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The Truth That Never Hurts: Writings on Race, Gender, and Freedom
 
 
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The Truth That Never Hurts: Writings on Race, Gender, and Freedom [Paperback]

Barbara Smith (Author)
4.3 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

August 1, 2000
"The Truth That Never Hurts: Writings on Race, Gender, and Freedom provides a universal message about struggle, resistance, and freedom, grounded within a black Lesbian feminist critique of America's culture and politics. The cogently written essays represent a cross-section of Smith's work over the past twenty years and the first book dedicated exclusively to her own writing. Focusing on race, feminism, and the politics of sexuality, Smith provides an alternative lens to view the world by making connections between systems of oppression and offering suggestions for social change."--The Washington Blade "Smith's book is an excellent example of powerful, introspective writing that challenges readers to reexamine their stance on complex issues concerning race and gender."--The Bloomsbury Review "Stretches of sublime prose translate [Smith's] crystalline intellect to the page, exciting both mind and senses."--Publishers Weekly As one of the first writers in the United States to claim black feminism for black women in the early seventies, Barbara Smith has done groundbreaking work in defining a black women's literary tradition; in examining the sexual politics of the lives of black and other women of color; in representing the lives of black lesbians and gay men; and in making connections between race, sexuality, and gender. Smith's essay "Toward a Black Feminist Criticism" is often cited as a major catalyst in opening the field of black women's literature. This essay also represented the first serious discussion of black lesbian writing. Essays about racism in the women's movement, black and Jewish relations, and homophobia in the black community have ignited dialogue about topics that few other writers address. The collection also brings together topical political commentaries that examine the 1968 Chicago convention demonstrations; attacks on the NEA; the Anita Hill-Clarence Thomas Senate hearings; and police brutality against Rodney King and Abner Louima. Barbara Smith is cofounder and publisher of Kitchen Table: Women of Color Press. She has edited three major collections about black women, including Home Girls: A Black Feminist Anthology, and is coeditor with Wilma Mankiller, Gwendolyn Mink, Marysa Navarro, and Gloria Steinem of The Reader's Companion to U.S. Women's History.

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Editorial Reviews

From Publishers Weekly

A feminist writer and theorist of some repute, Smith founded Kitchen Table: Women of Color Press with the late "black lesbian mother warrior feminist poet" Audre Lorde, and was the first woman of color appointed to the Modern Language Association's Commission on the Status of Women in the Profession. Her seminal 1977 essay "Toward a Black Feminist Criticism," which puts forth the notion that a "Black women's literary tradition" not only exists, but thrives, fittingly opens this collection of newer and older, still vibrant works, most previously published in often hard-to-find journals or anthologies. Noting that "it is unnerving to imagine" what kind of writing she might have produced had she not come out, Smith registers obstacles to her current work on a wide-ranging history of black lesbians and gays in America, citing a recent two-volume encyclopedia (Darlene Clark Hine's Black Women in America) in which there are only six entries under "Lesbian." In the final essay of the collection, "A Rose," Smith recalls her friend, the late Lucretia "Lu" Medina Diggs, and mourns the loss of her and Lorde, stressing that she will not be deterred from her fight for political awareness and compassion. Smith's writing frequently reaches strident polemicist peaks, but, just as frequently, stretches of sublime prose translate her crystalline intellect to the page, exciting both mind and senses.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal

In these essays, Smith, an independent scholar and editor, explores several explosive issues, among them sexual politics, racism and women's studies, and homophobia.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 240 pages
  • Publisher: Rutgers University Press (August 1, 2000)
  • Language: English
  • ISBN-10: 0813527619
  • ISBN-13: 978-0813527611
  • Product Dimensions: 9 x 6 x 0.6 inches
  • Shipping Weight: 14.1 ounces (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,325,060 in Books (See Top 100 in Books)

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Average Customer Review
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5 of 6 people found the following review helpful:
5.0 out of 5 stars Intriguing perspectives on race, sexuality, and art, January 28, 2001
Since the mid-1970s, Barbara Smith has been one of the United States' most productive and distinctive public intellectuals. As a critic, essayist, editor, and publisher, she has made available some incisive analyses and explorations of the paradoxes of American culture. And she has always written boldly and confidently from her own perspective as an African-American lesbian and feminist.

