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Editorial Reviews
2011 release, a remixed and reconfigured version of Daft Punk's mind-blowing soundtrack. TRON: Legacy is a 3D high-tech adventure set in a digital world that's unlike anything ever captured on the big screen. The original motion picture score for TRON: Legacy debuted on the Billboard 200 at #10. It was the first score soundtrack to debut in the Top 10 in five years.
Customer Reviews
Most Helpful Customer Reviews
129 of 147 people found the following review helpful
3.0 out of 5 stars
Change the scheme! Alter the mood! Electrify the boys and girls if you'd be so kind.
April 5, 2011
By Dave Cordes
Format:Audio CD|Amazon Verified Purchase
It was only inevitable that Daft Punk's inspirational soundtrack to Tron Legacy would get commercially remixed by some of the most "recognized" DJ's around the globe. As much as I was looking forward to this album though, it's somewhat of a mixed bag. Some of the tracks are pretty good and worth listening to, maybe two or three mixes that I would consider to be exceptional, the rest sound very little like they were inspired by DP's music from Tron Legacy and I'd rather some of the better R3J3CT3D mixes by artists like Junkie XL, Groove, Dekoi and Tame Impala (found only on the Australian release of R3CONF1GUR3D replacing Photek's mix) would have been included on this album instead. Whoever produced this didn't really select the best demos and more often than not I would rather just listen to Daft Punk's soundtrack because it is simply perfect the way it is. I think the only artists who could have taken DP's score and made a really mind-blowing remix album would have been DP themselves and it's baffling why they didn't because this would have been the perfect opportunity for them to do so. Sigh...
Derezzed (The Glitch Mob Remix) - Not too bad but compared to DP's masterful mix from the film it's just average.
Fall (M83 Vs. Big Black Delta Mix) - This one gets my vote for worst track on the album. The soprano "Na-na-naa" vocals are intrusive and annoying playing over the pounding percussion of Fall. Whoever thought it was a good idea to include this one deserves to be subjected to immediate derezolution. In fact, I'm "derezzing" it off my playlist. Gone.
The Grid (Crystal Method Remix) - The pioneers of commercial techno-pop Crystal Meth turn in their anticipated mix, but the result is only so-so. I expected something much more inspired from the gurus of electronic mix groove. Serviceable but just not as awesome as it could have been.
Adagio For Tron (Teddybears Remix) - Good downtempo mix that maintains the melancholic melody of DP's adagio with a discotheque beat.
The Son Of Flynn (Ki:Theory Remix) - Good keyboard arpeggiation overlayed with Harold Faltermeyer-esque guitar riffs. If you're into 80's sounding movie soundtracks like Beverly Hills Cop and Top Gun, this one's for you.
C.L.U. (Paul Oakenfold Remix) - Oakenfold is the go-to guy when it comes to mixing awesome ambient trance mixes with good EBM. One of my favorites. This one you'll be hearing getting played in the clubs.
The Son of Flynn (Moby Remix) - Another giant commercial DJ turns in a pretty decent mix. Very Requiem For A Dream-esque. I prefer Moby's SOF mix much better than Ki:Theory's mix.
End Of Line (Boyz Noize Remix) - Pretty good mix, evocative of Giorgio Moroder in a few places. Castor would definitely be playing this one in his club.
Rinzler (Kaskade Remix) - I really like this one. It was playing in my dreams the first night I listened to it. Great loud pulse pounding bass overdubs and very trancie. A great mix to play in the clubs.
Encom Part 2 (Com Truise Remix) - Very little here that resembles anything from DP's cue in the film except for some of the sporadic string overdubs. Sounds a bit dated, like late 90's techno.
End Of Line (Photek Mix) - Another great mix for Castor's Club. I can't decide if Iike this one better than the Boize Noize mix. They're both pretty good.
Arena (The Japanese Popstars Mix) - A decent trance mix. Great looping of the Arena arpeggiators.
