From Publishers Weekly
An engrossing, swinging biography of a jazz icon, this book traces the life of Harry James, a trumpeter and bandleader who played in Benny Goodman's Orchestra in the '30s, and who led the country's most popular big band during World War II. Levinson, a jazz publicist who knew James from 1959 until the latter's death in 1983, presents the life of the flashy trumpeter as one of fame, fortune and eventual self-destruction. Born in Georgia in 1916 and raised in Texas, James had an insecure, peripatetic childhood. His mother was a trapeze artist and his father a circus bandleader, and James played in the circus band. Taking Louis Armstrong as his musical role model, James, who was white, was recruited to play in Benny Goodman's band, then left to form his own hugely acclaimed band, marrying film star Betty Grable and acting in movies himself. Over the next two decades, his star waned, but he staged a comeback of sorts in the late '50s, playing in Nevada casinos and continuing fitfully to reinvent his band throughout the next two decades. James's three marriages were ruined by addiction to alcohol, sex and gambling. Grable divorced him in 1965 following a 22-year marriage marked by his constant infidelities, neglect of their two daughters and, according to Levinson, by violent abuse. While many jazz critics dismiss James's romantic bluesy style and wide vibrato as schmaltzy and sentimental, Levinson disagrees. This robust biography offers a heady plunge into the swing era and a vivid portrait of a daring and inventive artist. Photos. (Oct.) FYI: A companion CD from Capitol Jazz, annotated by Levinson, features 16 of James's hit songs.
Copyright 1999 Reed Business Information, Inc.
From Kirkus Reviews
Leading jazz publicist Levinson makes his literary debut with this biography of the late bandleader, who in the '30s and '40s established himself as a rival to Benny Goodman and Tommy Dorsey, among others. Jamess early years were particularly formative, as he was born to parents who devoted much of their lives to performing for the circus. ``Young Harry first met his public at the age of 11 days, when his parents introduced him to the circus audience,'' Levinson writes. With his look at the life of circus entertainers in the early part of the century, Levinson hooks the reader immediately. He makes Jamess progression from childhood circus performer to budding musician at age 12 when he was ``the youngest circus bandleader in the world''a seamless evolution. By the early 1930s, when James was struggling to succeed as a trumpet player, the reader has a strong sense of his musical growth. It wasn't until December 1936, when Goodmanwho would stay friends with James throughout their lifetimes, despite their competition for bookingsinvited him to join his band, that the trumpeter became a star. Levinson captures the era well, citing the impact of WWII on popular music, telling stories of the biggest stars of the time (including Goodman, Dorsey, Jamess hero Louis Armstrong, Lionel Hampton, and Frank Sinatra, whom James helped discover by giving the ``kid'' his first recording gig) and the bigotry integrated big bands faced on the road. To his credit, Levinson, while hardly ignoring James's legendary womanizing, gambling, and drinking, as well as his lengthy marriage to pinup queen Betty Grableultimately victimized by all of James's vicesavoids turning the bandleaders life into a melodramatic soap opera. Instead, he concentrates on the music. Impressive, and a fascinating read not only for fans of jazz, but for students of 20th-century history, Hollywood, and the music business. --
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