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Tristessa [Paperback]

Jack Kerouac (Author)
4.8 out of 5 stars  See all reviews (33 customer reviews)


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Book Description

April 1978
"Each book by Jack Kerouac is unique, a telepathic diamond. With prose set in the middle of his mind, he reveals consciousness itself in all its syntatic elaboration, detailing the luminous emptiness of his own paranoiac confusion. Such rich natural writing is nonpareil in later half XX century, a synthesis of Proust, Céline, Thomas Wolfe, Hemingway, Genet, Thelonius Monk, Basho, Charlie Parker, and Kerouac's own athletic sacred insight.

"This entire short novel Tristessa's a narrative meditation studying a hen, a rooster, a dove, a cat, a chihuaha dog, family meat, and a ravishing, ravished junky lady, first in their crowded bedroom, then out to drunken streets, taco stands, & pads at dawn in Mexico City slums." —Allen Ginsberg

--This text refers to an alternate Paperback edition.

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About the Author

Jack Kerouac(1922-1969), the central figure of the Beat Generation, was born in Lowell, Massachusetts, in 1922 and died in St. Petersburg, Florida, in 1969. Among his many novels are On the Road, The Dharma Bums, Big Sur, and Visions of Cody.
--This text refers to an alternate Paperback edition.

Product Details

  • Paperback
  • Publisher: Mcgraw-hill Inc (April 1978)
  • Language: English
  • ISBN-10: 0070342059
  • ISBN-13: 978-0070342057
  • Product Dimensions: 7.8 x 5.2 x 0.4 inches
  • Shipping Weight: 4 ounces
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (33 customer reviews)
  • Amazon Best Sellers Rank: #3,108,630 in Books (See Top 100 in Books)

 

Customer Reviews

33 Reviews
5 star:
 (26)
4 star:
 (6)
3 star:
 (1)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.8 out of 5 stars (33 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

38 of 39 people found the following review helpful:
5.0 out of 5 stars Kerouac's most overlooked novel, and his best., August 6, 1996
By A Customer
This review is from: Tristessa (Paperback)
Kerouac has fallen in and out of cult hero worship, for many
reasons. He was the forefather of the spectacularly popular
Beat Generation, his books are full of raw energy and
rebellion, and he died of a brain hemorrhage watching "The
Galloping Gourmet". These are all wonderful reasons to read
"On the Road" or "Subterraneans". Do not read "Tristessa"
for these reasons. Read "Tristessa" for its pure Kerouac
voice, for its wonderful hollow music which echoes the
wildest romantic poets, the heroin-desperate streets of Mexico
City, and the soul of Kerouac himself. This is Kerouac's
most haunting, melodic, and starkly religious work,
the story of true love and the lie of love, the story of
hope and of the crush of drugs, poverty and despair.

To read this
book is to be Kerouac, to be crazy-drunk with no place to
sleep and no money to eat, but to be crying with happiness
because the woman you love is unconscious in the gutter beside
you. You can hear the words inside your head long after
you close the book... "shouldna done it Lord, Awakenerhood,
shouldna played the suffering-and-dying game with the children in
your own mind, shoulda whistled for the music and danced..." "I love her but the song
is---broken---"
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10 of 10 people found the following review helpful:
5.0 out of 5 stars Amazing romantic novel!, August 14, 2003
By A Customer
This review is from: Tristessa (Paperback)
The basic story line in this book surrounded a junky Mexican prostitute named Tristessa of whom Jack(Kerouac's "alias") has fallen madly in love with. Jack can't find a way to tell her, and she sends him completely mixed signals, and is constantly too hung up on her drug addiction to care about love. At one point he leaves to go up to California(in which period of time "The Dharma Bums" takes place), and the story picks up a year later when Jack returns with his urgent need to see Tristessa.

Another story line of Tristessa involves Jack sitting in the pad where Tristessa and her friend Cruz live, and his fasination with the animals that live there (a Chihuaua, a cat, a hen, a rooster, and a dove). He meditates and watches them, wondering what they're thinking and trying his best to earn their trust and respect.

This was quite an amazing book, the second best book I've read this year after The Losers' Club by Richard Perez. I find any of Jack Kerouac's works hard to put down, as there is always something new and interesting and fascinating to read and learn from his writing. I would recommend this story to any Beat Generation or Kerouac reader.

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16 of 18 people found the following review helpful:
4.0 out of 5 stars A story of love and suffering, April 19, 2002
This review is from: Tristessa (Paperback)
Jack Kerouac's "Tristessa" is a short novel about an American poet (named, like the author, Jack) and his love for Tristessa, a Mexico City drug addict. The book follows the experiences of Jack, Tristessa, and their circle of friends in the seedy underside of Mexico City.

Kerouac's language in this book is startling: a prose poetry that reminds me of Allen Ginsberg's poem "Howl." The words in "Tristessa" tumble at you in a wild, hypnotic rush. There are lots of apparently made-up words, sort of "Spanglish" flourishes, and pop culture references. Buddhism serves as a frequent subtext to the novel; I would recommend reading this together with Kerouac's "The Scripture of the Golden Eternity."

"Tristessa" is a sad look at the human toll taken by drug abuse, and is full of vivid details of the title character's world. Recommended as a companion text: "Quiet Days in Clichy," by Henry Miller.

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First Sentence:
I'M RIDING ALONG with Tristessa in the cab, drunk, with big bottle of Juarez Bourbon whiskey in the till-bag railroad lootbag they'd accused me of holding in railroad 1952-here I am in Mexico City, rainy Saturday night, mysteries, old dream sidestreets with no names reeling in, the little street where I'd walked through crowds of gloomy Hobo Indians wrapped in tragic shawls enough to make you cry and you thought you saw knives flashing beneath the folds-lugubrious dreams as tragic as the one of Old Railroad Night where my father sits big of thighs in smoking car of night, outside's a brakeman with red light and white light, lumbering in the sad vast mist tracks of life-but now I'm up on that Vegetable plateau Mexico, the moon of Citlapol a few nights earlier I'd stumbled to on the sleepy roof on the way to the ancient dripping stone toilet-Tristessa is high, beautiful as ever, goin home gayly to go to bed and enjoy her morphine. Read the first page
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