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| 1. Trompe le Monde |
| 2. Planet of Sound |
| 3. Alec Eiffel |
| 4. Sad Punk |
| 5. Head On |
| 6. U-Mass |
| 7. Palace of the Brine |
| 8. Letter to Memphis |
| 9. Bird Dream of the Olympus Mons |
| 10. Space (I Believe In) |
| 11. Subbacultcha |
| 12. Distance Equals Rate Times Time |
| 13. Lovely Day |
| 14. Motorway to Roswell |
| 15. Navajo Know |
"Trompe Le Monde" is a venture into a more produced, more "sci-fi" sound (Frank also took the sci-fi with him for his first 2 solo releases). It is frankly, for me, the best Pixies, or Frank Black writing ever released.
This album is worth the money alone for the track "Letter to Memphis". If you've only got one Pixies album so far, this should be the next.
Though Trompe Le Monde lacks the Albini-culled bombast of Surfer Rosa, and even the albums that followed (Doolittle and Bossanova, for those keeping score), that actually benefits this album in the long run. Describing the record as "mature" and "spastic" seems only fitting. So many moments stand out, I can't name them all. The outro of "Alec Eiffel" (which is probably one of the most haunting parts I've ever heard). The majesty of "Bird Dream of the Olympus Mons." The absolute beauty and power of "Letter to Memphis," which is probably the most straightforward love song Frank has ever penned. The pure shredding of Joey and Frank (and Kim) in the beginning of "Space (I Believe In)." "Motorway to Roswell" as a whole. Wow.
Good album, folks. Really. I can see how some may knock on it because Kim Deal didn't contribute much (which may be good or bad, depending on how you view her importance). Still, Trompe Le Monde was more than a final album for the Pixies. Loud, yet sublime. Frightening, yet peaceful. The contrasts could go on. If you're clutching your copy of Surfer Rosa, praising it for all its worth...try spinning Trompe Le Monde again...you may be surprised.