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Trunk Music: A Harry Bosch Novel
 
 

Trunk Music: A Harry Bosch Novel [Kindle Edition]

Michael Connelly
4.2 out of 5 stars  See all reviews (142 customer reviews)

Kindle Price: $7.99 includes free wireless delivery via Amazon Whispernet
Sold by: Hachette Book Group
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Editorial Reviews

Amazon.com Review

LAPD Homicide detective Bosch is back from an involuntary administrative leave just in time for the bodies to start turning up. When he finds hints of an mob hit but can't interest the organized crime unit in the murder, Bosch has to take the investigation into his own hands in a this hard-boiled tale full of sharp turns. Fans of Michael Connelly's excellent, The Poet, will go wild for this even better addition to the Harry Bosch series.

From Publishers Weekly

From the opening bars, when the body of Tony Aliso is pulled from the trunk of his Rolls Royce Silver Cloud on Mulholland Drive, to the final grace note on a Hawaiian beach, Connelly has crafted a jazzy, funky, roller coaster of a book. The return of maverick L.A. homicide detective Hieronymous (Harry) Bosch (from 1995's The Last Coyote) is cause for rejoicing. The Aliso murder quickly embroils Bosch and his new team (Kizmin Rider, a young black female officer on the rise in the department; veteran Jerry Edgar; and their boss, Lieutenant Grace Billets) in a Byzantine tangle of Las Vegas mob money, Hollywood filmmaking and police politics. The plot rushes headlong into deadends and deadfalls, repeatedly reorients and tears off in a new direction. Never known for tact, the single-minded Bosch is soon hotfooting through an acronymic snakepit: the LAPD's OCID (Organized Crime Investigation Division); the IAD (Internal Affairs Division); the LVPD's OCU (Las Vegas Police Department's Organized Crime Unit); the FBI. Not only does each organization claim a piece of the action, but each also wants a piece of Bosch. Connelly has it all working together here: skillful dialogue, solid plotting, nuances of race and status and a pace that will leave readers gasping to keep up. Connelly's early promise (The Black Echo earned him the 1993 Edgar for best first novel) has been borne out nicely by succeeding novels. Trunk Music is his best yet. $400,000 ad/promo; author tour.
Copyright 1996 Reed Business Information, Inc.

Product Details

  • Format: Kindle Edition
  • File Size: 914 KB
  • Publisher: Little, Brown and Company (January 1, 2002)
  • Sold by: Hachette Book Group
  • Language: English
  • ASIN: B000FC1MMS
  • Text-to-Speech: Enabled
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (142 customer reviews)
  • Amazon Best Sellers Rank: #2,108 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Customer Reviews

142 Reviews
5 star:
 (64)
4 star:
 (51)
3 star:
 (17)
2 star:
 (5)
1 star:
 (5)
 
 
 
 
 
Average Customer Review
4.2 out of 5 stars (142 customer reviews)
 
 
 
 
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28 of 28 people found the following review helpful:
4.0 out of 5 stars Not garden variety mystery writing..., June 3, 2006
Trunk Music is the fifth novel in Michael Connelly's Harry Bosch mystery series, and so far, I have been very impressed with the consistency of Connelly's writing.

After spending all of book number four, The Last Coyote, suspended from the LAPD homicide department, Bosch is once again on the force. He is called out when another officer finds a body in the trunk of a car. The victim is Tony Aliso, and independent film producer. As Bosch and his two partners, Jerry Edgar and Kiz Rider, start to investigate, they discover that he lived an opulent lifestyle that could not have been possible based on just his film business. In fact, they believe it looks like a Mafia hit (i.e. Trunk Music). But when they notify the LAPD's Organized Crime Unit, they seem uninterested in pursuing the case. Tony Aliso went back and forth between LA and Las Vegas, and Bosch and his partners go back and forth between the two cities trying to run down clues. They also run up against the FBI, who is doing a mob investigation of their own. As with most Bosch mysteries, Harry is able to see things that most investigators can't and he gets a handle on the case before anyone.

