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Trinidad Carnival: The Cultural Politics of a Transnational Festival Paperback – March 28, 2007

ISBN-13: 978-0253218834 ISBN-10: 0253218837

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Editorial Reviews

Review

"... provides interesting and thought provoking reading.... [I]t would be valuable for higher level students at university and researchers who have a keen interest in transnational festivals and cultural tourism." —Donna Chambers, University of Surrey, Journal of Policy Research in Tourism, Leisure and Events, Vol. 1.2 2009



"Anyone wishing to explore tradition, authenticity, community, identity, nation and transnation will be rewarded by reading this volume." —Western Folklore



"... Tracking the various forces that historically and contemporarily shape Carnival as event, ideology, national culture, and commodity, the essays in Trinidad Carnival never view Carnival through a single analytical lens. Indeed, they never yield a picture of a singular Carnival, a particular mas player. Rather, they show how 'specific Carnivals, specific masqueraders, and specific Carnival controversies are in motion, are well-traveled and circulate through the population not just of Trinidadians, but of Caribbean people everywhere, defining their Caribbean-ness while helping to change those definitions as new contexts arise' (Green and Scher 23)." —Anthropological Quarterly



"[E]ditors Garth L. Green and Philip W. Scher have gathered a thought-provoking collection of essays that extend our understanding of Trinidadian festivals and festival arts at home and abroad." —Journal of American Folklore



"[The] editors... have assembled a fine collection of articles that examine the Trinidad Carnival as well as its transnational offshoots.... Through a thoughtful review of existing literature they persuasively argue for theoretical and methodological approaches that are sensitive to the multivalent nature of Carnival." —The World of Music, 51 (2), 2009



"This collection of essays is a fascinating look at contemporary Carnival as... a national and transnational institution. Many of the essays would be useful for readers interested in transnational movement of music and festivals, as well as in Carnival and the Caribbean specifically." —David Lewis, Indiana University, Journal of Folklore Research, August 25, 2009



"... this book is a must-read for scholars and fans of West Indian culture and particularly Trinidad Carnival and its visual and musical components. It delivers a vast field of information from both a deep historical as well as a contemporary perspective." —John Nunley, H-AfrArts, October 2009

From the Publisher

Explores Carnival as a global celebration. --This text refers to the Hardcover edition.

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