Derezzed (Avicil Remix) - Meh. Just too cheesy for me. I'll stick with DP's, thank you. Next...
Solar Sailor (Pretty Lights Mix) - Not a bad mix but again, to be honest, I'd rather just listen to Daft Punk's version without all of the intrusive noises and overdubs.
Tron Legacy End Titles (Sander Kleinberg Remix) - Decent with some interesting sampling of Flynn; "D-d-d-d-digital frontier" but again, I prefer DP's film version way better.
After playing Daft Punk's epic soundtrack non-stop since it was released, it was refreshing to hear the more familiar cues from the film performed in a sometimes interesting and different configuration than what I had been accustomed to hearing, but R3CONF1GUR3D derezzes itself very quickly and not surprisingly I found myself going back to Daft Punk's album because there is just no comparison. If you're looking to compliment your soundtrack listening experience and you are really a fan of their music and the film, you might be interested in giving this disc a spin.
End of Line, man.
Derezzed (The Glitch Mob Remix) - Not too bad but compared to DP's masterful mix from the film it's just average.
Fall (M83 Vs. Big Black Delta Mix) - This one gets my vote for worst track on the album. The soprano "Na-na-naa" vocals are intrusive and annoying playing over the pounding percussion of Fall. Whoever thought it was a good idea to include this one deserves to be subjected to immediate derezolution. In fact, I'm "derezzing" it off my playlist. Gone.
The Grid (Crystal Method Remix) - The pioneers of commercial techno-pop Crystal Meth turn in their anticipated mix, but the result is only so-so. I expected something much more inspired from the gurus of electronic mix groove. Serviceable but just not as awesome as it could have been.
Adagio For Tron (Teddybears Remix) - Good downtempo mix that maintains the melancholic melody of DP's adagio with a discotheque beat.
The Son Of Flynn (Ki:Theory Remix) - Good keyboard arpeggiation overlayed with Harold Faltermeyer-esque guitar riffs. If you're into 80's sounding movie soundtracks like Beverly Hills Cop and Top Gun, this one's for you.
C.L.U. (Paul Oakenfold Remix) - Oakenfold is the go-to guy when it comes to mixing awesome ambient trance mixes with good EBM. One of my favorites. This one you'll be hearing getting played in the clubs.
The Son of Flynn (Moby Remix) - Another giant commercial DJ turns in a pretty decent mix. Very Requiem For A Dream-esque. I prefer Moby's SOF mix much better than Ki:Theory's mix.
End Of Line (Boyz Noize Remix) - Pretty good mix, evocative of Giorgio Moroder in a few places. Castor would definitely be playing this one in his club.
Rinzler (Kaskade Remix) - I really like this one. It was playing in my dreams the first night I listened to it. Great loud pulse pounding bass overdubs and very trancie. A great mix to play in the clubs.
Encom Part 2 (Com Truise Remix) - Very little here that resembles anything from DP's cue in the film except for some of the sporadic string overdubs. Sounds a bit dated, like late 90's techno.
End Of Line (Photek Mix) - Another great mix for Castor's Club. I can't decide if Iike this one better than the Boize Noize mix. They're both pretty good.
Arena (The Japanese Popstars Mix) - A decent trance mix. Great looping of the Arena arpeggiators.
Derezzed (Avicil Remix) - Meh. Just too cheesy for me. I'll stick with DP's, thank you. Next...
Solar Sailor (Pretty Lights Mix) - Not a bad mix but again, to be honest, I'd rather just listen to Daft Punk's version without all of the intrusive noises and overdubs.
Tron Legacy End Titles (Sander Kleinberg Remix) - Decent with some interesting sampling of Flynn; "D-d-d-d-digital frontier" but again, I prefer DP's film version way better.
