside from Identity, the audio is just about perfect. All three movies use the DTS-HD MA codec, and all of them sound fantastic. The only problem with Identity isn't so much the quality, but the quantity. As in the film itself just isn't as heavily-mixed as the others. In his commentary, Doug Liman stressed how he wanted to make Identity a drama first and an action movie second. Because of this, I think it reflects in the sound mix. The actual depth and quality to the track itself is pretty buoyant in terms of separation and directionality and gets especially aggressive during the fight with the first Treadstone agent. Rear speaker activity also gets a really good workout during the car chase sequence when cars start turning the corners. And dynamic range is excellent in the scene where Bourne is fighting Clive Owen's character outside the farmhouse.
Additionally, when Greengrass takes over as director for the sequels, the audio gets a tremendous upgrade, just as the video did. Even for as low-key as the opening scenes are in Supremacy, the dynamic depth alone is noticeably louder and more precise. Action sequences offer up even more aggressive mixing such as the fight between Bourne and the last remaining Treadstone agent. This scene in particular displays a very exact design that has no music and does a great job isolating its sound effects into the confines of that small, compact area, adding an extra layer of ferocity and tension to it. And the car chase in Moscow towards the end is brimming with activity as the vehicles skid, crash, and break all over the place. But even still, Ultimatum manages to top that. Immersion is outstanding from the crowd noise for the scene at Waterloo Station, isolation is more intense in the fight between Bourne and Desh, and the car chase in New York is a sonic masterpiece of mayhem and music. By the way, John Powell's score is another big factor to the overall sound of these films. His string and percussion works really help to compliment the storytelling that even exudes a subtle amount of LFEs through his awesome drum pieces. Outside from the one minor issue with Identity, all of these films sound superb.
Extras - 4.0
There are quite a bit of extras, but if I were to highlight just one feature from each movie, I'd say at the very least(!) give the audio commentaries a listen. And if you like technical stuff, the U-Control Picture in Picture for Supremacy is well-worth a watch as well. Read more ›
(Note: Since I can't fit all 3 individual reviews into one entry, I've essentially condensed it down to a general overview of the plot, A/V specs and presentation, and only a list of the special features for each. The numbers you see don't necessarily equate to technical perfection, but those are the average numbers based on each movie and rounded up to the nearest whole or half number. To read the individual reviews, use the links below).
http://www.amazon.com/review/R35Y9M58QPFCXE/ref=cm_cr_rdp_perm
http://www.amazon.com/review/RFJDO2K5251W2/ref=cm_cr_rdp_perm
http://www.amazon.com/review/R1BYXHJU8KPQFN/ref=cm_cr_rdp_perm
Movie - 5.0
The first time I ever saw this film series was from a total blind-buy. Previously, I never even wanted to touch it because I had this stupid, unexplainable bias against Matt Damon. To this day, I still can't remember why I had such feelings, but I'm glad I got over it, because The Bourne Trilogy is a masterfully-executed story that has changed the face of spy-thriller movies forever. The Bourne Identity starts with the discovery of a man found overboard. He has two gunshot wounds in his back, a Swiss bank account in his hip, and no immediate recollection of who he is. Coincidentally, upon reaching the mainland it seems that he's a master in firearms and fisticuffs when he instinctively disables a couple of poor police officers that just happened to mess with the wrong guy. When he gets to the Swiss bank, he finds a deposit box with a passport and his name: Jason Bourne (Matt Damon). But to his surprise, there's a slew of other passports with the same picture and different names, in addition to lots of cash and even a handgun. Upon setting out to Paris, he meets a woman named Marie (Franka Potente), and the two of them would go on to face assassins and conspiracies while uncovering answers to who he is.
In The Bourne Supremacy, we find the two in Goa living a life of peace after managing to escape pursuit. Meanwhile, an operation in Berlin to uncover a mole amongst the top CIA brass, led by Deputy Director Pamela Landy (Joan Allen), goes south when a Russian federal agent, Kirill (Karl Urban), infiltrates the deal and takes out the informant while leaving a fingerprint of Bourne to cover his tracks. When Kirill attempts to find Bourne and assassinate him, Marie is killed in his stead. And in a rage of anger, Bourne decides to aspire vengeance on all those who had been chasing him. But in the process, he would discover a few more things about his past that would change him for the better.
