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Truth and Beauty: Aesthetics and Motivations in Science [Paperback]

S. Chandrasekhar (Author)
3.8 out of 5 stars  See all reviews (5 customer reviews)

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Book Description

0226100871 978-0226100876 October 15, 1990 New edition
"What a splendid book! Reading it is a joy, and for me, at least, continuing reading it became compulsive. . . . Chandrasekhar is a distinguished astrophysicist and every one of the lectures bears the hallmark of all his work: precision, thoroughness, lucidity."—Sir Hermann Bondi, Nature

The late S. Chandrasekhar was best known for his discovery of the upper limit to the mass of a white dwarf star, for which he received the Nobel Prize in Physics in 1983. He was the author of many books, including The Mathematical Theory of Black Holes and, most recently,  Newton's Principia for the Common Reader.


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Editorial Reviews

From Library Journal

Mathematicians often use the term elegant to describe a particularly creative theorem or proof. In these seven lectures originally presented between 1946 and 1985, a Nobel laureate in physics examines the creative process in science and shows how a sense of the beautiful is a key element. Comparing Shakespeare, Beethoven, and Newton, Chandrasekhar points out similarities and differences in artistic and scientific creativity; and in pieces on Edward Arthur Milne and Arthur Stanley Eddington, shows how the aesthetic sense guided each man's work. Recommended for all collections in the history and philosophy of science.Terry Skeats, Bishop's Univ., Lennoxville, Quebec
Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

About the Author

S. Chandrasekhar has received many awards in his career, including the Nobel Prize for Physics, the National Medal of Science (U.S.), and the Copley Medal of the Royal Society (London). He is the Morton D. Hull Distinguished Service Professor Emeritus in the Department of Astronomy and Astrophysics, the Department of Physics, and the Enrico Fermi Institute at the University of Chicago.

Product Details

  • Paperback: 180 pages
  • Publisher: University Of Chicago Press; New edition edition (October 15, 1990)
  • Language: English
  • ISBN-10: 0226100871
  • ISBN-13: 978-0226100876
  • Product Dimensions: 9 x 6.1 x 0.5 inches
  • Shipping Weight: 8.8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #1,125,681 in Books (See Top 100 in Books)

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15 of 16 people found the following review helpful:
5.0 out of 5 stars Dreams and essays are made of these, January 30, 1998
This review is from: Truth and Beauty: Aesthetics and Motivations in Science (Paperback)
Let me admit at the outset that I read the collection of lectures quite some time back. However, I remember with amazing clarity how much the lectures moved me. Chandrasekhar is not a man who draws superficial parallels between artstic endeavour and the scientific process.

What the essays reveal are something incredibly personal. They reflect what one of the most prominent Astrophysicists of our time feel about aesthetics - from the perspective of C.P Snow's "Two cultures".

And Art, seen from this scientist's point of view, seems to be all the richer for it, contrary to popular belief that rationality strips Art of its elemental passion. The essays go to show that the world we think we live in is not so fragmented after all, and keen perception, augmented with a desire to express, can smoothen the shards that have been left behind in the wake of reductionist thinking.

If you have ever dreamed about the creative cogwheels in scientific history, the essays go to show that they the burning need for an aesthetic whole need not be fundamentally different in the Arts. But there is a interesting and debatable point - which is linked with the unproductive geriatric scientist, and his equally productive counterpart.

But for the last chapter, based on the Karl Schwarzchild lectures on general relativity, most of the essays are at the "scientifically educated" level. One of the most remarkable chapters is about Arthur Eddington, and the Chandrasekhar's open-mindedness is assesing the acutely "conservative" giant of Stellar Physics for his contributions and his drawbacks. One cannot be overwhelmed by history at such moments.

What M.C. Escher's offered the world of mathematical paradoxies and oddities with his lithographs is somewhat symbiotic to Chandrasekhar's lectures. One can only hope that these subtle threads between the "two cultures" will remain.

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2 of 3 people found the following review helpful:
5.0 out of 5 stars Excellent facts by a master!, May 12, 2009
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This review is from: Truth and Beauty: Aesthetics and Motivations in Science (Paperback)
Professor Chandrasekhar was not only a brilliant physicist, but he was also a very caring and wonderful human being. His views on the aesthetics and motivations in science clearly show his love of fellow beings and how to inspire the younger generation.
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4.0 out of 5 stars Intellectual convergence, January 3, 2012
This review is from: Truth and Beauty: Aesthetics and Motivations in Science (Paperback)
This is really a confluence of interests that a creative scientist encounters in his lifetime. Chandra calls it quest for perspectives. He is sort of like Dirac but unlike Dirac, his interests diverge into areas like the renaissance architectures, Beethoven's compositional beauty, Shakespearean prose. He draws parallels from these experiences. They are compelling essays but one can tell Chandra is out of his depth in discussing figures like Beethoven however he corrects himself and warns the reader ahead of time that tackling a subject area other than his own is difficult. I think this happens to everyone who works in a certain field but is awed by other areas such as the arts and tends to draw analogies in form and structure to their own field. His motto throughout is that simplicity is at the heart of anything beautiful and says "Simple is the seal of the true". An interesting read but some chapters at the end of the book are a hard tackle if Astrophysics is not your field, in fact the appreciation for the work is held together more in the early essays. It is a quest for perspectives from a vantage point of an Astrophysicist.
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Inside This Book (learn more)
First Sentence:
I must confess at the outset to a feeling of apprehension at being included in this series on "Works of the Mind," as I am deeply aware of my shortcomings to speak either with assurance or with authority on a subject as wide and comprehensive in its scope as a discussion of the creative works of the scientist must be. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
nonparallel polarizations, impulsive gravitational waves, accompanying gravitational, null dust, degeneracy formula, colliding waves, aesthetic base, stellar energy
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Royal Astronomical Society, Karl Schwarzschild, Royal Society, Cambridge University Press, New York, Tycho Brahe, Ben Jonson, British Association, New Pathways, Sir Frank Dyson, University of Chicago, Winter's Tale, Berliner Akademie, Lord Rayleigh, Astronomer Royal, Chief Assistant, Defence of Poetry, Earl of Southampton, Fermi National Accelerator Laboratory, Forty Years of Astronomy, Roger Fry, The Traveler
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