Poetry. "TRUE CRIME is a fitting title for this sympathetic and sometimes harrowing family portrait of the American South: the uncle who absconded with the insurance money, the boyfriend who cares more about his muscle car than his dead girlfriend. The author and sometime subject of the poems spins from the loom of words 'not the wreck but a conjectural / reconstruction of the wreck.' In such a fragile, wobbling world, language acts as the only shield. This is a wonderful and brave book, offering the true fictions of our actual darkness"--Paul Hoover.
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It is thrilling to read True Crime. Haunted by history, it is a finely imagined ghost dance. But it s not simply the macabre that surfaces as the theme of these fine poems: it's the fragile line between life and death and how, through language, we negotiate the not-quite-here and not-quite-there, in this region of umber and desire. There is danger too: mishap and accident, even murder. The reader is invited to witness these silent ceremonies, as they are enacted with beauty and precision. Donna de la Perrière is a master of this realm. --Maxine Chernoff
True Crime is a fitting title for this sympathetic and sometimes harrowing family portrait of the American South: the uncle who absconded with the insurance money, the boyfriend who cares more about his muscle car than his dead girlfriend. The author and sometime subject of the poems spins from the loom of words "not the wreck but a conjectural / reconstruction of the wreck." In such a fragile, wobbling world, language acts as the only shield. This is a wonderful and brave book, offering the true fictions of our actual darkness. --Paul Hoover
[A] fierce throat and then nothing. In a True Crime is anyone really innocent? Donna de la Perrière doesn't think so. Her witness can never be absolved from culpability, can never escape her heritage, be it the ancestral ache of family or the social assault of dinner parties and public transportation. De la Perrière's landscape of corpses and misfits is trashy and sublime, outrageous and beautiful. And frighteningly funny. Is that a ghost or rodent that scratches behind the walls of the poem? Does it matter? The text/world fractures and light rushes in. This is a gorgeous and important book. --Dodie Bellamy
It is thrilling to read True Crime. Haunted by history, it is a finely imagined ghost dance. But it s not simply the macabre that surfaces as the theme of these fine poems: it's the fragile line between life and death and how, through language, we negotiate the not-quite-here and not-quite-there, in this region of umber and desire. There is danger too: mishap and accident, even murder. The reader is invited to witness these silent ceremonies, as they are enacted with beauty and precision. Donna de la Perrière is a master of this realm. --Maxine Chernoff
True Crime is a fitting title for this sympathetic and sometimes harrowing family portrait of the American South: the uncle who absconded with the insurance money, the boyfriend who cares more about his muscle car than his dead girlfriend. The author and sometime subject of the poems spins from the loom of words "not the wreck but a conjectural / reconstruction of the wreck." In such a fragile, wobbling world, language acts as the only shield. This is a wonderful and brave book, offering the true fictions of our actual darkness. --Paul Hoover
True Crime is a fitting title for this sympathetic and sometimes harrowing family portrait of the American South: the uncle who absconded with the insurance money, the boyfriend who cares more about his muscle car than his dead girlfriend. The author and sometime subject of the poems spins from the loom of words "not the wreck but a conjectural / reconstruction of the wreck." In such a fragile, wobbling world, language acts as the only shield. This is a wonderful and brave book, offering the true fictions of our actual darkness. --Paul Hoover
[A] fierce throat and then nothing. In a True Crime is anyone really innocent? Donna de la Perrière doesn't think so. Her witness can never be absolved from culpability, can never escape her heritage, be it the ancestral ache of family or the social assault of dinner parties and public transportation. De la Perrière's landscape of corpses and misfits is trashy and sublime, outrageous and beautiful. And frighteningly funny. Is that a ghost or rodent that scratches behind the walls of the poem? Does it matter? The text/world fractures and light rushes in. This is a gorgeous and important book. --Dodie Bellamy
It is thrilling to read True Crime. Haunted by history, it is a finely imagined ghost dance. But it s not simply the macabre that surfaces as the theme of these fine poems: it's the fragile line between life and death and how, through language, we negotiate the not-quite-here and not-quite-there, in this region of umber and desire. There is danger too: mishap and accident, even murder. The reader is invited to witness these silent ceremonies, as they are enacted with beauty and precision. Donna de la Perrière is a master of this realm. --Maxine Chernoff
True Crime is a fitting title for this sympathetic and sometimes harrowing family portrait of the American South: the uncle who absconded with the insurance money, the boyfriend who cares more about his muscle car than his dead girlfriend. The author and sometime subject of the poems spins from the loom of words "not the wreck but a conjectural / reconstruction of the wreck." In such a fragile, wobbling world, language acts as the only shield. This is a wonderful and brave book, offering the true fictions of our actual darkness. --Paul Hoover
About the Author
Donna de la Perrière's work has appeared in Agni, American Letters and Commentary, Colorado Review, Denver Quarterly, Five Fingers Review, First Intensity, The New England Review and Bread Loaf Quarterly, New American Writing, Parthenon West Review, Talisman, Volt, and other journals, as well as the Bay Poetics anthology (Faux Press, 2006). She teaches in the MFA and undergraduate creative writing programs at California College of the Arts and San Francisco State University, co-curates the Bay Area Poetry Marathon reading series, and lives near downtown Oakland with the poet Joseph Lease and the cat Little Sister.
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