Connelly seems to have a love/hate relationship with LA, and he constantly describes the complex personality of this city. In Trunk Music, he shows similar feelings for Las Vegas, although more loathing than love. He writes "Bosch had never liked Las Vegas, though he came here on cases. It shared a kinship with Los Angeles; both were places desperate people ran to.....Beneath the veneer of glitz and money and energy and sex beat a dark heart. No matter how much they tried to dress her up with neon and family entertainment, she was still a [...]." We're not talking garden variety mystery writing here. This is good stuff.

The only thing I found hokey with Trunk Music is that Bosch and his partners would secretly work on a case they were officially removed from (with the consent of their bureau commander). But Bosch is a loose cannon anyway, and even if he didn't have the bureau commander's approval, he would have done it anyway. So don't let this minor issue keep you from reading another good Connelly.
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20 of 20 people found the following review helpful:
4.0 out of 5 stars Connelly never disappoints, July 20, 1999
By A Customer
I've read the first five Harry Bosch novels, and have come to regard them as one continuous narrative in the eventful life of an old friend. Trunk Music was one of the better installments, and displays Connelly's typical mastery of plot development and authentic characterization. I've never found anyone in this genre whose dialogue rings truer, reminding me of a print version of a Steven Bochco show. Trunk Music also re-energizes the formula by introducing some great new characters in fellow cops Kizmin Rider and Grace Billets, and bringing back old flame Eleanor Wish.

Connelly weaves ambitiously intricate mysteries, always with several possible outcomes suggested. At times he seems to overreach, and the ending here feels a little rushed and unsatisfying. It's not that he leaves loose ends; everything is explained in his chosen scenario, it just seems that something with greater ironic power might have been available in this case. However, as I began this review, the more of these I read, the less I require them to be stand-alone masterpieces, and the more I simply relish inhabiting Bosch's world for a while.

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22 of 23 people found the following review helpful:
5.0 out of 5 stars Another Strong Effort, March 6, 2002
This was another strong effort from Connelly. Bosch, one of the most interesting and compelling crime stoppers in the genre, is a sort of Dirty Harry with an even darker side. Trunk Music has a strong plot with nice twists and plenty of surprises. As always, Connelly does a superb job at portraying that gray area between good guys and bad guys. Once again Bosch is being investigated by IAD, but the telling line of the novel is Bosch's: "Who polices the police who police the police?" Things wrap up a little too neatly at the end, but otherwise I highly recommend this book. I rank it a little behind some of Connelly's earlier novels, but it still stands out amongst today's best crime fiction.
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More About the Author

Michael Connelly decided to become a writer after discovering the books of Raymond Chandler while attending the University of Florida. Once he decided on this direction he chose a major in journalism and a minor in creative writing ' a curriculum in which one of his teachers was novelist Harry Crews.

After graduating in 1980, Connelly worked at newspapers in Daytona Beach and Fort Lauderdale, Florida, primarily specializing in the crime beat. In Fort Lauderdale he wrote about police and crime during the height of the murder and violence wave that rolled over South Florida during the so-called cocaine wars. In 1986, he and two other reporters spent several months interviewing survivors of a major airline crash. They wrote a magazine story on the crash and the survivors which was later short-listed for the Pulitzer Prize for feature writing. The magazine story also moved Connelly into the upper levels of journalism, landing him a job as a crime reporter for the Los Angeles Times, one of the largest papers in the country, and bringing him to the city of which his literary hero, Chandler, had written.

After three years on the crime beat in L.A., Connelly began writing his first novel to feature LAPD Detective Hieronymus Bosch. The novel, The Black Echo, based in part on a true crime that had occurred in Los Angeles , was published in 1992 and won the Edgar Award for Best First Novel by the Mystery Writers of America. Connelly has followed that up with 18 more novels. His books have been translated into 31 languages and have won the Edgar, Anthony, Macavity, Shamus, Dilys, Nero, Barry, Audie, Ridley, Maltese Falcon (Japan), .38 Caliber (France), Grand Prix (France), and Premio Bancarella (Italy) awards.

Michael lives with his family in Florida.

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Bosch had never liked Las Vegas, though he came often on cases. It shared a kinship with Los Angeles; both were places desperate people ran to. Often, when they ran from Los Angeles, they came here. It was the only place left. Beneath the veneer of glitz and money and energy and sex beat a dark heart. No matter how much they tried to dress her up with neon and family entertainment, she was still a whore. &quote;
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