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8 of 9 people found the following review helpful:
5.0 out of 5 stars
Wow, What a Pageturner, May 15, 2002
This review is from: The True Sources of the Nile: A Novel (Hardcover)
Wow, what a pageturner. This is a love story set against the backdrop of war that won't allow for any easy or romantic answers. I love it when a book makes you stay up late till your eyes hurt. The True Sources of the Nile immediately sucked me in. The characters have such depth, such complexities to them. You think you know a character and then you get a little surprise, half-way through the book, or at the very end. Sarah Stone completely captures the nuances of family relationships, with old loyalties and grudges. I highly highly recommend this book!
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9 of 11 people found the following review helpful:
5.0 out of 5 stars
Insight into love and war, June 25, 2002
By A Customer
This review is from: The True Sources of the Nile: A Novel (Hardcover)
First of all, this was one gripping read--I'm usually too busy to devour books in one weekend, but this one had me. And although Sarah Stone knows how to write a compelling love story, she doesn't stop there--she uses the love affair to investigate the nature of war, and the flawed but universal human qualities responsible. I've read newspaper accounts of genocide in other countries, and have never been able to wrap my mind around it. It's always seemed impossible to understand the motivation for holding on so tightly to longstanding traditions of hatred and brutality. And I have to admit that, like some of the American characters in this novel, I haven't really wanted to think about it. The True Sources of the Nile put faces on the abstract numbers, and helped me understand. I found the characters complex and fascinating--not just the American protagonist, Anne, and her California family, but also the Burundians, especially Anne's lover Jean-Pierre and his sister. I was fascinated by Burundi, by its culture of secrecy, by its landscape, by Jean-Pierre's attempts to elucidate his country with stories and the occasional folktale. I was also impressed by the convincing portrayal of the world of Northern California--the author is able to convey its New Age quirks without making it just a caricature (for example, a past-life regression scene serves a surprisingly serious purpose). The way the Burundi and California plotlines shed light on each other and weave together thematically is nothing short of amazing. Two things become utterly clear: Burundi's culture is utterly alien to our own, and yet human nature is the same everywhere. Another thing I like about this book is that its characters are smart people who are genuinely trying to figure out the world and explain their worldviews articulately. The book goes some dark places, especially in the latter half. The violence never struck me as gratuitous, though. And ultimately the novel doesn't leave you feeling bleak. The author clearly understands the worst of human behavior, our endless capacity for self-deception, harm, and betrayal. But she also knows we're equally capable of insight, healing, and loyalty.
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9 of 11 people found the following review helpful:
5.0 out of 5 stars
This is an exceptional book!, June 1, 2002
This review is from: The True Sources of the Nile: A Novel (Hardcover)
What I loved best about Sarah Stone's "The True Sources of the Nile" was that it deftly handled a wide range of complex emotions and questions, from "why do we wage war?" to "why do we love those we love?" "Why do we continue to love those we'd rather not love?" This novel, however, ultimately deals with disallusionment, not--as one Amazon reviewer put it--"romance." Though romance is the arena in which the theme of disallusionment most frequently performs, the novel is not at heart a romance: the protagonist's ideals are tested and revised, whereas in true romances such ideals are either abetted or left unexamined. I found it both wonderful and painful to watch Anna--the relatively young, optimistic protagonist--grapple with the macrocosmic forces of war, clan loyalty and death in Burundi, even as she struggles with these same forces on microcosmic levels with her family in California. Unlike most white authors who attempt to write their versions of "my Peace Corps years in Africa," Stone presents a un-exoticized Burundi whose history is magnificent, terrible and fractured. Stone shows how the cruelest effect of Beligan and German colonization of what was once Ruanda-Urundi was it's transformation of victims into victimizers--a thread which sadly runs through the whole of human history. Stone's acknowledgement of this as a universal dilemma raises the novel above scores of acerbically written, tsk-tsk novels in which African countries are mere backdrops for Euro-Western proselytizing. In the "Acknowledgments" section of the novel, Stone concludes, "...it is a human urge to cut a gravestone, out of whatever materials we have." Stone suggests, by way of her incredibly written novel in which both hope and love are tested by the Hutu-Tutsi conflict, that this material is more often than not the human heart. Buy the book and be amazed.
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