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Trip Wire: A Cook County Mystery [Paperback]

Charlotte Carter (Author)
3.3 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

Cook County Mystery March 29, 2005
Of Jackson Park, the first Cook County mystery featuring an unconventional trio of sleuths, Margo Jefferson of The New York Times said, “Charlotte Carter blends street savvy with wry urbanity and delivers a truly modern big-city crime tale.” Now Carter returns with another suspenseful novel that brings the black experience to vivid life during one of the most turbulent times in American history.

It is December 1968. In the wake of assassinations and the violence of the Democratic convention in Chicago, “Summer of Love” idealism has disintegrated into suspicion and disillusion. On the city’s North Side, twentyishCassandra Perry longs to be independent. She leaves the overprotective embrace of her granduncle and grandaunt, Woody ans Ivy Lisle, and moves into a multiracial commune dedicated to brotherhood and just causes. But Cassandra’s search for identity plunges her into the dark side of peace, love, and unlimited freedom–even before she discovers the brutally violated bodies of the commune’s most charismatic activist couple.


As Cassandra investigates with the help of Woody and Ivy, she begins to see some friends–especially one of her dearest–in a disturbing, deadly light. But when the three amateur sleuths run afoul of a police cover-up with explosive political ramifications, they face a desperate enemy determined to bury the–along with the truth.

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Editorial Reviews

Review

“Charlotte Carter blends street savvy with wry urbanity.”
The New York Times

Excerpt. © Reprinted by permission. All rights reserved.

CHAPTER ONE

MONDAY


“Hey, Cassandra,” Wilton said in that sleepy voice of his.

“Huh?” I said.

“How much you bet me?”

“About what?”

“I bet you and me are the onliest niggers in Chicago know every song on the Creedence Clearwater album.”

“No bet. I know we are.”

We fell out laughing.

Truth to tell, I had nothing against Creedence and neither did Wilton. But our friend and roommate Dan Zuni, a beautiful Pueblo Indian kid with a mane of coal black hair and the slim-hipped build of a female fashion model, had a psychotic thing for them. Night and day he had Creedence on the record player in his bedroom. Once in a while I had to beg for mercy. He was always nice enough to give it a rest when I complained, but a couple of hours later “Suzie Q” would be blasting again.

Wilton had me laughing so hard my ribs ached. But that wasn’t such a tough assignment. I was stoned—we both were—and just about everything was funny.

We lay side by side on the floor of my room, only a couple of feet away from the new space heater my uncle Woody had paid for. Winter in Chicago is nothing to trifle with. You might think you know about our winters because of that record Lou Rawls had where he referred to the wind whipping off Lake Michigan as the Hawk. Don’t kid yourself. You don’t know. At night my room was like the north face of Everest. But I was low on cash, so Woody sprang for the heater, despite his being none too pleased with me these days.

Uncle Woody loved me, no question. But I had recently left home, moved out of the spacious high-rise apartment in Hyde Park where I had lived with him and my aunt Ivy since I was eleven years old. They were pretty pissed about it.

Maybe it wouldn’t have been such an affront if I’d taken a nice studio apartment in a respectable South Side development like Lake Meadows. Maybe they’d have been able to write it off as an understandable step toward independence. That’s not what I did, though, when I left home.

I moved all the way up to the North Side, to a rambling apartment with sloping floors and niggardly steam heat, where I had anywhere from three to seven roommates, depending on who was sleeping at a lover’s apartment, who was hitchhiking to California, or who was back home in Indiana for some holiday. At the moment we were without any pet critters, though it was just about time for one of our number to find another stray kitten or take in an orphaned parakeet.

Woody and Ivy Lisle are my de facto parents. My mother, Haddy Perry, left me in my grandmother’s care when I was eight, and she’s been in the wind ever since. The years with Grandma Perry were brief but hideous. To put it mildly, we never hit it off. And, in a masterpiece of understatement, let me say I was not a happy child.

As I get older, I try not to blame her so much for her part in my misery. The best I can figure, she and my mother had never been the greatest of pals, and as soon as Mom was of age, she cut herself loose from home and hearth. Then, at just the time in the old lady’s life when child rearing should have been far behind her, she got saddled with a needy youngster—that would be me—subject to bouts of depression, panic, and rage.

Like her husband before her, Grandma was called home, in the Negro parlance, at a fairly young age. My guess is, she had had it up to here and was good and ready to go. At any rate, that’s when her younger sister Ivy took me in.

As for my biological father? You tell me. My family history is lousy with secrets, vague explanations that don’t hold water, and outright lies. The story of how I came into being partakes of every one of those things.

The three years with my weary grandmother at her house on Forest Street, at the heart of the heart of the South Side’s ghetto, are now a blur of loneliness and resentment. Ivy and Woody saved me.

