8 of 10 people found the following review helpful:
2.0 out of 5 stars
two strong women, but not much more, December 21, 2001
This is the only novel I have read by Scott, so perhaps my take on her intentions is off, but Trouble struck me as a novel very consciously written to flout the conventions of traditional cyberpunk. As such, Scott creates two very strong female main characters who do much to carry the story which takes place as much online as off. However, the story itself is very weak with an almost transparently thin premise and flimsy supporting characters. The novel is fairly slow paced and seems to contain an inappropriately large amount of detail on very minute points (e.g. characters' clothes are described absolutely exhaustively) while major plot points go totally unaddressed or are just steamrolled over with technobabble. The ending is EXTREMELY disappointing. Many of the story's major points go completely unexplained and most of the characters introduced in the first half of the book are subsequently dropped and never returned to. I picked up this book looking for something with a somewhat different take on cyberpunk, which Trouble does provide, but I ultimately found it to be a very disappointing and frustrating read.
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2 of 2 people found the following review helpful:
3.0 out of 5 stars
Thriller in cyberspace, April 1, 2002
In the not-so-distant future, India Carless, known as Trouble, has left the shadowy world of cyberspace after the American government cracks down on netwalkers like her. A few years later, a new hacker pops up using the name 'Trouble' and begins creating havoc. The original Trouble comes back to clear her name and catch this new upstart, and she reconnects with old friends to do so, including Cerise, the woman she walked out on. Trouble finds a changed cyberworld hiding more dangers than she anticipated. For me the hard sci fi aspects were a bit dry, but Scott compellingly addressed various social issues and created intriguing characters ... that compelled me to continue. And I do agree that it went on too long and the ending is a bit disappointing, but overall I did enjoy the book. I like Melissa Scott's approach, so I'll probably read more by her.
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6 of 8 people found the following review helpful:
3.0 out of 5 stars
Revised Review, January 27, 2003
TROUBLE AND HER FRIENDS by Melissa Scott is a late entry to the cyberpunk genre, that darling of Eighties science fiction that treated us to virtual reality, lowlife hackers, and film noir stylings. Other writers who came before -- William Gibson, Bruce Stirling, Pat Cadigan, and maybe even Greg Bear -- delineated the genre so well that whatever followed, including later works of Gibson himself, felt like rehashes.
That's the first problem with this book, which was published in 1994. By then Neal Stephenson's SNOW CRASH had pretty much rendered classic cyberpunk obsolete. Scott's book is an entertaining but routine genre exercise. Trouble, the heroine, is a former outlaw hacker (or "cracker") on a mission to clear her name after a young upstart begins using her handle online. Along for the ride is her former lover, Cerise, and the book is sort of a tour of near-future USA -- a little more urban, a little more computer-ridden than it is today, and suffused with the Net. Ms. Scott writes reasonably well, if with a little too much detail than she sometimes needs, and her characters are likable but not very complex.
Here's my biggest problem with this book, and the reason I can only rate it three out of five: Ms. Scott is torn between writing a literate work of idea-driven science fiction about the functioning of a near-future society and the relationship between technology and sexuality, and simply producing an action-oriented sci-fi story. She delivers a wealth of detail and history in the interest of world-building, much like CJ Cherryh and other women SF writers have done. At times her prose can be quite dense. But when the climax of the story comes, it's a virtual Wild West showdown between heroines and villain -- which is a bit of a disappointment. I got the feeling that Ms. Scott was a writer with something to say, but she seems to have been constrained by the alleged requirements of commercial fiction.
The heroines are lesbians, which I think would be great except that for some reason it's been turned into a metaphor (both gays and hackers are society's outcasts). Maybe Ms. Scott thought she needed a "reason" -- as some readers believe -- or maybe the publishers insisted. Either way, it's a contrivance. Let them be gay without the metaphor.
Regardless, it's an enjoyable read, if you don't mind the frustrating elements. I liked it, but thought Ms. Scott was capable of something a little more satisfying.
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