And in The Bourne Ultimatum, after a British reporter named Simon Ross (Paddy Considine) discovers a new Treadstone replacement agency called Blackbriar, led by Director Noah Vosen (David Strathairn), Bourne figures to find the source of Ross' information so he can finally get the answers he'd been searching for, as well as putting an end to these agencies. Upon Ross' assassination, Bourne instills the aid of former Treadstone handler Nicky Parsons (Julia Stiles) and receives the benefit of the doubt from Pamela Landy as he makes his way back home to New York and discovers the truth to everything he had forgotten.
The Bourne movie franchise has made quite the name for itself. In the hands of Doug Liman, he not only managed to introduce an interesting character with a lot of mystery and intrigue to his background, but also a character we were able to sympathize for. He was a character that lost his memory, re-discovered himself, then tried to leave his dark past behind and escape a corrupt system. After Paul Greengrass took the reigns, he improved what Liman left on the table, further exposing the humanistic side of this character as we see him lose the part of his life he cares about the most. But despite that loss, his humanity would prove to be stronger than his vengeance as even more memories started to surface, making his journey for revenge turn into a search for redemption. And after finding his inner peace, he takes pursuit of those responsible in an effort to destroy the very system that had created him and brought about so much pain and suffering, not only to him, but to many of those involved throughout its history. At this point, I think it's safe to say that Matt Damon's portrayal of Jason Bourne has really cemented itself amongst the iconic spy heroes (next to James Bond and maybe Bryan Mills from Taken).
Video - 5.0
- Video codec: VC-1
- Video resolution: 1080p
- Aspect ratio: 2.40:1, 2.35:1
- Original aspect ratio: 2.39:1
The video quality of the series is pretty much perfect aside from the first one. In my initial review a few years ago, I said I wasn't pleased with Identity, but did a pretty crappy job explaining it. After reading up on the technicalities of film-making since then, I've gotten a much better grasp on how to explain and describe these things. That being said, Identity looks very good in terms of black levels, colors, and sharpness. Looking at a lot of the outdoor shots, especially, and a few indoor, the picture retains enough detail that it makes for a pleasant image for the trilogy's initial entry in HD. However, it does suffer from low contrast, giving it a somewhat murky look, and there are several occasions when dirt and a couple of scratches from print damage pop up. It's not terribly distracting, but it is noticeable.
Supremacy, on the other hand, is a major step up. With the changing of director in Paul Greengrass, he gave the image a much more vibrant look that better accentuates all of the aforementioned qualities. Blacks are darker, colors are much more vivid, contrast is better-balanced, and the sharpness is even sharper. Just looking at the beginning scenes in Goa, there's a tremendous amount of color that really adds more life, and the rest of the movie follows accordingly. Some people say the saturation is a little too high, but I'm in the belief that it was intentional since Grengrass is such a visualist. And there's also a good amount of film grain as well, which again, I believe is intentional. So unless you don't like the color timing or are a grain-hater, then those are about the only problems you might have. Finally, Ultimatum has the same kind of photography, only with a difference of intensity. Supremacy ran a little hot in terms of color, but I feel it added to the overall tone of the film itself (Bourne getting hot and angry for revenge, hence the hot look to the picture). However, Ultimatum is essentially where things come full circle and the adventure ends. Because of that, this is probably about as "normal" of a color level as you'll get. So there you have it. Aside from the first movie, there's not much else to complain about.
Audio - 5.0
Languages
- English: DTS-HD Master Audio 5.1
- French: DTS 5.1
- Spanish: DTS 5.1
Subtitles
- English SDH, French, Spanish
Again, aside from Identity, the audio is just about perfect. All three movies use the DTS-HD MA codec, and all of them sound fantastic. The only problem with Identity isn't so much the quality, but the quantity. As in the film itself just isn't as heavily-mixed as the others. In his commentary, Doug Liman stressed how he wanted to make Identity a drama first and an action movie second. Because of this, I think it reflects in the sound mix. The actual depth and quality to the track itself is pretty buoyant in terms of separation and directionality and gets especially aggressive during the fight with the first Treadstone agent. Rear speaker activity also gets a really good workout during the car chase sequence when cars start turning the corners. And dynamic range is excellent in the scene where Bourne is fighting Clive Owen's character outside the farmhouse.
