Customer Reviews

Tuareg - The Desert Warrior

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Enzo G. Castellari claims membership in that small cadre of Italian filmmakers who launched their careers by routinely ripping off successful American movies. Like Sergio Martino and Fabrizio De Angelis, Castellari visited more than once the action genre, churning out some of the greatest low budget cheese of the 1970s and 1980s. Big budgets, good scripts, great special effects, and effective actors always eluded these elder statesmen of the Grade Z film. Producing pure cheese never seemed to bother these guys, let alone slow them down for long. As long as a film made money, somehow and somewhere, Castellari and company always reappeared on the scene with yet another hackneyed script. Eventually, when these movies failed to earn money the Italian hacks faded away, remembered fondly by a few stalwarts watching old VHS tapes or third generation dupes but forgotten by everyone else. With the emergence of the DVD format, hungry viewers willing to watch almost anything on their new players have inspired several companies to reissue some of these low budget classics. One of them, considered by several connoisseurs of the genre to be Castellari's best effort, is "Tuareg, The Desert Warrior."

Perhaps the biggest surprise concerning this film is that it stars an up and coming Mark Harmon. The actor plays Gacel Sayah, a member of a band of Arabic nomads called the Tuareg (which, we are told, translates as "The Abandoned of God"). The movie opens with an old Arab telling a story about a caravan traveling through the worst stretch of desert in the region, and we soon learn that only Sayah has made the journey through this region unscathed. We also learn that Sayah possesses the best attributes of his tribe: knowledge about how to survive in the harsh environs of the desert with little food and water, how to treat women, how to fight with sword and rifle, and the importance of hospitality. Treating guests nicely translates into a serious obligation with the Tuareg and it isn't long before we see how this belief works in reality. One day, two half dead stragglers stumble into the Tuareg camp. Sayah soon takes them under his wing without realizing that one of the men is the former president of a North African nation who is running from his political enemies. The former leader of the land wishes to cross the border in order to set up a government in exile, which represents a formidable problem for the current regime. When a group of sadistic soldiers show up to capture the men, Sayah at first refuses to hand them over. A killing and some threats occur and the soldiers take charge of the president, leading to a personal vendetta by Sayah against the men who had the temerity to disobey desert law. What follows is a series of adventures involving the drinking of camel blood, a military officer sympathetic to the Tuareg people, more than a few gory killings, an assault on a desert fort, and a twist ending that actually surprises even if it doesn't make much sense.

"Tuareg, The Desert Warrior" is first and foremost a cheesy Italian action film. I can't really say with absolute certainty which films this movie cribs from, but several scenes resembled a mix between the Rambo franchise and Moustapha Akkad's "Lion of the Desert." Regrettably, there wasn't nearly enough action in the film to satisfy me. Sure, there were a few scenes with a lot of gunfire and squibs popping in slow motion, but I thought they ended far too quickly for this type of movie. Since these shoot 'em up sequences are rare and spaced widely apart, most of the movie hinges on the rather talky scenes involving the military's attempts to stymie Sayah's efforts to recover the imprisoned ex-president. Some of these scenes are interesting, such as Sayah drinking camel's blood to stay alive in the desert, but most of the time Tito Carpi's lame script turns the non-action scenes into a turgid mess. It doesn't help that Harmon's acting consists of brief sentences conveyed in a style so monotone that they make Ben Stein sound like Robin Williams. While Harmon's performance amuses at first because of this awkward delivery, it rapidly grates on the viewer after the first twenty minutes or so. I bet this actor doesn't put "Tuareg, The Desert Warrior" on his filmography nowadays. As for the rest of the cast, don't give them a second thought. They are all cardboard cutouts that serve either as cannon fodder or as props to develop Harmon's character.

Westlake Entertainment actually put a few extras on this disc: a cast biography, a cast filmography, and a few stills. As for the picture quality, the film contains spots, grain, and streaks throughout. Moreover, Westlake opted for a full screen transfer when a widescreen presentation would have looked much better considering the wide expanses of desert scenery shown throughout the film. One positive element regarding "Tuareg" is the soundtrack by Riz Ortolani, the musician who did such a wonderful job scoring Ruggiero Deodato's "Cannibal Holocaust." His work isn't as good here, but it still does an apt job of fitting in with the desert backdrop. Ultimately, I think only diehard fans of low budget films or Mark Harmon completists (is there such a thing?) would appreciate anything concerning "Tuareg, The Desert Warrior." All others should stay far, far away.

Okay, so this movie has Mark Harmon in it, it's really not that bad. Well, acting bad makeup and storyline aside, the scenery and costumes are really pretty great considering that the movie was made in '83 in Israel. It has a few rough spots where you might want to scratch your head and check to see if your couchmate is still alive, but it moves along quickly enough. If you like decapitations, bloody gunshot wounds, bloated camels and exploding Arabs you'll rewind this tape with satisfaction. If you're looking for a good documentary on the life of modern Tuareg... well, Mark Harmon is in this flick. The Tuareg definately deserve better treatment than this, but it's all that's out there.