I was spared from the home for wayward juveniles and the welfare rolls, if not from a revolving cast of school bullies who hassled the shit out of me for being teacher’s pet.

Under the fond gaze of Woody and Ivy, my love for reading and excelling at school was rewarded with gift-boxed fountain pens, season subscriptions to the Young People’s Orchestra, and summers at theater arts camp, where I painted flats for Death Takes a Holiday and then wowed them as Berenice in The Member of the Wedding.

And at home I got away with murder: my own television, no bedtime curfew, allowed to drink coffee with my breakfast and mingle with the cocktail party guests, sipping 7-Up from a martini glass and eating myself stupid on deviled shrimp canapés.

So, goody-good little Cassandra, who used to write those prize-winning essays for Negro History Week, joined a hippie commune. Yep, I’m all grown up now, twenty years old, and taking my rightful place as a black freak. With visions of group sex, drug addiction, and me never again folding my dinner napkin, my very proper aunt Ivy had near about fainted when I broke the news.

I took a big pull from the joint I was sharing with Wilton and passed it over to him—tried to, anyway. He was lost in his own thoughts now, and didn’t notice me until I made a fist and knocked gently on his forehead.

Those limpid eyes of his seemed to shine love out at me.

My friend Wilton’s upbringing, despite the fractured grammar he affected, had been even more rarefied than mine. Both his parents were of the black professional class, mother a pediatric surgeon and father a big-bucks attorney. Wilton was born into the high bourgeoisie, as his parents and their parents before them had been. Fact, going back to the Reconstruction, his family tree hung heavy with scientists, teachers, and industrialists.

In keeping with the cloud cover over my family history, I really don’t know where my aunt Ivy’s refinement or my uncle Woody’s money came from.

I was grateful to Woody and Ivy for converting my life from shit to sugar. I tried never to hurt or disappoint them, and I’d been the best girl I could be for a long time.

If you asked them, they’d likely say my days as an obedient child had ended without notice some time during the month of April 1968. I guess they’d be right. Something had happened to me that record-setting, murderous spring, with its weather from heaven and headlines from hell. You ticked off the horrors as spring folded into summer: King murdered; urban riots; the war inflating like a corpse in muddy water; RFK murdered; students assaulted and killed all over the globe.

And then there was the convention, Chicago’s local sideshow that turned into a world event and made Richard J. Daley a bigger star than Jane Fonda.

But I had my own list of upheavals, events in my personal life that shook me down to my shoes, things that were changing me, shaping me, making me for better or worse into someone else—

—Number one, I’d been witness to an ugly murder, and very nearly a second victim. Woody’s nephew had been knifed in the old neighborhood, just minutes from my grandmother’s Forest Street house, and I had watched him die.

—Then, too, a beloved friend had disappeared on me, doing nothing less than altering the course of my life along with his.

—Another change revolved around loss, too, but it had nothing to do with war or death. Quite the opposite. Contrary to my long-held belief that I’d go to my grave without ever getting laid, I finally did. A fellow named Melvin had deflowered me under some pretty harrowing circumstances. But that didn’t stop me from loving it.

Melvin was long gone. But openhearted, decent, handsome, ironic Wilton Mobley truly liked and understood me, wanted to be my friend. The feeling was ever so mutual. When he invited me to move in, it looked as though I’d fallen into a honeypot. It just seemed natural that Wilt and I, two Afro-American freaks, would get together, maybe even build some kind of life that would outlast our time at the commune.

My luck is strange, though. I have this giveth-and-taketh-away thing going with the gods. Wilton never became my lover. Instead he was devoted to a lissome white girl named Mia, whose complexion was something out of a Vermeer and whose disposition and heart were so lovely, you almost expected to see sparrows tweeting in formation around her head. Mia Boone was the mothering, pie-baking, herb-gardening, homemade-soap, meat’s- no-good-for-you, mantra-chanting, candle-burning heart of the commune, and she and Wilton were so much in love it made me feel dirty to imagine either of them with another partner.

As I was doing most days as of late, I had blown off my classes, telling myself I’d read like crazy long into the night and be caught up with everything by the end of the week. And for the nonce, I was whiling away the afternoon with Wilton, smoking his excellent weed. The new heater was doing its thing and we were doing ours.

Then, through my laughter, I heard Mia call from the kitchen, “Lunch, guys!”

At the sound of her voice, Wilton’s ears pricked up like a devoted Great Dane hearing his master’s step on the gravel path.

“You better get a move on, Wretched, or there won’t be any delicious vegetarian tacos left,” I said.

I started calling him Wretched because it was taking him so goddamn long to finish reading Fanon’s book. The dog-eared paperback had been gathering dust on the TV table for months. After a while, he began calling me Wretched, too. It was a bit of conspiratorial silliness. But I took a childish thrill in the easy, telegraphic way Wilt and I communicated. I knew it probably made the others feel excluded sometimes. And I knew it wasn’t worthy...

