Amazon.com Review
Freehand trompe l'oeil can be quite a challenging undertaking, but using stencils to achieve a similar effect makes the process more approachable. Rounded or dimensional forms can be made to look quite convincing with the right shading and color gradations, and the use of multiple overlays facilitates a more three-dimensional look than does single-step stenciling. Unfortunately, this book is a fairly dull presentation on what could be an exciting and lively technique. The author explains some basic stenciling principles, with brief discussions of cutting and coloring multistep stencils, then offers a series of "projects" that are in fact not step-by-step directions but more general coverage of how to paint such standard fare as bowls of fruit, candlesticks, trailing vines, plates on shelves, and architectonic motifs. Her colors are often either too muddy or a bit garish, and her renderings frequently unconvincing. And although each finished design is illustrated in color, it simply floats on the page, rather than in some context of a room or a piece of furniture, leaving readers entirely on their own to imagine how to transplant the images off the page and into their homes.
--Amy Handy
From Library Journal
Jennings surveys a broad variety of media, from charcoal to pastels, watercolor, gouache, oils, and more, and he relies on the advice and work of a large group of artists to help the beginner choose media, tools, and techniques. Unlike the authors of Art School, Jennings creates an actual curriculum here. Exercises that compare the same subject, e.g., a red-enameled coffeepot, painted in both acrylic and pastel, are enlightening. Very highly recommended.
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