True Notebooks: A Writer's Year at Juvenile Hall (Paperback)

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Editorial Reviews

From Publishers Weekly

Salzman (Lying Awake; Iron & Silk) volunteered to teach creative writing at Central Juvenile Hall, a Los Angeles County detention facility for "high-risk" juvenile offenders. Most of these under-18 youths had been charged with murder or other serious crimes, and after trial and sentencing many would end up in a penitentiary, some for life. Sister Janet Harris, of the Inside Out Writers program, convinced Salzman that in spite of his reservations-about teaching writing, about being a white liberal offering "art" to darker-skinned ghetto boys-these children needed to be encouraged to express themselves in writing instead of acting out, needed to feel they mattered to someone. So Salzman started coming twice a week to meet with three boys, although their number quickly grew. He tried to structure each session with a half hour for writing followed by each boy reading his work aloud, although after a lockdown or a class member's trial, he had to loosen the routine. While their writing themes are somewhat predictable-their anger and violent impulses, their relationships with parents and gangs, plus a tedious dose of "pussy, bullets, and beer"-the discussions these essays provoked were personal and often explosive. As productive as these classes were, everyone was always aware of the painful truth that students would soon be shipped out to more brutal facilities. Salzman doesn't dwell on that, concluding that "a little good has got to be better than no good at all." Indeed, his account's power comes from keeping its focus squarely on these boys, their writing and their coming-to-terms with the mess their lives had become.
Copyright 2003 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Booklist

Wanting to add life to a cardboard juvenile delinquent character in the novel he was trying to finish, Salzman (Iron & Silk; Lying Awake) visited a juvie lockup for high-risk offenders where his friend taught a writing class. Despite entering the facility wishing "we could tilt L.A. County and shake it until everybody with a shaved head and tattoos falls into the ocean," Salzman ended up teaching a class himself. The remarkable results are detailed in this wonderful book. Salzman found students who took writing more seriously than the college kids he'd taught. He also found clowns, of course, who just wanted to goof off or antagonize him, but even the manipulative kids Salzman introduces us to are stunningly human. Both selections from the boys' writing and Salzman's taut storytelling give us multidimensional images of teenagers thrown into a justice system concerned only with punishment. Early in the book, a friend of Salzman's complains that there are no good books about juvenile delinquents. Well, there's one now--one that examines a broken system with grace, wit, and gripping storytelling. John Green
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 352 pages
• Publisher: Vintage (August 31, 2004)
• Language: English
• ISBN-10: 0375727612
• ISBN-13: 978-0375727610
• Product Dimensions: 8.1 x 5.1 x 0.8 inches
• Shipping Weight: 12 ounces (View shipping rates and policies)
• Average Customer Review: 4.5 out of 5 stars  See all reviews (53 customer reviews)
• Amazon.com Sales Rank: #60,468 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

24 of 24 people found the following review helpful:

5.0 out of 5 stars A favorite writer turns his gaze, January 1, 2004

By	bensmomma "bensmomma" (Ann Arbor, Michigan) - See all my reviews (TOP 500 REVIEWER)

This review is from: True Notebooks (Hardcover)

I have always loved Mark Salzman's writing; he brings a deep respect and appreciation of the humanity of his characters to the page. Maybe that sounds easy to do when you're writing about, say, the spiritual life of a cloistered nun, as he did in his recent novel "Lying Awake."

In "True Notebooks," you might think he has taken on too big a task: he wants you to understand and appreciate the imprisoned Los Angeles teenagers he supervises in the "Inside Out Writers" program in LA Central jail. He does this by describing a year or more of biweekly readings of his jailhouse writers group. Inmates come, write, live out the details of their cases, and then, sadly, eventually disappear into the adult justice system.

He doesn't sugarcoat or sentimentalize these kids' stories--he understands and acknowledges the pain their crimes have caused, and he writes about their victims too. But by doing such a marvelous job showing how his subjects grow and change through their experiences, he forces you to see them as real and human. You will be astonished and saddened by the quality of their writing, and hold your own children closer as a result.

12 of 12 people found the following review helpful:

5.0 out of 5 stars A truly moving read, September 30, 2003

By A Customer

This review is from: True Notebooks (Hardcover)

Salzman's latest is my favorite of his so far. It is not some glossy "To Sir, With Love" or "Dangerous Minds" but a real, insightful glimpse into the world of juvenile delinquents, showing them at their most vulnerable. Their stories (in their own words) are depressing, funny, heart wrenching and violent - but all are brutally honest. Their writings are framed by Salzman's thoughtful and spare prose; without judging these troubled kids he helps us appreciate how they became who they are. It is not a hopeful book, but it does build compassion and understanding, which is much more useful than hope. It is a fantastic book.

10 of 10 people found the following review helpful:

5.0 out of 5 stars A book for writers, readers, and humans, September 1, 2004

By	Paul F. Johnson (Illinois, USA) - See all my reviews (REAL NAME)

This review is from: True Notebooks (Hardcover)

I'll admit my expectations were not high when I began this book, but my interest in teaching writing to young people in all situations propelled me forward. I was expecting this to turn into some goopy do-gooder account of letting violent crime youth offenders get in touch with their warm and fuzzy feelings.

I was wrong.

Not wrong because these kids didn't use writing to explore their feelings but wrong because I had preconceptions about how these types of participative journalism/nonfiction accounts often play out. Salzman does something very artful and human with this work -- he gets out of the way and lets the story unfold through the words of the kids he teaches and the people who are charged with their care. It is not until the end that the author begins to explore his part in what is happening.

Salzman's handling of the final third of this book should be required study for any aspiring nonfiction author (or novelist for that matter). You may read it to admire his literary skill or you may simply read it to feel your heart pound a little harder as you appreciate the privilege it is to get to know some of the people in this book through the eyes of an artist.