After playing Daft Punk's epic soundtrack non-stop since it was released, it was refreshing to hear the more familiar cues from the film performed in a sometimes interesting and different configuration than what I had been accustomed to hearing, but R3CONF1GUR3D derezzes itself very quickly and not surprisingly I found myself going back to Daft Punk's album because there is just no comparison. If you're looking to compliment your soundtrack listening experience and you are really a fan of their music and the film, you might be interested in giving this disc a spin.
End of Line, man.
30 of 34 people found the following review helpful
By Tijs Limburg
Format:Audio CD
Dave Cordes needs to listen to the album again. The point of R3C0NF1GUR3D was not to sound like Daft Punk or try to outdo their work. An attempt like that would be preposterous.
I don't know if Cordes listens to a lot of remix material, or the groups or artists on this album, but I know that I do. Probably over 80% of the music I listen to is in the electronica/remix genre. This is exactly what I expected this album would sound like when it was announced, and this is exactly what electronic music is all about: taking stems of the masterworks and making them your own.
I expected it to be like sitting in Caster's club when DJ's other than Daft Punk were in the booth mixing the soundtrack music, and that's what I got! I think what Cordes may have missed is that you should expect each track to sound like the style of the artist who remixed it.
1. Derezzed (Remixed by The Glitch Mob)
Fantastic bass line that will definitely drop the floor in the club. And it adds more power to an already powerful track. And the use of DP's original composition in the intro and in in the breaks is awesome. Nicely interpreted track by the boys in the Glitch Mob.
2. Fall (Remixed by M83 VS Big Black Delta)
Being a big fan of the works of M83, I was not surprised by this track at all. In fact, I was delightfully impressed by its originality. This would fit in perfectly with anything M83 has ever done, yet would fit in with many of Daft Punk's deeper tracks. That's exactly how it should be.
3. The Grid (Remixed by The Crystal Method)
The Crystal Method are experts at delivering intense beats, mystique, edge, breaking rhythm, and power to their music, and they do not disappoint here. They even referenced their own music with the "You've got it" line ever so prevalent in 'High Roller'. I love it when electronic musicians find a way to reference their own work.
4. Adagio for TRON (Remixed by Teddybears)
Raw electricity...from an Adagio! In music terminology adagio is to be played slowly. But that doesn't mean it can't pack a punch. This track does so well in mixing up the original that I forgot what the original sounded like until I went back and listened to it. Dp's original is a fantastic orchestral adagio. This track is a fantastic way to make it club-able. They even took the organ line from the original and put it in a dance organ pad.
5. The Son of Flynn (Remixed by Ki:Theory)
Daft Punk's numeric, digitized, electronic lines of the original meet the only style I think they should meet: Rock! We've heard Daft Punk mix their own robotic, drop-d tuning rock, and this just says "hey, we should do that again".
6. C.L.U. (Remixed by Paul Oakenfold)
I'll be honest, as a huge fan of Oakenfold, I was looking for something a bit more like his style, and less Hans Zimmer's. But, Oakenfold has been working with Hans on a bunch of projects recently, so it isn't too surprising. To me this track has less layers and rhythmic quality than I am used to from perfecto. Nonetheless, its a good listen.
7. The Son of Flynn (Remixed by Moby)
Again, I expected something different from Moby, more in line with his soft, jazz and downtempo moments. But again, the original soundtrack has a lot of qualities in line with Hans Zimmer and James Newton Howard's compositional styles, and perhaps Moby and Oakenfold wanted to interpret that aspect more than the rave and breakbeat inspired influences in the soundtrack. Which I am totally cool with.
8. End of Line (Remixed by Boys Noize)
When Caster requests a trance mix of "End of Line", this is what the DJ would play. This is a great mix, and is sure to end up on future trance and electronic music compilations. I love that they sped up the tempo but kept a very heavy, hair raising original track at a similar power level.
9. Rinzler (Remixed by Kaskade)
What more can you expect from the masters of Kaskade? This track is excellent! Likely to be played in all kinds of places, including my workout playlist. It naturally increases your blood pressure, so consult a doctor before listening and don't listen to it if you are prone to heart disease.
