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25 of 26 people found the following review helpful:
5.0 out of 5 stars
Legendary Masterpiece - Brilliantly Enhanced, August 1, 2001
As I did with my review of Madonna's first album (remastered), I will start with comments on the actual track list, followed be comments on the digitally remastered version. TRUE BLUE, in my mind, is probably Madonna at her most inspirational. Other flashes of excellence like RAY OF LIGHT and LIKE A PRAYER may indeed receive mention, but it is this album that will always peg Madonna as a serious and brilliantly gifted artist. Five songs were released to great success internationally, viz. "Live To Tell", "Papa Don't Preach", "Open Your Heart", "True Blue" and "La Isla Bonita". Moreover, "White Heat" was a fairly large hit in South Africa, and "Where's The Party" stormed the charts throughout the Far East. It is this latter song which begs to be remodelled and re-released in time for Madonna's upcoming Greatest Hits package (the 2nd "Immaculate Collection"). I personally fail to understand why this song was never released internationally in the first place. The album opens with "Papa Don't Preach" - a superbly composed, poetic tune that sets a rather gloomy ambience. This is followed by "Open Your Heart", an upbeat, inspiring piece which is full of energy and aplomb. "White Heat" ensues, with a child-like theme akin to "cops `n robbers". We are then confronted by some hauntingly beautiful material in "Live to Tell", probably one of Madonna's strongest and most sincere ballads to date. This seriousness fails to last though, for "Where's The Party" lifts the spirits once again, as the lyrics ask us to "free our souls" and "lose control". Succeeding this wonderful dance tune is the title track, "True Blue", a love-inspired pop song, full of imagination and excited girliness. This is followed by "La Isla Bonita", a Spanish-influenced pop tune with catchy lyrics and seductive percussion. "Jimmy Jimmy" is the next track, a bubblegum pop song which is, sadly, the weakest on the album. TRUE BLUE ends on a rather energetic note, with the South American carnival-style influence in "Love Makes The World Go Round" - a fitting finalé to a well-rounded, tireless pop album. The remodelled version of this 1986 album can simply be described as "impeccable". "Digitally Remastered" it is, and in more ways than one. The entire package has been enhanced, including the lyrics booklet and back cover. Fans will be delighted at the inclusion of a full-length TRUE BLUE picture within the lyrics booklet (as was featured in the original cassette version). One finds it hard to believe the clarity of each song on this refreshingly enhanced CD. Like the remastered first album, some tunes on TRUE BLUE sound even more dance oriented than before - as their beats are far more distinctive and vibrant. "Where's The Party" and "Open Your Heart" are examples. In fact, "Where's The Party" sounds far more exciting than it originally did! The drums throb, and the synthesisers are lucid and precise. The inclusion of two bonus tracks will please many fans. "True Blue" (The Colour Mix) is definitely one of my favourites. Shep Pettibone was a master at remixing Madonna tracks, and this one is no exception. "La Isla Bonita" (Extended Remix), however, is not characteristically different to the album version - it is merely an extended version, and not nearly as polished as something Pettibone would have performed. The digitally remastered version of "True Blue" is phenomenal, and is a must for the fan and the musically informed. It certainly is worthy of being nominated "Top 10 Album Of All Time".
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20 of 21 people found the following review helpful:
4.0 out of 5 stars
No more blues, May 27, 2001
Madonna's third album is now DIGITALLY REMASTERED on CD. It sounds absolutely clear and loud, a far cry from the poor-quality first edition releases. Of course, who can forget the string of hits such as Papa Don't Prteach, Open Your Heart, Live To Tell, La Isla Bonita and True Blue. It shows a more mature & confident Madonna especially with the songs Preach and the chilling ballad Tell. Another bonus is the inclusion of original LP artwork. The full LP artwork is gloriously restored and looks like a mini-version of the LP sleeve. Just like the LP, the cover contains no title or words, just the pic of Madonna. Inside it shows the longer pic of Madonna till her shoulders like the cassetees. However, the bonus track listing is not as well integrated into the original print as the other 2 re-issues. The original tracklisting was handwritten by Madonna and the two additional tracks are tagged on in normal print which makes them look odd. The other small flaw is probably the transparent tray which, beneath it, contains an ugly print Warner Remasters and the 3 remastered album covers.
The last treat is the 2 bonus tracks included here. There are the slightly remixed version of True Blue andthe longer version of La Isla Bonita. It would have been nicer if these were re-remixed in 2001 and put out.
Overall, a worthwhile CD to buy for the sound quality and cover art.
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12 of 13 people found the following review helpful:
4.0 out of 5 stars
Madonna proves she's here to stay, August 26, 2002
Whereas her self-titled debut album and Like a Virgin earned Madonna legions of fans, True Blue won her a much-deserved level of respect in the music industry. Madonna transformed herself both musically as well as physically during the creation of her third album. Her new look of short blonde locks did not go over well with me, but True Blue was an unqualified success. Like a Virgin could conceivably be labeled glitzy and lacking true substance, but the same cannot be said of this collection of songs. Papa Don't Preach was somewhat controversial, but its mature theme and sound announced the fact that Madonna had something to say and knew how to say it to great effect. Live to Tell is the true gem here, though; this hauntingly beautiful ballad really shows off Madonna's talented singing voice; the bridge in the middle of the song is amazing and truly maximizes the emotional effects of the song on the listener. This one song surely silenced many a Madonna critic in its day. True Blue is a nice little song seemingly performed in the spirit of the 50s or 60s. La Isla Bonita shows Madonna's willingness to experiment and innovate her sound; its Latin sound and feel give it a fresh and calming effect which proves quite conducive to winning over the listener. I like White Heat, with its uptempo pace and strong beat, but the insertion of Jimmy Cagney lines throughout the song itself takes away from my enjoyment to some degree. Love Makes the World Go Round is an effective closing track; it somehow seems to combine the new, more emotion-laced lyrics of several True Blue songs with Madonna's more familiar dance sound. Two songs that never really won me over are Jimmy Jimmy and Where's the Party. Jimmy Jimmy features some beats that remind me very much of Over and Over, and it also just seems derivative of something I cannot really identify. I know a lot of people like Where's the Party, and it is a fun, feel-good song conducive to dancing, but I find it a little repetitive and lacking a certain oomph. My favorite song on True Blue, and one of my favorite Madonna songs of all time, is definitely Open Your Heart. Vivid memories of the video naturally aid my remembrance of the song, but musically Open Your Heart knocks down the doors of your mind with its driving beat and takes up permanent residence in your brain's jukebox (which is responsible for programming the finite number of songs you find looping around inside your head on a daily basis). This isn't my favorite Madonna album, but it is one of her greater musical successes. More than that, True Blue is a testament to the talents and hard work of the artist; following up the smash hit Like a Virgin, there must have been a lot of pressure on Madonna to match her previous success--she not only matched it, she outdid herself by expanding her whole musical repertoire in such a way as to garner critical success. With this album, Madonna declared to the world, in bright neon lights, that she was a musical phenomenon who would be a dominating force in the music industry for years and years to come.
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