The movie is as gory as many horror films with people losing limbs in battle, throats getting cut, knifing the camel, drinking camel's blood and such. The humor is nearly as cheezy as can be. Most of the lines are shallow. Characters are poorly developed. The dialogue is as profane as pithy. In my humble opinion, Tuareg--The Desert Warrior has three redeeming qualities: 1) Mark Harmon makes a decent Eastwood-Rambo type hero, giving some justice to his lines that range from philosophically laden to adolescent; 2) This movie is a radical illustration of the Middle Eastern desert hospitality that is told in Genesis and Judges; 3) This movie illustrates the strain and unavoidable misunderstandings of two cultures in violent conflict. For fans of spaghetti westerns, Rambo, and Mark Harmon, desiring to slightly better understand a couple of things about the middle eastern conflict, and see bloody lips of men eating camel flesh, this movie might be worth watching.

I have always loved this movie and was glad to buy it on DVD, but when I got it the sound didn't work. I had to max out the volume on my tv and surround sond just to barley hear it. I sent it back and they sent me another one but it was the same way.

I didn't know Tuareg was on DVD because years ago I never saw on VHS. Thanks for having it avaliable.

Tuareg, Il guerriero del deserto, The Desert Warrior (1984) by
Enzo G. Castellari, is an outstanding achievement in terms of
professional film-making. The work has a mixture of epic, action
and close-combat movie and anti-hero elements.

The strength of this movie, aside from the subtle acting of Mark
Harmon, ( unrecognizeable in his role as Gacel Sayah) and the
natural feel of the other actors present (such as Ritza Brown
playing Gacel's Wife, and others) is above all the psychological
displacement into another time, space and dimension.

In this particular case, the Sahara Desert is captured oon screen,
with unique beautiful scenes in that area, comprising camels,
oasis, ocean-side spots in the Western Sahara, palm trees, and the
overall dress and customs of the locals, in counterpoint with
European styles, clothes, and general behavior, too often big-city
driven and dominated.

The DVD release is taken from the cinema, with the only difference
being a pan-and scan approach in 4 x 3.

It cannot be overemphasized how much effort and hard work was put
into the movie in filming almost every single scene, from start to
finish, in the outdoors, and for the rare ones filmed indoors, a
constant motion is the case, yet with a stable frames during the
action.

As well, the editing is impeccable as is the music, which has a
symphonic, relaxing and nostalgic touch to it, easily transforming
viewers such that they forget that they're sitting in a home movie
theatre or are downtown for close to 2 hours.

The berber nomad aspect is underlined uniquely in this story, in
the sense that, Harmon's character is a one-man guerilla, applying
ancient desert traditions and behavior inspired from scripture, in
deciding on what to do in various situations and circumstances.

The action movie aspect and special effects are more than adequate
and in some cases, beyond what is the norm, such as slow motion
simulations of decapitations, head shots, amputations from sword to
sword contests, knife and blade contests, IED detonations, unique
stunts from 5 floors high with Harmon showing ninja-like training.

The story is also strongly rooted into survivalism, as the lack of
water and food, ( a high expenditure of energy coupled with
dehydration from desert heat exhaustion) tests the protagnost's
skills in accomplishing his mission. It appears, the sacrifice of a
camel when faced with anhiliation is not out of norm.

While the Tuareg's code of conduct is inflexible and dogmatic, the
army is equally demanding in its discipline, admonishing thos ein
the ranks that don't adhere, to the point of beatings and
executions, torture and interrogation techniques, by a Sergeant,
played by Aldo Sambrell.

The rivaly between regiments in the same army, as well as between
the armies of different countries is shown, in addition to that
between France and other loyalties in the region, between the
Tuareg and desert gangs and the sitting president.

The upshot, is a unique, outstanding movie that delivers tremendous
entertainment value. An extra star would have been granted had this
been in 16 x 9 widescreen and had the one-man-show been slightly
mitigated.

1st the story: a Tuareg gives shelter to two lost men in the middle of the desert just to see one of them dead by militaries of a country he doesn't recognize as his and the other one taken away. According to his rules (the Tuareg rules) he must punish those that have harmed his guests. So he crosses the desert, fights armies, sees his family in danger, etc, so justice can be made (I will not tell you the end - it's a twister!).
Now the review: the book (Tuareg by Alberto Vazquez-Figueroa) is superb and it's with sadness that I see such great adventure turned into a 2nd grade Rambo Comando Spagheti.
At least the book's author has the same idea about the movie, as one can read in the sequel of the book Los Ojos Del Tuareg.