10. Encom Part 2 (Remixed by Com Truise)
Retro. This mix sounds like it could have been done by Kraftwerk. I was almost waiting for some German lyrics to arrive. It's not as driving as some of the other tracks, and is very 80's-ish with 8 bit sounding synth pads. But it does something unexpected at the end. (Spoiler: at the end it wipes clean of the synths, and goes orchestral. I love it when electronic musicians blend rock/techno beats with an orchestra. I wish it would have done it for a longer duration.)
11. End of Line (Remixed by Photek)
If there is a track that nearly beats the original (but, like I said, they shouldn't be expected to and would be shameful if they did), this is the one. Reverbed drum tracks, a heavy tempo like the original, and a hyper synth riff atop all of those digits combine to make a great track very reminiscent of the 80's and groups like Depeche Mode, genres like industrial and synthpop. (could mix in well with the last minutes of Frans Ferdinand's industrial showstopper remix of "Lucid Dreams" if anyone wants to try. With the intro of the next track, you could keep the beat going.)
12. Arena (Remixed by The Japanese Popstars)
A good intro lends the ability of this track to get mixed in to just about any performance. And who wouldn't want this as part of their set? The breaks, with Safri-duo like drums, leads to the progressive inspired run that takes you on a fun, elecTRONic ride that never wants to slow, end, or stop repeating, building louder and stronger until the breakdown at the end. All while incorporating the originality and excitement of what should be the Arena track from the motion picture.
13. Derezzed (Remixed by Avicii)
Admittedly poppy, but very danceable, this track would mixes in with ease like a Tiesto track would. Frequently, electronic music takes on a more angry feel or minor tonality, but the major tone of this track, and its highly pixelated throbbing electronic rhythms give 'derezzing' a different perspective than the one that opened up the album.
14. Solar Sailer (Remixed by Pretty Lights)
I instantly loved the sound of Solar Sailer on the original soundtrack. Taking after award winning electronic video game soundtracks like Deus Ex, DP did themselves many favors. The remixer on this track simply adds to that, adding a bit more rock, electro, and breakbeats edge and influence to it. I can almost hear an artist like Aaron Behrens screaming some awesome lyrics above it. Maybe an idea for a future mashup?
15. TRON Legacy (End Titles) (Remixed by Sander Kleinenberg)
The Original End Titles track on the soundtrack was amazing, with its Vangelis inspired theme, is one that should only be carefully dealt with. In any other track that I have heard remix a Vangelis theme, it is common that the theme is allowed to stand on its own (the remixer will tear down everything else). Nothing is different here, and the added beats give it a drive worthy of its end title name. Some of the first movie soundtrack quotations and references in electronic music were of Vangelis's Blade Runner soundtrack, and they included lines from the move, mixed and hashed up. Kleinenberg obviously wanted to represent that type of artwork here in this remix that is very well done. The original track definitely stands on its own, but when it finishes, I'll be sure it is followed up with this one.
I don't know if Cordes listens to a lot of remix material, or the groups or artists on this album, but I know that I do. Probably over 80% of the music I listen to is in the electronica/remix genre. This is exactly what I expected this album would sound like when it was announced, and this is exactly what electronic music is all about: taking stems of the masterworks and making them your own.
I expected it to be like sitting in Caster's club when DJ's other than Daft Punk were in the booth mixing the soundtrack music, and that's what I got! I think what Cordes may have missed is that you should expect each track to sound like the style of the artist who remixed it.
1. Derezzed (Remixed by The Glitch Mob)
Fantastic bass line that will definitely drop the floor in the club. And it adds more power to an already powerful track. And the use of DP's original composition in the intro and in in the breaks is awesome. Nicely interpreted track by the boys in the Glitch Mob.