Additionally, when Greengrass takes over as director for the sequels, the audio gets a tremendous upgrade, just as the video did. Even for as low-key as the opening scenes are in Supremacy, the dynamic depth alone is noticeably louder and more precise. Action sequences offer up even more aggressive mixing such as the fight between Bourne and the last remaining Treadstone agent. This scene in particular displays a very exact design that has no music and does a great job isolating its sound effects into the confines of that small, compact area, adding an extra layer of ferocity and tension to it. And the car chase in Moscow towards the end is brimming with activity as the vehicles skid, crash, and break all over the place. But even still, Ultimatum manages to top that. Immersion is outstanding from the crowd noise for the scene at Waterloo Station, isolation is more intense in the fight between Bourne and Desh, and the car chase in New York is a sonic masterpiece of mayhem and music. By the way, John Powell's score is another big factor to the overall sound of these films. His string and percussion works really help to compliment the storytelling that even exudes a subtle amount of LFEs through his awesome drum pieces. Outside from the one minor issue with Identity, all of these films sound superb.
Extras - 4.0
There are quite a bit of extras, but if I were to highlight just one feature from each movie, I'd say at the very least(!) give the audio commentaries a listen. And if you like technical stuff, the U-Control Picture in Picture for Supremacy is well-worth a watch as well. Read more ›
244 of 290 people found the following review helpful
Format:Blu-ray
I couldn't figure out how to open this set. I was tugging on the sides. Then I tried to slip the case off vertically. I was on the verge of forcing open the box when I decided to google the set, hoping to see something about the packaging scheme since there is no clear indication as to how to open it. Before you force this thing open, take note: The cover image of Matt Damon is a magnet. It flips open to the left, allowing access to the discs. Enjoy.
38 of 42 people found the following review helpful
By biogeek
Format:DVD|Amazon Verified Purchase
Perhaps the people who said this disc set has no extras haven't actually looked at the back of the DVD cases. Each movie has a lot of bonus material that is quite interesting. There is feature commentary with the director, interviews with cast members, deleted scenes, fight sequence planning, driving school, going on location, and lots of other really cool stuff (too much for me to write it all down here). If you are interested in how these movies were made you will really enjoy all of the bonus features.
Most Recent Customer Reviews
5.0 out of 5 stars
Great!
Great addition, must have addition to your collection if you are a fan of the series. I highly recommend it.
Published 35 minutes ago by tsr_thanatos
5.0 out of 5 stars
love it
Bourne fan so at 25.00 for all 3 movies its a great deal so had to get them all now on blueray good thing i did not have them on dvd
Published 3 days ago by fausto316
4.0 out of 5 stars
Great set
I didn't think I was going to enjoy the Bourne series as much as I have. I'm hit or miss when it comes to Damon as an actor, but I'm also hesitant about action series and spy... Read more
Published 4 days ago by ANT
4.0 out of 5 stars
Review
Great video disks but a few dents on the box. Probably the fault of the post office and not the seller. Overall great quality for the videos, no skips or scratches. Read more
Published 5 days ago by Jodie C.
3.0 out of 5 stars
Great movies, but item arrived damaged.
I have seen all three movies before and I love them to death, but the first movie's disc was severely cracked, and also the second movie's case was damaged. Read more
Published 7 days ago by Taylor
5.0 out of 5 stars
Had to get all 3
All 3 Bournes in one box. It’s time for a marathon!!!! Amazing set would love for there to be more to the series.
Published 7 days ago by N. Maggio
5.0 out of 5 stars
One of my favorite trilogies
Great movie series, I find myself getting this set out pretty often to watch again and again. A must own.
Published 8 days ago by Steve O
5.0 out of 5 stars
Awesome collection!!
Everyone turns a blind eye to what really goes on in the real world, well this kind of stuff does! We need more "Matt Damon's" to break free of the cycle & bring it to... Read more
Published 10 days ago by Joe B.
5.0 out of 5 stars
Great gift!
I bought this as a gift to my boyfriend. He loved it! All three movies come in a case so you don't have to worry about misplacing any of them.
Published 14 days ago by ysp
5.0 out of 5 stars
Favourite Movies at a Great Price
These are my favourite movies. I was pretty hesitant because of the price. I was afraid they were going to be pirated DVDs on scratched discs or something. Read more
Published 19 days ago by Anna Kate
