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True Enough [Hardcover]

Stephen McCauley (Author)
4.1 out of 5 stars  See all reviews (29 customer reviews)


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Book Description

June 1, 2001
Written with the warmth, wit, and heartbreaking humor that have made Stephen McCauley's previous novels beloved by readers and critics alike, "True Enough" is a story of love and lust, trust and betrayal, commitment and denial; it signals a major leap forward in the career of a novelist whom the "San Francisco Chronicle" has called "a writer of insight, surprise, and finesse."

"True Enough" begins with Jane Cody; at forty she has it all: a satisfying career as a producer at a Boston public television station, a successful second marriage, a wildly precocious six-year-old son who loves to bake. She's definitely not worried about losing her job, couldn't care less what the neighbors think of her child, and absolutely never longs for her rakish, unfaithful first husband. Honestly.

Equally pleased with his life is Desmond Sullivan. His (secretly) monogamous relationship with Russell has been the happy center of his New York life for half a decade, and his second book, the biography of an obscure '60s-era female vocalist is (and has been for three years) mere pages away from completion. By accepting a temporary teaching job in Boston, he'll get enough distance from his distracting happiness to finish his book and maybe even figure out how much blissful domesticity he can stand.

When Jane and Desmond meet, they're drawn to each other by needs and fears they never knew they had. They team up to work on a series of TV documentaries on the lives of America's forgotten artistic mediocrities -- according to Jane, "the whole culture is drifting away from geniuses and exceptional people who only make the rest of us feel inadequate" -- that could save Jane's career and help Desmondwrap up his book. They embark on a journey that proves to be surprising, revealing, and stunningly life-affirming.

Of course, no journey is easy, and their progress toward uncovering the truth about enigmatic pop singer Pauline Anderton (a real singer, even if, at times, a really bad one) is slowed by pesky personal crises -- like Jane's realization that adultery with one's former husband is still adultery, and Desmond's discovery, on a return trip to New York, of a suspiciously unfamiliar pair of eyeglasses on his nightstand. Maybe Jane's shrink -- to whom she's confessing all, more or less -- can help. And maybe Desmond can learn something from Jane's handsome, flirtatious married brother.

Or maybe the answer to each of their problems has been there all along, like a lost coin, waiting to be picked up and polished and put back into circulation.

But then, true love can be so embarrassing.


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Editorial Reviews

Amazon.com Review

New York writer Desmond Sullivan doesn't believe in marriage. His five happy years with his lover Russell haven't fundamentally challenged Desmond's conviction that, at best, true love is "an acute form of tolerance." He's sexually restless, and looking forward to his four-month teaching stint in Boston as an attempt to regain some of his own identity and try to complete the biography he's been writing. Jane Cody, a Boston public television producer, is similarly disenchanted with her marriage to a clumsy, kindly professor of English. Lately, Jane has been meeting her ex-husband Dale for drinks and coffee, although she's well aware that he's a jerk. With so much going wrong in her life, it strikes Jane that she and Desmond could collaborate on a series of documentaries, salvaging both of their foundering work lives. A page-turner, not by virtue of its plot, but because of Stephen McCauley's utterly engaging narrative voice, True Enough reprises some of the themes of his earlier novel, The Object of My Affection. It also has the virtues of a good Woody Allen film: Great comic lines and brilliant social observation among a small circle of successful friends. And like so much of Allen's work, the subject is married love: Fidelity and betrayal in their many guises. A funny, well-developed novel with surprising emotional depth. --Regina Marler