2. Fall (Remixed by M83 VS Big Black Delta)
Being a big fan of the works of M83, I was not surprised by this track at all. In fact, I was delightfully impressed by its originality. This would fit in perfectly with anything M83 has ever done, yet would fit in with many of Daft Punk's deeper tracks. That's exactly how it should be.
3. The Grid (Remixed by The Crystal Method)
The Crystal Method are experts at delivering intense beats, mystique, edge, breaking rhythm, and power to their music, and they do not disappoint here. They even referenced their own music with the "You've got it" line ever so prevalent in 'High Roller'. I love it when electronic musicians find a way to reference their own work.
4. Adagio for TRON (Remixed by Teddybears)
Raw electricity...from an Adagio! In music terminology adagio is to be played slowly. But that doesn't mean it can't pack a punch. This track does so well in mixing up the original that I forgot what the original sounded like until I went back and listened to it. Dp's original is a fantastic orchestral adagio. This track is a fantastic way to make it club-able. They even took the organ line from the original and put it in a dance organ pad.
5. The Son of Flynn (Remixed by Ki:Theory)
Daft Punk's numeric, digitized, electronic lines of the original meet the only style I think they should meet: Rock! We've heard Daft Punk mix their own robotic, drop-d tuning rock, and this just says "hey, we should do that again".
6. C.L.U. (Remixed by Paul Oakenfold)
I'll be honest, as a huge fan of Oakenfold, I was looking for something a bit more like his style, and less Hans Zimmer's. But, Oakenfold has been working with Hans on a bunch of projects recently, so it isn't too surprising. To me this track has less layers and rhythmic quality than I am used to from perfecto. Nonetheless, its a good listen.
7. The Son of Flynn (Remixed by Moby)
Again, I expected something different from Moby, more in line with his soft, jazz and downtempo moments. But again, the original soundtrack has a lot of qualities in line with Hans Zimmer and James Newton Howard's compositional styles, and perhaps Moby and Oakenfold wanted to interpret that aspect more than the rave and breakbeat inspired influences in the soundtrack. Which I am totally cool with.
8. End of Line (Remixed by Boys Noize)
When Caster requests a trance mix of "End of Line", this is what the DJ would play. This is a great mix, and is sure to end up on future trance and electronic music compilations. I love that they sped up the tempo but kept a very heavy, hair raising original track at a similar power level.
9. Rinzler (Remixed by Kaskade)
What more can you expect from the masters of Kaskade? This track is excellent! Likely to be played in all kinds of places, including my workout playlist. It naturally increases your blood pressure, so consult a doctor before listening and don't listen to it if you are prone to heart disease.
10. Encom Part 2 (Remixed by Com Truise)
Retro. This mix sounds like it could have been done by Kraftwerk. I was almost waiting for some German lyrics to arrive. It's not as driving as some of the other tracks, and is very 80's-ish with 8 bit sounding synth pads. But it does something unexpected at the end. (Spoiler: at the end it wipes clean of the synths, and goes orchestral. I love it when electronic musicians blend rock/techno beats with an orchestra. I wish it would have done it for a longer duration.)
11. End of Line (Remixed by Photek)
If there is a track that nearly beats the original (but, like I said, they shouldn't be expected to and would be shameful if they did), this is the one. Reverbed drum tracks, a heavy tempo like the original, and a hyper synth riff atop all of those digits combine to make a great track very reminiscent of the 80's and groups like Depeche Mode, genres like industrial and synthpop. (could mix in well with the last minutes of Frans Ferdinand's industrial showstopper remix of "Lucid Dreams" if anyone wants to try. With the intro of the next track, you could keep the beat going.)
12. Arena (Remixed by The Japanese Popstars)
A good intro lends the ability of this track to get mixed in to just about any performance. And who wouldn't want this as part of their set? The breaks, with Safri-duo like drums, leads to the progressive inspired run that takes you on a fun, elecTRONic ride that never wants to slow, end, or stop repeating, building louder and stronger until the breakdown at the end. All while incorporating the originality and excitement of what should be the Arena track from the motion picture.
