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Formed in 1988, Indiana's Impossible Shapes have kept a profoundly articulate sense of classic song/dream structure whether they're billowing in drenched multi-tracked gauze like Indianapolis forefathers Zerfas, or snarled in amp-buzz annihilation of power-quartet stage performances. On the flip, Barth (guitarist/vocalist) can pixie dance from guitar play/vocal slay in a quaint yet sexually sly role of piper against Deer's (organ, bass) counterpoint-heavy arrangements of tape-spliced fuckery. Easily the rawest tapes of the Shapes' canon, "Tum" is a potent album.
Formed in 1988, Indiana's Impossible Shapes have kept a profoundly articulate sense of classic song/dream structure whether they're billowing in drenched multi-tracked gauze like Indianapolis forefathers Zerfas, or snarled in amp-buzz annihilation of power-quartet stage performances. On the flip, Barth (guitarist/vocalist) can pixie dance from guitar play/vocal slay in a quaint yet sexually sly role of piper against Deer's (organ, bass) counterpoint-heavy arrangements of tape-spliced fuckery. Easily the rawest tapes of the Shapes' canon, "Tum" is a potent album.
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SoundUnwound Says...
“Tum 
by The Impossible Shapes is mainly Baroque Pop, quite Alternative Rock, with hints of Experimental”
by The Impossible Shapes is mainly Baroque Pop, quite Alternative Rock, with hints of Experimental”Disagree? Cast your vote now!
Share your knowledge and explore the rest of the music world at SoundUnwound.com
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