"The Truth That Never Hurts: Writings on Race, Gender, and Freedom" brings together Smith's own non-fiction prose writings from the 1970s, 80s, and 90s. In this collection we can see her development as a thinker. The pieces include her groundbreaking 1977 essay "Toward a Black Feminist Criticism," her tribute to James Baldwin, and much, much more.

Smith discusses the work of such Black women writers as Zora Neale Hurston, Alice Walker and Toni Morrison. Particularly interesting is her exploration of the work of other Black lesbian writers like Pat Parker and Audre Lorde. She also writes about such volatile political issues as Black-Jewish relations, the Rodney King verdict, and the police brutality case involving Haitian immigrant Abner Louima. And she doesn't shy away from taking on other critics and public intellectuals. Smith doesn't discriminate on the basis of race, gender, or sexual orientation in her feisty quarrels with such figures as Darwin Turner, Elaine Showalter, and Andrew Sullivan.

As I write this review, I can hear the cynics and scoffers sneering, "Hey, if she wasn't Black, gay, and female, she wouldn't have anything to write about." To such a statement I would reply: Read Smith's writings with an open yet critical mind, and with an appreciation for the historical context of each piece. I believe that she has important insights for all people, regardless of our own ethnic or sexual self-identification.

In her tribute to James Baldwin, Barbara Smith writes that she loved him "because he made me want to shape prose with a clarity and fire that gave it the power to make people change." I believe that, in the course of her remarkable career, Smith has indeed changed our world for the better with her passionate writings. Read "The Truth That Never Hurts" and experience her own "clarity and fire."

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1 of 3 people found the following review helpful:
5.0 out of 5 stars Excellent read!, October 5, 1999
By A Customer
I encourage everyone to read this new collection by Barbara Smith. She is one of the greatest writers of our time, and this new book will not disappoint.
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1 of 6 people found the following review helpful:
3.0 out of 5 stars Thoughtful introduction to radical political action, April 28, 2002
This review is from: The Truth That Never Hurts: Writings on Race, Gender, and Freedom (Paperback)
In this anthology of essays from her political career, Smith challenges America and the social science fields to recognize the multi-layered experience of queer women of color whose histories have been marginalized and erased in every single way imaginable. Better yet, she emphasizes that this struggle (through whatever means) is by nature hard, long and certainly not glamorus.

The best political organizing is not done for material or financial gratification, it is done for the betterment of all segments in the same society.

But it simmultaneously attacks it's own strong points through oversimplification of the facts regarding queer organizing in the late 20th and early 21st century.I feel that she is too quick to dismiss the contributions of groups such as HRC to the public policy table in favor of a romanticized version of policy making where radicals are the only ones doing any type of work to stop prejudice.

The HRC has attained and sustained numerous criticisms from people who believe the group's policies are a form of "sanitized" politics: because the group tends to court the more moderate politicians, it constructs a narrow context of gay rights suggesting that GLBT Americans are no different from their straight counterparts and can fit into the existing structures of society, only if they are allowed to.

In the fall of 2001, I worked on a local campaign that sought to halt passage of a ballot initiative prohibiting the Houston City council from even considering the offering of domestic partner benefits to GLBT municipal employees. The group I was with was a multicultural coalition of activists whose strategizing embraced the very radicalism Smith claims will bring true change.

Furthermore, HRC sent their representatives down to follow the agenda that we had already confirmed-although I realize much of the strategies and tactics differed from what they would have done in a similar situation without an existing radical coalition.

Even though I am personally more in line with Smith's idelogy, I also recognize that moderate civil rights groups provide a stepping stone for people new to political organizing---those who remain content with the level of analysis will stay with the organization, whereas the more politically assertive will look for other organizations who can fulfill their needs and address their issues in an appropriate manner as they begin to make deeper connections between their lot in life and the very structure of society itself.

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Inside This Book (learn more)
First Sentence:
IN EARLY 1977 editors of the new lesbian feminist literary magazine, Conditions, invited me to write an essay about Black women writers. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
antiracist organizing, black women writers, black lesbians, black woman writer, white lesbians, lesbian writers, women critics
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, African American, Kitchen Table, Third World, United States, Alice Walker, Audre Lorde, Harlem Renaissance, Toni Morrison, Brewster Place, Women of Color Press, James Baldwin, Los Angeles, Abner Louima, Anita Hill, Jewelle Gomez, Ann Allen Shockley, Barbara Smith, Langston Hughes, Middle East, Pat Parker, Some Notes, Zora Neale Hurston, Ishmael Reed, John the Divine
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