Product Details

  • Paperback: 192 pages
  • Publisher: One World/Ballantine; Ex-Library edition (March 29, 2005)
  • Language: English
  • ISBN-10: 0345447697
  • ISBN-13: 978-0345447692
  • Product Dimensions: 5.1 x 0.4 x 7.8 inches
  • Shipping Weight: 3.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #2,349,438 in Books (See Top 100 in Books)

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4.0 out of 5 stars Murder mystery set in Chicago during the summer of love, May 29, 2007
This review is from: Trip Wire: A Cook County Mystery (Paperback)
It's Chicage, 1968, the summer of love. Cassandra Perry, early 20s, has moved out of her Aunt Ivy and Uncle Woody Lisle's place and into an integrated commune. Cassandra and the other members smoke lots of dope, listen to music (she enjoys Hendrix), and protest the Vietnam War. Their tight-knit, happy household is rocked when two members are found gruesomely murdered. Displaying anger and purpose, Cassandra resolves to expose their killer. She uncovers a possible police coverup and a militant black group aiding in the desertion of black soldiers. The commune members begin to suspect each other. Despite a somewhat slow start, once the narrative gains traction, events spill out at a satisfying pace. I liked the several surprising twists and Cassandra becomes a sympathetic, hip protagonist. This is a perceptive, intelligent read good for a few hours of engrossing pleasure.
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1 of 2 people found the following review helpful:
3.0 out of 5 stars (RAW Rating: 3.5) - Trust no one, November 16, 2005
By 
The RAWSISTAZ Reviewers (RAWSISTAZ.com and BlackBookReviews.net) - See all my reviews
This review is from: Trip Wire: A Cook County Mystery (Paperback)
Cassandra Perry moved away from her overprotective Aunt Ivy and Uncle Woody's home into a multiracial commune. It's Chicago 1968, so living in a commune isn't out of the ordinary. The out of the ordinary part is someone has murdered one of the commune's most outspoken couples. Woody and Ivy didn't approve of Cassandra moving into the commune and insist that she return home, but she won't hear of it. The people murdered were her friends, and she is intent on finding the responsible party. Woody and Ivy's first concern is Cassandra's safety, thus they make a compromise-if she considers moving back home with them, they will help her find the killer. Their dangerous journey leads to an additional murder, police cover-up, secret societies, and the possible involvement of other commune members.

Charlotte Carter opened TRIP WIRE using a narrative style that initially made it difficult for me to connect with the characters and plot. Once the storyline began moving, it was fast paced, full of surprises and drew me in. Carter also did an excellent job on setting. As I read, I could see Chicago 1968, I could feel the current of racial tension and class hostility. TRIP WIRE was truly an interesting and enjoyable trip for me.

Reviewed by Deatri King-Bey
of The RAWSISTAZ™ Reviewers
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1 of 2 people found the following review helpful:
3.0 out of 5 stars A Light Summer Read..., September 5, 2005
By 
This review is from: Trip Wire: A Cook County Mystery (Paperback)
Continuing with the characters introduced in Jackson Park, Charlotte Carter returns to 1968 Chicago where an older Cassandra Perry is caught up in the "hippie" lifestyle popular during that era. She is a rebel having moved from the protective home of her aunt and uncle into a multi-cultural commune where vegetarian diets, free love, and an endless supply of drugs are the norm. She is playing "grown up" and her latest decision is to drop out of college - an act that would break her family's heart.

Things quickly change when the lead interracial couple of the commune is brutally murdered and the commune members become the prime suspects. Common for her generation, trust in the police is eroded by years of corruption, racism, and apathy, so she starts her own investigation into the death of her friends. With the help of her aunt and uncle, she discovers a complex plot involving drugs, Black Nationalists, and vengeful Viet Nam war protestors.

Carter has a gift for transporting the reader to another time and place via references to the music of period, the clothes, and use the slang terms and dialogue of her characters. This is a very quick, enjoyable, and easy read for mystery lovers.

Reviewed by Phyllis
APOOO BookClub
Nubian Circle Book Club
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Inside This Book (learn more)
First Sentence:
"HEY, CASSANDRA," WILTON SAID IN THAT SLEEPY VOICE OF his. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
aunt ivy
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Dan Zuni, Jack Klaus, Alvin Flowers, Barry Mayhew, South Side, Oscar Mobley, Hyde Park, North Side, Wilton Mobley, Henry Waddell, Hope Mobley, Lincoln Avenue, Mia Boone, Rising Tide, Annabeth Riegel, Forest Street, Detective Klaus, Jesus Christ, Debs College, Food Coop, Maxwell Street, Mayor Daley, Nat Joffrey, Paul Yancy
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