From Publishers Weekly

However insightful, this fourth novel (following The Man of the House) dissecting the self-centered, shallow social artifice and snobbery of the great American middle class fails by a whisper to achieve the exquisitely fine-edged satirical tone that distinguished the author's brilliant earlier work. In the case of literature remarkable for its droll voice and delightfully empathetic characters, any shortcoming (however infinitesimal) is tantamount to discovering a zircon in a Tiffany setting. At 40, Jane Cody, a fading Boston public TV producer, frets as her long-running TV talk show loses viewers. She and her precocious, belligerent six-year-old son are both secretly in therapy, and her rebound marriage to a bland professor at a small liberal arts college has lost its zest. When her best friend who married Jane's sexy, womanizing first husband asks Jane to confront her ex with the friend's suspicion he is cheating, Jane gives in to her rekindled attraction to the ex and enters into an affair. Meanwhile, obscure NYC biographer Desmond Sullivan, suffering writer's block and a restless discontent with his five-year monogamous cohabitation with his gay lover, is looking forward to a much-needed, soul-searching sabbatical provided by a semester teaching in Boston with Jane's spouse. Each seeking salvation by collaborating on a TV biography of a minor, long-forgotten pop singer of the '60s, Jane and Desmond travel to a seedy seaside town on the Florida panhandle for taping just before a late season tropical storm is due. A not-so-surprising turn of events provides an equally predictable resolution. Loyal readers will miss the dead-on timing of McCauley's earlier novels. His insight into the small self-delusions that support satisfied lives is, however, as sharp as ever. Agent, Denise Shannon of ICM. (June)Forecast: The author of The Object of My Affection has a franchise on wry, alternative-family dramas, and though his latest shows signs of strain, it should beckon to fans in search of light summer reading.

Copyright 2001 Cahners Business Information, Inc.


Product Details

  • Hardcover: 320 pages
  • Publisher: Simon & Schuster; 1St Edition edition (June 1, 2001)
  • Language: English
  • ISBN-10: 0684810549
  • ISBN-13: 978-0684810546
  • Product Dimensions: 9.7 x 6.4 x 1.1 inches
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (29 customer reviews)
  • Amazon Best Sellers Rank: #2,477,320 in Books (See Top 100 in Books)

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Customer Reviews

29 Reviews
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Average Customer Review
4.1 out of 5 stars (29 customer reviews)
 
 
 
 
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8 of 8 people found the following review helpful:
5.0 out of 5 stars One of the best contemporary writers, May 22, 2001
By A Customer
This review is from: True Enough (Hardcover)
Stephen McCauley just keeps getting better and better. This book has the same kind of witty, poignant observations about the human condition that his first 3 had, but with an added emotional depth and attention to subtlety. It is simultaneously hysterically funny and heart-breakingly melancholy as the two protagonists fumble their way through issues of commitment, career, marriage, children, and hitting middle age. This is the type of book that makes you wish the author were a friend of yours so you could invite him over to dinner and talk all night over coffee and cigarettes. It just doesn't get any better than this.
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4 of 4 people found the following review helpful:
1.0 out of 5 stars Oh, Stephen ....., March 9, 2002
By 
Robert Reardon (Colorado Springs, Colorado) - See all my reviews
(REAL NAME)   
This review is from: True Enough (Hardcover)
Reading this book was like chewing on a tough piece of meat - you keep chewing and chewing and there's absolutely no flavor and you never get anywhere. All you're left with is a soggy mess.
Don't get me wrong - I loved McCauley's previous novels, went to book signings in the Castro, met the dude (what a cutie) and chatted with him awhile. But that was a few years back. This one tends to make me believe that he must be going through a mid-life crisis to have written this colorless, odorless waste of time. It reads like one of Jane's fabricated program ideas, and perhaps that's what it is - the joke's on us, McCauley just wanted to see if we would read and `say' we enjoyed this just because it has his name on it.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Brilliant, May 12, 2007
This review is from: True Enough (Hardcover)
Stephen McCauley is one of most incredibly insightful, perceptive writers I have ever had the pleasure to enjoy. I stumbled across Alternatives to Sex, looked him up on Amazon and ordered everything else he'd written. I only wish he were more prolific. Deeply layered characters, well constructed plots that will have you examining yourself and your life as well as other's...McCauley is that rarest of things, a gay writer where the adjective becomes less important than the noun.
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Inside This Book (learn more)
First Sentence:
Jane Cody kept lists-Things To Do, Things To Buy, Bills To Pay, Appointments To Keep-but because she knew they provided the kind of irrefutable paper trail that almost always got people into trouble at tawdry junctures in their lives, her lists weren't the literal truth. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Pauline Anderton, New York, Desmond Sullivan, Gulf City, New Hampshire, Deerforth College, Lewis Westerly, Jane Cody, Rosemary Boyle, Newbury Street, Thank God, Thomas Miller, New England, Back Bay, Creative Nonfiction, Boylston Hotel, Dale Barsamian, English Department, Lower East Side, Professor Crandersall, Walter Winchell, Celeste Gray, Columbus Day, David Trask, Harvard Square
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