13. Derezzed (Remixed by Avicii)
Admittedly poppy, but very danceable, this track would mixes in with ease like a Tiesto track would. Frequently, electronic music takes on a more angry feel or minor tonality, but the major tone of this track, and its highly pixelated throbbing electronic rhythms give 'derezzing' a different perspective than the one that opened up the album.
14. Solar Sailer (Remixed by Pretty Lights)
I instantly loved the sound of Solar Sailer on the original soundtrack. Taking after award winning electronic video game soundtracks like Deus Ex, DP did themselves many favors. The remixer on this track simply adds to that, adding a bit more rock, electro, and breakbeats edge and influence to it. I can almost hear an artist like Aaron Behrens screaming some awesome lyrics above it. Maybe an idea for a future mashup?
15. TRON Legacy (End Titles) (Remixed by Sander Kleinenberg)
The Original End Titles track on the soundtrack was amazing, with its Vangelis inspired theme, is one that should only be carefully dealt with. In any other track that I have heard remix a Vangelis theme, it is common that the theme is allowed to stand on its own (the remixer will tear down everything else). Nothing is different here, and the added beats give it a drive worthy of its end title name. Some of the first movie soundtrack quotations and references in electronic music were of Vangelis's Blade Runner soundtrack, and they included lines from the move, mixed and hashed up. Kleinenberg obviously wanted to represent that type of artwork here in this remix that is very well done. The original track definitely stands on its own, but when it finishes, I'll be sure it is followed up with this one.
By Hack
Format:MP3 Music|Amazon Verified Purchase
Very good album to work with in the background. I think this is some sort of remix but I have listened to this one and the normal one (with a blue cover) and without really trying to hard, I can not tell you what the difference is. In any case, good album.
Most Recent Customer Reviews
5.0 out of 5 stars
Great track
I love these songs and how well most of them were remixed while keeping the basic music of the original soundtrack. Read more
Published 1 month ago by caitlyn cantrell
5.0 out of 5 stars
All of the sounds you are looking for
Ever wish there were MORE tron sounds? Well, here they are with all of the edge flaunted the way you like it.
Published 1 month ago by Patricia
5.0 out of 5 stars
Wow! Amazing!
This album is a phenomenal companion to the original soundtrack by Daft Punk. The tracks are true to the originals with excellent remixing and re-imagining. Read more
Published 1 month ago by Celestiahne
5.0 out of 5 stars
Excellent Vibe & Energy throughout...
I wasn't a fan of the score, it was a bit too soft, but this here hits the spot. I wish that they made a part II of this. Read more
Published 2 months ago by LinkinPrime
1.0 out of 5 stars
Disappointing
I was extremely disappointed with these remixes, especially considering hwo great Daft Punk's album is. IMHO, only 1 track on the album is worth having.
Published 2 months ago by moontan
5.0 out of 5 stars
Daft Punk is frakking bad ass!!
One of the best albums for 2011!! The movie was good to! one of daft punks best soundtracks and defnitly suits them!!
Published 3 months ago by andre jitta
5.0 out of 5 stars
Great cd
I love this re hash of the music from Tron. I am not a Daft Punk fan, but I really liked this album.
Published 3 months ago by wulfsburg
4.0 out of 5 stars
I liked most of the songs
Music is personal. Tastes differ. For me, I liked most of the tracks on this collection. I liked the Daft Punk stuff best.
Published 3 months ago by Paul Felts
5.0 out of 5 stars
Great CD
I bought this for my son and he LOVES the movie and the music and wanted me to buy this for his ipod. I also loved the movie and the music. Read more
Published 3 months ago by Joan Burton
4.0 out of 5 stars
Good Remix, not Great
If you like Tron: Legacy, and especially the original Tron: Legacy soundtrack, you should check out this CD as well. Read more
Published 3 months ago by Nathan S Humphries
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